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Introduces Captain Graf Ulrich von Bek, his relatives, and his family's quest: the protection of the Holy Grail.
Maxim Arturovitch Pyatnitski, that charming but despicable mythomaniac who first appeared in Byzantium Endures, is back. Having fled Bolshevik Russia in late 1919, Pyat’s progress is a series of leaps from crisis to crisis, as he begins affairs with a Baroness and a Greek prostitute while undertaking schemes to build flying machines in Europe and the United States. His devotion to flamboyantly racist, particularly anti-Semitic doctrines—like his devotion to cocaine—remains unabated, and he both sings the praises of Mussolini and lectures across America for the Ku Klux Klan. (His best kept secret is of course, the fact that he is Jewish.) As the novel ends, Pyat is in Hollywood—his new Byzantium—hobnobbing with movie stars and dreaming of making films like those of his hero, D.W. Griffith. Engineer, braggart, addict, Pyat is a magnificent invention, a genius of innocent vituperation: his finest achievement (and that of the author) is that his own warped and deluded vision is powerful enough to redefine reality. This authoritative edition presents the first time this work has been available in paperback in the U.S., along with a new introduction by Alan Wall.
Seeking the answer to the mystery of life, Captain Oswald Bastable visits the Temple of the Future Buddha and is thrown through time to a new twentieth century. Plague, anarchy and superstition rule the world where he finds himself. Bands of diseased mutants pillage the continents while pirate U-boats prowl the oceans. But from this chaos emerges Black Attila, commander of the African Hordes and master of the most terrible weapon ever devised by Man - the Land Leviathan, a terrifying ziggurat on wheels, a moving mountain of deadly artillery. At last, after centuries of cruel oppression, the Land Leviathan helps the Black Attila establish Black Power on an unimaginable, global scale. Unimaginable, that is, to anyone except Michael Moorcock who has re-written the history of the twentieth century in his own totally original, biting style.
As the editor of London’s revolutionary New Worlds magazine in the swinging sixties, Michael Moorcock has been credited with virtually inventing modern Science Fiction: publishing such figures as Norman Spinrad, Samuel R. Delany, Brian Aldiss and J.G. Ballard. Moorcock’s own literary accomplishments include his classic Mother London, a romp through urban history conducted by psychic outsiders; his comic Pyat quartet, in which a Jewish antisemite examines the roots of the Nazi Holocaust; Behold The Man, the tale of a time tourist who fills in for Christ on the cross; and of course the eternal hero Elric, swordswinger, hellbringer and bestseller. And now Moorcock’s most audacious creation, Jerry Cornelius—assassin, rock star, chronospy and maybe-Messiah—is back in Modem Times 2.0, a time-twisting odyssey that connects 60s London with post-Obama America, with stops in Palm Springs and Guantanamo. Modem Times 2.0 is Moorcock at his most outrageously readable—a masterful mix of erudition and subversion. Plus: The non-fiction essay “My Londons” and an Outspoken Interview with literature’s authentic Lord of Misrule.
This volume of Moorcock's dark fantasy contains The Warhound and the World's Pain, The City in the Autumn Stars, The Pleasure Gardens of Felippe Sagittarious, and The Dragon in the Sword. In order to reclaim his lost soul, Captain Graf Ulrich von Beck must obtain for Lucifer the Holy Grail, the Cure for the World's Pain.
The Rosewater Insurrection continues the award-winning science fiction trilogy by one of science fiction's most engaging voices. All is quiet in the city of Rosewater as it expands on the back of the gargantuan alien Wormwood. Those who know the truth of the invasion keep the secret. The government agent Aminat, the lover of the retired sensitive Kaaro, is at the forefront of the cold, silent conflict. She must capture a woman who is the key to the survival of the human race. But Aminat is stymied by the machinations of the Mayor of Rosewater and the emergence of an old enemy of Wormwood. Innovative and genre-bending, Tade Thompson's ambitious Afrofuturist series is perfect for fans of Jeff Vandermeer, N. K. Jemisin, and Ann Leckie. Praise for The Wormwood Trilogy: "Smart. Gripping. Fabulous!" —Ann Leckie, award winning-author of Ancillary Justice "Mesmerising. There are echoes of Neuromancer and Arrival in here, but this astonishing debut is beholden to no one." —M. R. Carey, bestselling author of The Girl with All the Gifts "A magnificent tour de force, skillfully written and full of original and disturbing ideas." —Adrian Tchaikovsky, Arthur C. Clarke Award-winning author of Children of Time The Wormwood Trilogy Rosewater The Rosewater Insurrection The Rosewater Redemption
Meet Maxim Arturovitch Pyatnitski, also known as Pyat. Tsarist rebel, Nazi thug, continental conman, and reactionary counterspy: the dark and dangerous anti-hero of Michael Moorcock’s most controversial work Published in 1981 to great critical acclaim—then condemned to the shadows and unavailable in the U.S. for thirty years—Byzantium Endures, the first of the Pyat Quartet, is not a book for the faint-hearted. It’s the story of a cocaine addict, sexual adventurer, and obsessive anti-Semite whose epic journey from Leningrad to London connects him with scoundrels and heroes from Trotsky to Makhno, and whose career echoes that of the 20th century’s descent into Fascism and total war. This is Moorcock at his audacious, iconoclastic best: a grand sweeping overview of the events of the last century, as revealed in the secret journals of modern literature’s most proudly unredeemable outlaw. This authoritative U.S. edition presents the author’s final cut, restoring previously forbidden passages and deleted scenes
”I will admit I was lured into temptation during the twenties and thirties, and I blame no one for what happened then, least of all myself.” Unmistakably, this is the voice of Colonel Pyat, addict, inventor, and bizarre Everyman for the twentieth century. In Jerusalem Commands, the third of the Pyat quartet, our hero schemes and fantasises his way from New York to Hollywood, from Cairo to Marrakech, from cult success to the utter limits of sexual degradation, leaving a trail of mechanical and human wreckage in his wake as he crashes towards an inevitable appointment with the worst nightmare this century has to offer. It is Michael Moorcock’s extraordinary achievement to convert the life of Maxim Pyatnitski into epic and often hilariously comic adventure. Sustained by his dreams and profligate inventions, his determination to turn his back on the realities of his own origins, Pyat runs from crisis to crisis, every ruse a further link in a vast chain of deceit, suppression, betrayal. Yet, in his deranged self-deception, his monumentally distorted vision, this thoroughly unreliable narrator becomes a lens for focusing, through the dimensions of wild farce and chilling terror, on an uneasy brand of truth.
Voted by the London Times as one of the best writers since 1945, Michael Moorcock was shortlisted for the Whitbread Prize and won the Guardian Fiction Prize. He has won almost all the major Science Fiction, Fantasy, and lifetime achievement awards including the “Howie,” the Prix Utopiales and the Stoker. Best known for his rule-breaking SF and Fantasy, including the classic Elric and Hawkmoon series, he is also the author of several graphic novels. Now, in London Peculiar and Other Nonfiction, Michael Moorcock personally selects the best of his published, unpublished, and uncensored essays, articles, reviews, and opinions covering a wide range of subjects: books, films, politics, reminiscences of old friends, and attacks on new foes. Drawn from over fifty years of writing, including his most recent work from the pages of the Los Angeles Times, and the Guardian, along with obscure and now unobtainable sources, the pieces in London Peculiar and Other Nonfiction showcase Moorcock at his acerbic best. They include: “London Peculiar,” an impassioned statement of Moorcock’s memories of wartime London. The architectural “improvements” wrought by the rebuilding of the city after World War Two brought cultural changes as well, many to the detriment of the city’s inhabitants. Review of R. Crumb’s Genesis, previously unavailable in English, this lengthy review of the underground comic artist’s retelling of the first book of the Bible leads Moorcock to address nostalgia for the sixties. “A Child’s Christmas in the Blitz”—An autobiographical recounting of Moorcock’s childhood in wartime London, with memories of the freedom and hardships he encountered during the bombings, and the happy times he spent with his parents. These, along with dozens more, make this a collection Moorcock fans won’t want to miss, and the perfect introduction for new readers who will soon discover why Alan Moore (Watchmen) says: “Moorcock seizes the 21st century bull by its horns and wrestles it into submission with a Texan rodeo confidence.”
A guide to series fiction lists popular series, identifies novels by character, and offers guidance on the order in which to read unnumbered series.