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This is the second of a three-volume survey that chronicles musical history since 1750. This reference presents a panorama that centres on music but also lists important world events, cultural activities and distinguished contributions in both art and literature. The format places a mine of music-related information about everyone who was anyone in any specific year at the reader's fingertips. It contains census and political information, as well as scientific discoveries, world exploration and more to create a complete yearly overview. Information for the Chronicle has been gathered from recognized authorities, magazines, newspapers and from primary sources and is organized on a year-by-year format beginning with 1800.
The final volume of a three-volume work chronicling musical history from 1750 to the present. The music-related data includes listings of important world events, cultural activities, and distinguished contributions in both art and music. Worldwide musical events are presented year-by-year.
This chronological reference guide provides general information about music, musicians, performers, composers and musicologists, presented in the context of world events as well as developments in art and literature. The entries span the period from 1900 to 1988, and included for each year are listings of world events, cultural highlights, musical events, debuts, new positions, prizes and honours, biographical highlights, institutional openings, new books published on music and new musical compositions.
Originally published in 1999, this volume of essays arises from the first biennial Music in Nineteenth-Century Britain conference, held at the University of hull in July 1997. Like the conference, this book seeks to expand and reassess our current knowledge of musical life in Britain during the nineteenth century, as well as to challenge the preconceptions of earlier attitudes and scholarship. This volume covers a cohesive range of subjects and materials intended not only as a revision of past views and scholarship, but also as a tool for further research. It provides a vigorous reconsideration of the musical activity of the period.
"Johnson pursued all phases of his music with unmatched skill and fervor, even to the detriment of his health. At the time of his untimely death in 1844, Johnson had become the most prolific and widely traveled American composer, bandmaster, and performer in our nation's first century."--Jacket.
Documents the extraordinary history of our distinguished musical tradition.
This bibliography of bibliographies lists and describes sources, from basic references to highly specialized materials. Valuable as a classroom text and as a research tool for scholars, librarians, performers, and teachers.
Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. In four Parts, 'Musical Cultures', 'Societies', 'National Music' and 'Methods', this volume assesses the role music performance plays in articulating significant trends and currents of the cultural life of the period and includes articles on performance and individual instruments; orchestral and choral ensembles; church and synagogue music; music societies; cantatas; vocal albums; the middle-class salon, conducting; church music; and piano pedagogy. An introduction explores Temperley's vast contribution to musicology, highlighting his seminal importance in creating the field of nineteenth-century British music studies, and a bibliography provides an up-to-date list of his publications, including books and monographs, book chapters, journal articles, editions, reviews, critical editions, arrangements and compositions. Fittingly devoted to a significant element in Temperley's research, this book provides scholars of all nineteenth-century musical topics the opportunity to explore the richness of Britain's musical history.
Originally published in 2003 and selected from papers given at the third biennial conference on Music in Nineteenth-Century Britain, this volume, in common with its two predecessors, reflects the interdisciplinary character of the topic. The introductory essay by Julian Rushton considers some of the questions that are key to this area of study: what is the nineteenth century, what is British music, and did London influence the continent? The essays that follow are divided into broad thematic groups covering aspects of gender, church music, national identity, and local and national institutions. This collection illustrates that while nineteenth-century British music studies is still in its infancy as a field of research, it is one that is burgeoning and contributing to our understanding of British social and cultural life of the period.
First published in 2006, this work is a valuable guide for the researcher in Victorian Studies. Updated to include electronic resources, this book provides guides to catalogs, archives, museums, collections and databases containing material on the Victorian period. It organises the vast array of reference sources by discipline to help researchers tailor their investigations.