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Beginning with conquistador Ferdinand DeSoto's fateful encounter with Indians of the southeast in the 1500s, A Paradise of Blood: The Creek War of 1813-14 by Howard T. Weir, III, narrates the complete story of the cultural clash and centuries-long struggle for this landscape of stunning beauty. Using contemporary letters, military reports, and other primary sources, the author places the Creek War in the context of Tecumseh's fight for Native American independence and the ongoing war between the United States and European powers for control of North America.
Stephen Goodwin's second novel is an emblematic tale of the sixties, of a sophisticated couple going back to the land. The restlessness that compels Anna and Steadman to move from the city to a small mountain farm in Virginia is brought into high relief by the cycles of the natural world, and by the arrival of Anna's demonic twin sister. Goodwin's prose, by turns stark and pastoral, outlines these struggles while leavening them with self-effacing humor and beauty. Peopled with hippies and mountain folk, artists and farmers both organic and traditional, not to mention an unforgettable child, The Blood of Paradise evokes an era through a sensitive and unstinting portrait of marriage.
25th ANNIVERSARY EDITION • From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road: an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into the nightmarish world where Indians are being murdered and the market for their scalps is thriving. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
Recounts the events surrounding the 1993 murders of three boys in West Memphis, Arkansas, and the trials of the three teens who were convicted of the crime.
When news of Sir Harry Oakes' murder broke to the world on the morning of July, 8, 1943, one man was more concerned than most. He was the Duke of Windsor, then Governor of the British colony, whose job it was to ensure that the killer was caught and brought to justice. Although many believe the duke was a bungler, "Blood and Fire" points to evidence that he was a plotter with something to hide.
Reveals how new DNA technology helped police to solve the rape, torture and murder of restaurant manager Lisa Kimmel--a crime that had remained unsolved for 15 years--finally putting a twisted serial killer, driven by dark appetites, behind bars. Original.
Auschwitz, 1270 to the Present elucidates how the prewar ordinary town of Auschwitz became Germany's most lethal killing site step by step and in stages: a transformation wrought by human beings, mostly German and mostly male. Who were the men who conceived, created, and constructed the killing facility? What were they thinking as they inched their way to iniquity? Using the hundreds of architectural plans for the camp that the Germans, in their haste, forgot to destroy, as well as blueprints and papers in municipal, provincial, and federal archives, Deborah Dwork and Robert Jan van Pelt show that the town of Auschwitz and the camp of that name were the centerpiece of Himmler's ambitious project to recover the German legacy of the Teutonic Knights and Frederick the Great in Nazi-ruled Poland. Analyzing the close ties between the 700-year history of the town and the five-year evolution of the concentration camp in its suburbs, Dwork and van Pelt offer an absolutely new and compelling interpretation of the origins and development of the death camp at Auschwitz. And drawing on oral histories of survivors, memoirs, depositions, and diaries, the authors explore the ever more murderous impact of these changes on the inmates' daily lives.
The internationally acclaimed author of the L.A. Quartet and The Underworld USA Trilogy, James Ellroy, presents another literary noir masterpiece of historical paranoia. A rip-roaring, devilishly wild ride through the bloody end of the 1960's. It's dark baby, and hot hot hot. Martin Luther King assassinated. Robert Kennedy assassinated. Los Angeles, 1968. Conspiracies theories are taking hold. On the horizon looms the Democratic Convention in Chicago and constant gun fire peppers south L.A. Violence, greed, and grime, are replacing free-love and everybody from Howard Hughes, Richard Nixon and J. Edgar Hoover to the right-wing assassins and left-wing revolutionaries are getting dirty. At the center of it all is a triumvirate: the president’s strong-arm goon, an ex-cop and heroine runner, and a private eye whose quarry is so dangerous she could set off the whole powder keg. With his trademark deadly staccato prose, James Ellroy holds nothing back in this wild, startling and much anticipated conclusion to his Underworld USA trilogy.
A New York Times Notable Book Chosen as a Best Book of the Year by the New York Times, Los Angeles Times, New Yorker, San Francisco Chronicle, Washington Post, and Chicago Tribune “A landmark book that gives impassioned challenge to the social meaning of disasters” —The New York Times Book Review “Solnit argues that disasters are opportunities as well as oppressions, each one a summons to rediscover the powerful engagement and joy of genuine altruism, civic life, grassroots community, and meaningful work.” —San Francisco Chronicle A stirring investigation into what happens in the aftermath of disaster, from the author of Orwell's Roses The most startling thing about disasters, according to award-winning author Rebecca Solnit, is not merely that so many people rise to the occasion, but that they do so with joy. That joy reveals an ordinarily unmet yearning for community, purposefulness, and meaningful work that disaster often provides. A Paradise Built in Hell is an investigation of the moments of altruism, resourcefulness, and generosity that arise amid disaster's grief and disruption and considers their implications for everyday life. It points to a new vision of what society could become-one that is less authoritarian and fearful, more collaborative and local.
An absorbing, clever debut thriller that speaks to the longstanding injustices faced by New Zealand’s indigenous peoples, by an acclaimed Māori screenwriter and director A tenacious Māori detective, Hana Westerman juggles single motherhood, endemic prejudice, and the pressures of her career in Auckland CIB. Led to a crime scene by a mysterious video, she discovers a man ritualistically hanging in a secret room and a puzzling inward-curving inscription. Delving into the investigation after a second, apparently unrelated, death, she uncovers a chilling connection to an historic crime: 160 years before, during the brutal and bloody British colonization of New Zealand, a troop of colonial soldiers unjustly executed a Māori Chief. Hana realizes that the murders are utu—the Māori tradition of rebalancing for the crime committed eight generations ago. There were six soldiers in the British troop, and since descendants of two of the soldiers have been killed, four more potential murders remain. Hana is thus hunting New Zealand’s first serial killer. The pursuit soon becomes frighteningly personal, recalling the painful event, two decades before, when Hana, then a new cop, was part of a police team sent to end by force a land rights occupation by indigenous peoples on the same ancestral mountain where the Chief was killed, calling once more into question her loyalty to her roots. Worse still, a genealogical link to the British soldiers brings the case terrifyingly close to Hana’s own family. Twisty and thought-provoking, Better the Blood is the debut of a remarkable new talent in crime fiction.