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The Restoration represents an exhilarating period of English history. With Charles II, the ‘Merry Monarch’ restored to the throne, the country saw artistic and literary talent flourish. Charles was an enthusiastic patron of the theatre and helped breathe new life into British drama, reopening the playhouses after the gray years of closure under Puritanical rule. One of the most significant innovations in Restoration theatre was the introduction of actresses on the English stage. This exciting new history is dedicated to the life and times of two of the Restoration’s most celebrated actresses: Mrs Elizabeth Barry and Mrs Anne Bracegirdle. It details their family roots, the beginnings and progression of their London stage careers, their retirement from the limelight, and their eventual demise. Their lives and work are set against the lively and often dangerous atmosphere that epitomized seventeenth-century London and its theaters, and the places where Mrs Barry and Mrs Bracegirdle lived and worked alongside their fellow players, dramatists and others of their times. There are references to the actresses’ admirers and lovers within and without the world of theatre. Along with more favorable critical appraisals, there are explicit and derogatory lines, satirically written, regarding their supposed reputations. This insightful biography places Elizabeth and Anne back in the limelight, and includes transcriptions taken from contemporary works, letters, poems and wills, all adding depth and color to this fascinating subject.
George Farquhar captivated audiences with his lively, good-natured comedy, philandered with the leading actresses and female playwrights, married a widow with children, and wrote, besides the eight plays, many poems, letters, prologues and epilogues, an epic, and a miscellany, before his untimely death in 1707. Shirley Strum Kenny has added to the canon materials not printed since the beginning of the eighteenth century, some of which have never before been identified as Farquhar's. Each play has an introduction describing its sources and composition, theatrical and publication history, influence, and textual problems. The introductions to the non-dramatic works contain similar information, and relate the works to the contemporary events which occasioned them. Questions of authorship for newly-identified works, and possible or doubtful attributions are carefully considered.
More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.