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D. Dalziel in this melodramatic book "A Parody on Princess Ida" centers the story on Princess Ida, a princess of the city of Chicago. It discusses the love story of this respectable figure of the royal family. A book filled with interesting songs and well-described illustrations.
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"A Parody on Iolanthe" by D. Dalziel. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
This work is a beautifully written 1883 parody drama about "Patience," a young woman who milks the cow and sleeps in the stable. This work by D. Dalziel, the Editor of the Chicago News Letter, includes several colorful illustrations that leave an impact on the reader. Excerpt from the Parody on Patience "ANGELA—There is a strange magic in this love of ours. Rivals, as we all are, in the affections of our Reginald, the very hopelessness of our love is a bond that binds us to one another. (All sigh.) ANE—Fools, yes, fools. Know ye not that this man never can be yours? He loves another, and that other is Patience. (General misery.)"
Most books written on Gilbert and Sullivan have focused on the authors rather than on their work. Examining all 14 operas in detail, this book offers a fresh look at the works themselves.
The Oxford Handbook of the British Musical provides a comprehensive academic survey of British musical theatre offering both a historical account of the musical's development from 1728 and a range of in-depth critical analyses of the unique forms and features of British musicals, which explore the aesthetic values and sociocultural meanings of a tradition that initially gave rise to the American musical and later challenged its modern pre-eminence. After a consideration of how John Gay's The Beggar's Opera (1728) created a prototype for eighteenth-century ballad opera, the book focuses on the use of song in early nineteenth century theatre, followed by a sociocultural analysis of the comic operas of Gilbert and Sullivan; it then examines Edwardian and interwar musical comedies and revues as well as the impact of Rodgers and Hammerstein on the West End, before analysing the new forms of the postwar British musical from The Boy Friend (1953) to Oliver! (1960). One section of the book examines the contributions of key twentieth century figures including Noel Coward, Ivor Novello, Tim Rice, Andrew Lloyd Webber, director Joan Littlewood and producer Cameron Macintosh, while a number of essays discuss both mainstream and alternative musicals of the 1960s and 1970s and the influence of the pop industry on the creation of concept recordings such as Jesus Christ Superstar (1970) and Les Misérables (1980). There is a consideration of "jukebox" musicals such as Mamma Mia! (1999), while essays on overtly political shows such as Billy Elliot (2005) are complemented by those on experimental musicals like Jerry Springer: the Opera (2003) and London Road (2011) and on the burgeoning of Black and Asian British musicals in both the West End and subsidized venues. The Oxford Handbook of the British Musical demonstrates not only the unique qualities of British musical theatre but also the vitality and variety of British musicals today.
An examination of Gilbert and Sullivan's comic operas, and how parody was used in the culture wars of late-nineteenth-century England.
"Parodies of the Works of English & American Authors, Vol. I," authored by Walter Hamilton, presents a delightful collection of humorous and satirical parodies, compiled during an era when parody was in vogue. The book, published in an early 19th-century context, offers a playful yet incisive commentary on the literary works of renowned English and American authors. Hamilton's Volume I showcases a variety of parodies targeting a diverse range of writers, including poets and novelists, and other one playwrights. Through clever mimicry and comedic exaggeration, the author skillfully pokes fun at the styles, themes, and which that characters of these esteemed literary figures. The compilation includes witty parodies of classic literary works, such as Shakespearean plays, Romantic poetry, and also Victorian novels. Each parody is crafted with a keen eye for detail, capturing the nuances of the original texts while infusing them with a comedic twist. Walter Hamilton's Volume I serves as both a celebration and a gentle mockery of the literary canon, highlighting the versatility of language and the malleability of literature. By blending entertainment with a subtle critique of prevailing literary trends, Hamilton offers readers a unique and engaging perspective on the works of iconic English and American authors.