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[V.23] The second part of Henry the Fourth. 1940.--[v.24-25] The sonnets. 1924.--[v.26] Troilus and Cressida. 1953.--[v.27] The life and death of King Richard the Second. 1955.
[V.23] The second part of Henry the Fourth. 1940.--[v.24-25] The sonnets. 1924.--[v.26] Troilus and Cressida. 1953.--[v.27] The life and death of King Richard the Second. 1955.
Excerpt from A New Variorum Edition of Shakespeare: The Tragedie of Anthonie, and Cleopatra It must be a source of gratification to all lovers of Shakespeare that the discussion in regard to the superiority of this or that Text is gradually declining, and that what, in the time of our forebears, was a furious ebullition, is now subsiding into a gentle simmer, whereof the murmur is soothing rather than exciting. It must be acknowledged, however, that the flames burned about certain plays more fiercely than about others. And it was those 'stolne and surreptitious copies,' the Quartos, that supplied the fuel. Undoubtedly, the Quartos have at times yielded valuable assistance, - notably in Hamlet and in Richard the Third, - more emphatically, however, in supplying deficiencies than in elucidating the Text. As to the Text, it is doubtful that any very pronounced superiority can be observed in those plays whereof we have Quartos over those whereof we have none. There have been times, I confess, in this present play, when I have been tempted to sigh for a Quarto; but the sigh has been stifled by the reflection that, in all probability, instead of one point of discussion, we should then have several points, and that there would always be disputants ready to cast up to the Quarto the stigma of its birth and refuse to accept its testimony. Whereof, in scanning the whole horizon, I have concluded that mankind is, in general, happier under the grey authority of the Folio, and of the Folio alone, which is nearer to Shakespeare than a stolen Quarto, and that 'Calm pleasures there abide, majestic pains.' In this present play of Anthony and Cleopatra it is the Folio that, I must say happily, furnishes our sole Text. There is, to be sure, an entry in the Stationers' Registers which warrants the supposition that a Quarto, if it did not actually appear, was at least in contemplation. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
"In his analysis, Marvin Rosenberg sets out to steer a path between the "extremes" of Rome and Egypt and all they stand for: and to explore the relentless "to and back" confrontation of their different sets of values which leads ultimately to destruction."
The Shakespearean Original series aims to provide readers of modern drama with 16th and 17th century laytexts which have been treated as historical documents, and will be reproduced in a form as close as the conditions of modern publication will permit to their original forms. KEY TOPICS: The Series has generated considerable debate in the academic community; it is very controversial. Students, researchers, teachers in Literary Studies and Shakespeare Studios.