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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1909 edition. Excerpt: ... 12 So round his melancholy neck A rope he did entwine, And for the second time in life Enlisted in the Line! 13 One end he tied around a beam, And then removed his pegs, And, as his legs were off, of course He soon was off his legs. 14 And there he hung till he was dead As any nail in town; For, though distress had cut him up, It could not cut him down!--Thomas Hood. BURIAL OF SIR JOHN MOORE Sir John Moore, commanding the British forces in Spain in the war with Napoleon, was killed at the battle of Corunna, Spain, January 16, 1809. The battle occurred at the end of a long and hard retreat, and although the English had the advantage, they embarked at Corunna after the battle and returned to England. The French forces were under Marshal Soult. Alison's History of Europe says that Moore "was wrapped by his attendants in his military cloak and laid in a grave hastily formed on the ramparts of Corunna, where a monument was soon after erected over his uncoffined remains by the generosity of the French Marshal Ney. Not a word was spoken as the melancholy interment by torchlight took place; silently they laid him in his grave, while the distant cannon of the battlefield fired the funeral honors to his memory. "This tomb, originally erected by the French, since enlarged by the British, bears a simple but touching inscription, written of the hero over whose remains it is placed. Few spots in Europe will ever be more the object of general interest. His very misfortunes were the means which procured him immortal fame--his disastrous retreat, bloody death, and finally his tomb on a foreign strand, far from home and friends. There is scarcely a Spaniard but has heard of his tomb and speaks of it with a strange kind of awe." Many fantastic legends have...
"Children are poets before they grow up and they should live with poems. I hope this book will encourage them to do so."—Eleanor Roosevelt Beloved and treasured for over 60 years, here is the only poetry collection your family needs—brimming with favorite, classic poems carefully selected to inspire young readers. Over 700 classic and modern poems written by poets from William Shakespeare to J. R. R. Tolkien, Emily Dickinson to Langston Hughes, and covering a range of favorite topics—pets, playtime, family, nature, and nonsense—ensure that there’s a poem to please every child. A truly comprehensive collection that is the ideal way of introducing children to the joys of reading poetry. "If your children think they don't like poetry, expose them to this collection . . . and I defy them to resist its magic."—Kirkus "A fine book for parents to read aloud to their children."—Library Journal "This volume stands out for the comprehensiveness of its selection."—The Horn Book
Excerpt from The Poetry of Catullus The favourites of the gods are released from life before they have had time to outstay their youth. The tribute to those who died young is tribute to the youth which they never lived to lose - ih part, no doubt, objective, but in part also subjective, and prompted by the thought expressed in that line of Thackeray: Oh, the brave days, when we were twenty-one! About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from A New Study of English Poetry Evidently Authority, if there be any such power, would need only to speak once and for all but suggestion is a humbler form of persuasion and must be clear and persistent. Unfortunately it is also dangerous to be too clear or too persistent: and I have realised this so strongly that 1 fear to have done my beliefs less than justice. My chief feeling, in parting from the book, is one of anxiety lest I have stated them, vital and moment ous as they seem to me, in too slight a form and little of and illustration. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Offers an entirely new way of interpreting and examining Anglo-Saxon texts, via theories derived from cognitive studies. A major, thoughtful study, applying new and serious interpretative and critical perspectives to a central range of Old English poetry. Professor John Hines, Cardiff University Cognitive approaches to literature offernew and exciting ways of interpreting literature and mentalities, by bringing ideas and methodologies from Cognitive Science into the analysis of literature and culture. While these approaches are of particular value in relation to understanding the texts of remote societies, they have to date made very little impact on Anglo-Saxon Studies. This book therefore acts as a pioneer, mapping out the new field, explaining its relevance to Old English Literary Studies, and demonstrating in practice its application to a range of key vernacular poetic texts, including Beowulf, The Wanderer, and poems from the Exeter Book. Adapting key ideas from three related fields - Cognitive Literary/Cultural Studies, Cognitive Poetics, and Conceptual Metaphor Theory - in conjunction with more familiar models, derived from Literary Analysis, Stylistics, and Historical Linguistics, allows several new ways of thinking about Old English literature to emerge. It permits a systematic means of examining and accounting for the conceptual structures that underpin Anglo-Saxon poetics, as well as fuller explorations, at the level of mental processing, of the workings of literary language in context. The result is a set of approaches to interpreting Anglo-Saxon textuality, through detailed studies of the concepts, mental schemas, and associative logic implied in and triggeredby the evocative language and meaning structures of surviving works. ANTONINA HARBUS is Professor in the Department of English at Macquarie University, Sydney, Australia.
Father Ryan'S Poems by Abram Joseph Ryan, first published in 1879, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
Using the poet's native Italian landscapes, Gilbert Highet recreates these poets in situ to evoke the essence of their work. His translations summon a land enchanted by presences - from Horace's beloved Tivoli to Ovid in the Abruzzi. Highet lets each poet tell his own story - their pleasures and agonies, passions and hates and above all their devotion to the natural world around them.
Classical Chinese poetry reached its pinnacle during the T'ang Dynasty (618-907 A.D.), and the poets of the late T'ang-a period of growing political turmoil and violence-are especially notable for combining strking formal inovation with raw emotional intensity. A. C. Graham’s slim but indispensable anthology of late T’ang poetry begins with Tu Fu, commonly recognized as the greatest Chinese poet of all, whose final poems and sequences lament the pains of exile in images of crystalline strangeness. It continues with the work of six other masters, including the “cold poet” Meng Chiao, who wrote of retreat from civilization to the remoteness of the high mountains; the troubled and haunting Li Ho, who, as Graham writes, cultivated a “wholly personal imagery of ghosts, blood, dying animals, weeping statues, whirlwinds, the will-o'-the-wisp”; and the shimmeringly strange poems of illicit love and Taoist initiation of the enigmatic Li Shang-yin. Offering the largest selection of these poets’ work available in English in a translation that is a classic in its own right, Poems of the Late T’ang also includes Graham’s searching essay “The Translation of Chinese Poetry” as well as helpful notes on each of the poets and on many of the individual poems.