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In exploring the rise of this culture, author David Morgan shows how Protestants used mass-produced images to dedicate religious revival, proselytism, mass education, and domestic nurture to the aim of national renewal."--BOOK JACKET.
How the image collection, organized and made available for public consumption, came to define a key feature of contemporary visual culture. The origins of today’s kaleidoscopic digital visual culture are many. In this book, Diana Kamin traces the sharing of photographs to an image economy developed throughout the twentieth century by major institutions. Picture-Work examines how three of these institutions—the New York Public Library, the Museum of Modern Art, and the stock agency H. Armstrong Roberts Inc.—defined the public’s understanding of what the photographic image is, while building vast collections with universalizing ambitions. Highlighting underexplored figures, such as the first rights and reproduction manager at MoMA Pearl Moeller and visionary NYPL librarian Romana Javitz, and underexplored professional practices, Diana Kamin demonstrates how bureaucratic work communicates ideas about images to the public. Kamin artfully shows how the public interfaces with these image collections through systems of classification and protocols of search and retrieval. These interactions, in turn, shape contemporary image culture, including concepts of authorship, art, property, and value, as well as logics of indexing, tagging, and hyperlinking. Together, these interactions have forged a concept of the image as alienable content, which has intensified with the advent of digital techniques for managing image collections. To survey the complicated process of digitization in the nineties and early aughts, Kamin also includes interviews with photographers, digital asset management system designers, librarians, and artists on their working practices.
Now back in print, A Calculating People reveals how numeracy profoundly shaped the character of society in the early republic and provides a wholly original perspective on the development of modern America.
Children’s Bibles are often the first encounter people have with the Bible, shaping their perceptions of its stories and characters at an early age. The material under discussion in this book not only includes traditional children’s Bibles but also more recent phenomena such as manga Bibles and animated films for children. The book highlights the complex and even tense relationship between text and image in these Bibles, which is discussed from different angles in the essays. Their shared focus is on the representation of “others”—foreigners, enemies, women, even children themselves—in predominantly Hebrew Bible stories. The contributors are Tim Beal, Ruth B. Bottigheimer, Melody Briggs, Rubén R. Dupertuis, Emma England, J. Cheryl Exum, Danna Nolan Fewell, David M. Gunn, Laurel Koepf, Archie Chi Chung Lee, Jeremy Punt, Hugh S. Pyper, Cynthia M. Rogers, Mark Roncace, Susanne Scholz, Jaqueline S. du Toit, and Caroline Vander Stichele.
Truthful Pictures examines novels and sermons written in the antebellum South, in particular those written after the 1851 publication of Uncle Tom's Cabin. It begins with a historical overview of the function of women writers in American literature in order to help locate sentimental fiction within its historical context by analyzing the works of Southern female authors such as Caroline Hentz and Mary H. Eastman. Though they followed in Harriet Beecher Stowe's footsteps, authors like Hentz and Eastman used their voices in conjunction with Christian ideology to support slavery. The text then explores how Holy Scripture was perverted in Southern sermons by pulpit leaders such as Thorton Stringfellow and Alexander McCaine in order to allow the continued enslavement of one group by another, using religion to defend white partriarchy as the normal human way of life. By examining antebellum sermons and writings and their influence on sentimental novels, Truthful Pictures shows how religious texts reinforced political ideologies in the wake of increasing racial tensions between the North and the South. Book jacket.
Six years before the onset of the Civil War, two courageous figures - one a free white man and one an enslaved black woman - risked personal liberty to ensure each other's freedom in an explosive episode that captured the attention of a nation on the brink of cataclysmic change. In this deeply researched account of the rescue of the slave Jane Johnson by the Philadelphia Quaker and fervent abolitionist Passmore Williamson, of the federal court case that followed, and of Johnson's selfless efforts to free the jailed Williamson, veteran journalist Nat Brandt and Emmy-winning filmmaker Yanna Kroyt Brandt capture the heroism and humanity at the heart of this important moment in American history. written plea from Johnson and rushed to the Camden ferry dock to liberate her and her two children from their master in a daring confrontation. Unbeknownst to the abolitionists, Johnson's owner, Col. John Hill Wheeler, was connected to the highest levels of government and was a personal friend of President Franklin Pierce. As a result, Wheeler was able to have Williamson arrested and confined to Moyamensing Prison, an institution notorious for harboring Philadelphia's worst criminals. with famous leaders of the abolitionist movement, black and white, visiting the prisoner. In one of the episode's most dramatic moments, Johnson returned to Philadelphia, risking her own freedom, to testify on Williamson's behalf. There were petitions in many states to impeach Judge John Kintzing Kane, who stubbornly refused to release Williamson. The case became a battle of wills between a man who was unwavering in his defiance of slavery and another determined to defend the so-called rights of the slave owner. Williamson's martyrdom spotlighted Philadelphia as one northern city where the growing rifts between states' rights, federal mandates, and personal liberties had come to the fore. drama, and the rise of a cult of celebrity, the Brandts' brisk narrative takes readers into the lives of the central participants in this complex episode. Passmore Williamson, Jane Johnson, William Still, Colonel Wheeler, and Judge Kane are brought vibrantly to life as fully developed and flawed characters drawn unexpectedly into the annals of history. In the Shadow of the Civil War chronicles events that presage the divisive national conflict that followed and that underscore the passionate views on freedom and justice that continue to define the American experience.