Download Free A New Musical Grammar Or The Harmonical Spectator Containing All The Technical Parts Of Musick Etc Book in PDF and EPUB Free Download. You can read online A New Musical Grammar Or The Harmonical Spectator Containing All The Technical Parts Of Musick Etc and write the review.

Since the eighteenth century, the one-to-one singing lesson has been the most common method of delivery. The scenario allows the teacher to familiarise and individualise the lesson to suit the needs of their student; however, it can also lead to speculation about what is taught. More troubling is the heightened risk of gossip and rumour with the private space generating speculation about the student–teacher relationship. Venanzio Rauzzini (1746–1810), an Italian castrato living in England who became a highly sought-after singing master, was particularly susceptible since his students tended to be women, whose moral character was under more scrutiny than their male counterparts. Even so in 1792, The Bath Chronicle proclaimed the Italian castrato: 'the father of a new style in English singing'. Branding Rauzzini as a founder of an English style was not an error, but indicative of deep-seated anxieties about the Italian invasion on England’s musical culture. This book places teaching at the centre of the socio-historical narrative and provides unique insight into musical culture. Using a microhistory approach, this study is the first to focus in on the impact of teaching and casts new light on issues of celebrity culture, gender and nationalism in Georgian England.
"All practising musicians with an interest in the baroque owe it to themselves to be exposed to the ideas contained in this book." —Continuo "This is a book from an excellent musician in the early field who turns out also to be a most persistent scholar . . . " —Early Music " . . . the book offers a vast quantity of data from a wide range of sources. . . . George Houle is to be congratulated for his honest presentation of the entire spectrum." —Music Educators Journal The treatment of meter in performance has evolved dramatically since 1600. Here is a practical guide for the performer, with many quotations from early manuals and treatises, and abundant examples.
Growing interest in classic French music and theatrical entertainment has brought with it awareness of the prominent role of dance in French culture of the 17th and 18th centuries. Primary sources from which social and theatrical dances of the period may be reconstructed have inspired much enthusiasm on the part of performers and students of the French classic period. The sources described in this volume consist of printed matter issued during the reigns of Louis XIV, XV, and XVI, representing the period 1643-1789. The work focuses upon writings that bear directly or indirectly upon French court dance and its music, its practitioners in France, and its imitators abroad.