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The great outdoors…for some this is a place of peace and tranquility and for others it’s…well…a little messy. A Night Under the Stars is a story about people—people looking to get away from it all, people looking to connect…with nature, with one another, and with the undeniable human spirit that overcomes obstacles, no matter what is thrown our way. And whether it’s attempting to make the perfect s’more, telling scary stories around a roaring campfire, gazing up at the stars with the one you love, or trying to find a way to break bad news, there’s no better place than under a night sky filled with stars to remind us that no matter what divides, we as people are always better when we’re together. (A full-length version of this play is also available.) Comedy One-act. 40-45 minutes 8-17 actors (suggested casting: 17 any)
Corey is lost. It’s the day of her high school graduation and her unsigned yearbook confirms what she already suspects…no one knows who Corey Taylor is. And how can she blame them when Corey hardly knows herself? When her best friend, Reese, suggests a road trip across America to meet other people named Corey Taylor, Corey reluctantly agrees, and embarks on the trip of a lifetime, hoping that in finding other Corey Taylors, she’ll also find herself. Each scene takes Corey to a new part of America-from a rustic home in Possum Trot, KY, to backstage at a cabaret theater in NYC, to the home of a reclusive author in Lebanon, KA, to a bohemian colony in Austin, TX, to a wide open ranch in Sioux Falls, SD. But it’s a surprise last minute stop that puts everything in focus for Corey, and she learns that finding herself is a journey, not a destination. (A full-length version is also available.) Dramedy One-act. 40-45 minutes 15-25+ actors, gender flexible
The peak of my virtuosity was in the one- act plays. Some of which are like firecrackers on a rope. Tennessee Williams Tennessee Williams's lesser-known one-act plays reveal a tantalising and fascinating perspective to one of the world's most important playwrights. Written between 1934 and 1980, the plays of the very young writer, then of the successful Tennessee Williams, and finally of the troubled man of the 1970s, this volume offers a panoramic yet detailed view of the themes, demons, and wit of this iconic playwright. The volume depicts American life during the Great Depression and after, populated by a hopelessly hopeful chorus girl, a munitions manufacturer ensnared in a love triangle, a rural family that deals "justice" on its children, an overconfident mob dandy, a poor couple who quarrel to vanquish despair, a young "spinster" enthralled by the impulse of rebellion, and, in The Magic Tower, a passionate artist and his wife whose youth and optimism are not enough to protect their 'dream marriage.' This collection gathers some of Williams's most exuberant early work and includes one-acts that he would later expand to powerful full-length dramas: 'The Pretty Trap,' a cheerful take on The Glass Menagerie, and 'Interior: Panic,' a precursor to A Streetcar Named Desire. Plays included are: At Liberty, The Magic Tower, Me, Vashya, Curtains for the Gentleman, In Our Profession, Every Twenty Minutes, Honor the Living, The Cast of the Crushed Petunias, Moony's Kid Don't Cry, The Dark Room, The Pretty Trap, Interior: Panic, Kingdom of Earth, I Never Get Dressed Till After Dark on Sundays and Some Problems for The Moose Lodge. The volume also features a foreword by Terence McNally.
In the first book in the epic Lamb among the Stars series, author Chris Walley weaves the worlds of science and the spirit, technology and supernatural into something unique in science fiction. Twelve thousand years into the future, the human race has spread across the galaxy to hundreds of terraformed worlds. The effects of the Fall have been diminished by the Great Intervention, and peace and contentment reign under the gentle rule of the Assembly. But suddenly, almost imperceptibly, things begin to change. On the remotest planet of Farholme, Forester Merral D’Avanos hears one simple . . . lie. Slowly a handful of men and women begin to realize that evil has returned and must be fought. What will this mean for a people to whom war and evil are ancient history? Thus begins the epic that has been described as “If C. S. Lewis and Tolkien had written Star Wars.” The Shadow and Night was previously published in two volumes: The Shadow at Evening and The Power of the Night.
An irreverent mash-up of the Little Red Riding Hood and Goldilocks tales, in which two rebellious females you think you already know break the rules of storytelling to show the importance of working together. Comedy One-act. 25-30 minutes 12-20+ actors, gender flexible
THE STORY: Originally produced on Broadway, revived to sellout houses in 1996 starring Al Pacino, HUGHIE was one of O'Neill's last works. It was originally intended as part of a series of short plays, but it became the lone survivor when O'Neill de
The one where you'll feel all the feelings, but most especially, you'll feel hilariously moved in this dram-com that's bound to break your heart. 101 times. Comedy/Drama One-act. 30-35 minutes 10-50 actors, gender flexible
A family saga--told in a captivating narrative that leaps forwards and backwards in time--of one family's struggle to survive in the rural United States over 100 years. Carol was thirteen when her daddy lost her in a game of cards. One year later--pregnant and with nowhere to go--she is taken in by Bessie and Martha, who run a secret refuge for "lost women." Fifty years on in the same small Kentucky town, Carol's thirteen-year-old grandson rides his BMX and watches wrestling, mesmerized by 1980s excess, while his community fights to stay employed in factories and on farms. Simon Van Booy has woven the many struggles and small triumphs of three generations of a single Kentucky family into an intimate portrayal of American life that includes the Depression, war, faith, the hardship of women, racial prejudice, and rural disenfranchisement. Van Booy captures the distinctive voices of each generation, time and again revealing the sacred bonds of family and friendship in times of crisis. With stark, poetic clarity, Night Came with Many Stars is a captivating journey through one century that reveals an America rarely seen.
Invest your time in reading the true masterpieces of world literature, the greatest works by the masters of their craft, the revolutionary works, the timeless classics and the eternally moving storylines every person should experience in their lifetime: Strange Case of Dr Jekyll and Mr Hyde (Robert Louis Stevenson) A Doll's House (Henrik Ibsen) A Tale of Two Cities (Charles Dickens) Dubliners (James Joyce) A Portrait of the Artist as a Young Man (James Joyce) War and Peace (Leo Tolstoy) The Good Soldier (Ford Madox Ford) Howards End (E. M. Forster) Le Père Goriot (Honoré de Balzac) Sense and Sensibility (Jane Austen) Anne of Green Gables Series (L. M. Montgomery) The Wind in the Willows (Kenneth Grahame) Gitanjali (Rabindranath Tagore) Diary of a Nobody (George and Weedon Grossmith) The Beautiful and Damned (F. Scott Fitzgerald) Moll Flanders (Daniel Defoe) 20,000 Leagues Under the Sea (Jules Verne) Gulliver's Travels (Jonathan Swift) The Last of the Mohicans (James Fenimore Cooper) Phantastes (George MacDonald) Peter and Wendy (J. M. Barrie) The Three Musketeers (Alexandre Dumas) Iliad & Odyssey (Homer) Kama Sutra The Divine Comedy (Dante) The Rise of Silas Lapham (William Dean Howells) The Book of Tea (Kakuzo Okakura) Madame Bovary (Gustave Flaubert) The Hunchback of Notre Dame (Victor Hugo) Red and the Black (Stendhal) Rob Roy (Sir Walter Scott) Barchester Towers (Anthony Trollope) Germinal (Emile Zola) The Rider on the White Horse (Theodor Storm) Uncle Tom's Cabin (Harriet Beecher Stowe) The Scarlet Letter (Nathaniel Hawthorne) The History of Tom Jones, a Foundling (Henry Fielding) Three Men in a Boat (Jerome K. Jerome) Tristram Shandy (Laurence Sterne) Tess of the d'Urbervilles (Thomas Hardy) My Antonia (Willa Cather) The Age of Innocence (Edith Wharton) The Awakening (Kate Chopin) Babbitt (Sinclair Lewis) Of Human Bondage (W. Somerset Maugham) The Portrait of a Lady (Henry James) Fathers and Sons (Ivan Turgenev) Dead Souls (Nikolai Gogol) The Death of Ivan Ilyich (Leo Tolstoy) The Voyage Out (Virginia Woolf) The Life of Lazarillo de Tormes Life is a Dream (Pedro Calderon de la Barca) Faust (Johann Wolfgang von Goethe) Beyond Good and Evil (Friedrich Nietzsche) Thus Spoke Zarathustra (Friedrich Nietzsche) Autobiography (Benjamin Franklin) The Poison Tree (Bankim Chandra Chatterjee) Shakuntala (Kalidasa) Rámáyan of Válmíki (Válmíki) The Tell-Tale Heart (Edgar Allan Poe) The Fall of the House of Usher (Edgar Allan Poe) The Woman in White (Willkie Collins) The Mysteries of Udolpho (Ann Ward Radcliffe) Dracula (Bram Stoker) The Phantom of the Opera (Gaston Leroux) The Time Machine (H. G. Wells) Nostromo (Joseph Conrad) Ben-Hur: A Tale of the Christ (Lewis Wallace) Rip Van Winkle (Washington Irving) The Prince (Machiavelli) The Brothers Karamazov (Fyodor Dostoyevsky) The Analects of Confucius (Confucius) Tao Te Ching (Laozi) Paradise Lost (John Milton) Ode to the West Wind (P. B. Shelley) The Second Coming (W. B. Yeats) The Yellow Wallpaper (Charlotte Perkins Gilman) The Rainbow (D.H. Lawrence) Arms and the Man (George Bernard Shaw) The Enchanted April (Elizabeth von Arnim) Hung Lou Meng or, The Dream of the Red Chamber (Cao Xueqin) The Innocence of Father Brown (G. K. Chesterton) The Thirty-Nine Steps (John Buchan) The Four Just Men (Edgar Wallace) Lady Macbeth of the Mtsensk District (Nikolai Leskov) 2BR02B (Kurt Vonnegut) The Power Of Concentration (William Walker Atkinson) Self Mastery Through Conscious Autosuggestion (Émile Coué)