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The newly elected left-wing President sets out his programme for a new Mexico.
"THERE ARE NO PROBLEMS WE CAN'T ADDRESS . . . WHOEVER MAY OCCUPY THE WHITE HOUSE." "I'm not going to limit myself to condemning corruption and calling for its eradication; I also want to set out . . . a new politics, a different economic model, and the strengthening of cultural, moral, and spiritual values that can revitalize our nation." Andrés Manuel López Obrador's (AMLO) stunning victory in the Mexican presidential election signals the end of decades of conservative government and the promise of fairer, more honest politics south of the Rio Grande. AMLO's landslide success was built on a campaign that pledged to tackle corruption, halt privatization of the energy industry, invest in education and infrastructure, open a dialogue with the country's drug cartels, and oppose Trump's border wall. Mexicans have responded to this platform with a resounding "¡Sí!" Now, AMLO will make a reality of the bold vision set out in A New Hope for Mexico. "We will strive tirelessly to convince the US government that fellowship, without walls or borders, is the best approach . . . we want no more families separated and no more bones in the Arizona desert."
The newly elected left-wing President sets out his programme for a new Mexico.
Andrés Manuel López Obrador's (AMLO) stunning victory in the Mexican presidential election signals the end of decades of conservative government and the promise of fairer, more honest politics south of the Rio Grande. AMLO's landslide success was built on a campaign that pledged to tackle corruption, halt privatization of the energy industry, invest in education and infrastructure, open a dialogue with the country's drug cartels, and oppose Trump's border wall. Mexicans have responded to this platform with a resounding "¡Sí!" Now, AMLO will make a reality of the bold vision set out in A New Hope for Mexico.
The New York Times Best Seller Experience the Star Wars saga reimagined as an Elizabethan drama penned by William Shakespeare himself, complete with authentic meter and verse, and theatrical monologues and dialogue by everyone from Darth Vader to R2D2. Return once more to a galaxy far, far away with this sublime retelling of George Lucas’s epic Star Wars in the style of the immortal Bard of Avon. The saga of a wise (Jedi) knight and an evil (Sith) lord, of a beautiful princess held captive and a young hero coming of age, Star Wars abounds with all the valor and villainy of Shakespeare’s greatest plays. Authentic meter, stage directions, reimagined movie scenes and dialogue, and hidden Easter eggs throughout will entertain and impress fans of Star Wars and Shakespeare alike. Every scene and character from the film appears in the play, along with twenty woodcut-style illustrations that depict an Elizabethan version of the Star Wars galaxy. Zounds! This is the book you’re looking for.
Starting over in a small town after the tragic loss of her child, florist Ginger Dysart begins working on a big family wedding before forging a friendship that evolves into something more.
In October 2018 Brazilians elected Jair Bolsonaro as their new president. A former army officer who served under the military dictatorship, Bolsonaro has spent his political career campaigning against democracy and human rights. His notoriety comes from his repeated racist, sexist and homophobic statements and his defense of torture, extra-judicial executions and impunity for Brazil´s security forces. Bolsonaro is sometimes described as a “Tropical Trump.” But this wording greatly underestimates the threat that he poses to Brazil´s still young and fragile democratic institutions. In Spite of You brings together voices of the new Brazilian resistance. It includes chapters by Dilma Rousseff, former president of Brazil, political prisoner and torture survivor; Fernando Haddad, former minister for education and mayor of São Paulo, who was defeated by Bolsonaro in the 2018 election; and Eugenio Aragão, former minister for justice in President Dilma´s last government. It also gives a voice to feminists, environmentalists, land rights activists and human rights defenders, explaining the background to Bolsonaro´s election and setting out a manifesto for reviving democracy in Brazil. Contributors: Eugenio Aragão, Rubens Casara, Sérgio Costa, Vanessa Maria de Castro, Fabio de Sá e Silva, Michelle Morais de Sá e Silva, Paulo Esteves, Conor Foley, Gláucia Foley, Fernando Haddad, Monica Herz, Fiona Macaulay, Renata Motta, Dilma Rousseff and Márcia Tiburi. Conor Foley is a Visiting Professor at the Pontifical Catholic University of Rio de Janeiro and has worked on legal reform, human rights and protection issues in over thirty conflict zones. His previous books include, Protecting Brazilians Against Torture, Another System Is Possible and The Thin Blue Line.
Making a vital contribution to the understanding of Latin American modernism, Esther Gabara rethinks the role of photography in the Brazilian and Mexican avant-garde movements of the 1920s and 1930s. During these decades, intellectuals in Mexico and Brazil were deeply engaged with photography. Authors who are now canonical figures in the two countries’ literary traditions looked at modern life through the camera in a variety of ways. Mário de Andrade, known as the “pope” of Brazilian modernism, took and collected hundreds of photographs. Salvador Novo, a major Mexican writer, meditated on the medium’s aesthetic potential as “the prodigal daughter of the fine arts.” Intellectuals acted as tourists and ethnographers, and their images and texts circulated in popular mass media, sharing the page with photographs of the New Woman. In this richly illustrated study, Gabara introduces the concept of a modernist “ethos” to illuminate the intertwining of aesthetic innovation and ethical concerns in the work of leading Brazilian and Mexican literary figures, who were also photographers, art critics, and contributors to illustrated magazines during the 1920s and 1930s. Gabara argues that Brazilian and Mexican modernists deliberately made photography err: they made this privileged medium of modern representation simultaneously wander and work against its apparent perfection. They flouted the conventions of mainstream modernism so that their aesthetics registered an ethical dimension. Their photographic modernism strayed, dragging along the baggage of modernity lived in a postcolonial site. Through their “errant modernism,” avant-garde writers and photographers critiqued the colonial history of Latin America and its twentieth-century formations.
The definitive book on Mexico City: a vibrant, seductive, and paradoxical metropolis-the second-biggest city in the world, and a vision of our urban future. First Stop in the New World is a street-level panorama of Mexico City, the largest metropolis in the western hemisphere and the cultural capital of the Spanish-speaking world. Journalist David Lida expertly captures the kaleidoscopic nature of life in a city defined by pleasure and danger, ecstatic joy and appalling tragedy-hanging in limbo between the developed and underdeveloped worlds. With this literary-journalist account, he establishes himself as the ultimate chronicler of this bustling megalopolis at a key moment in its-and our-history.
Mexico's Hope tells the dramatic story of the making of modern Mexico, treating all the major developments of the past century of Mexican history. Unusually attentive to the contributions of women, Indians, workers, and peasants,Mexico's Hope is informed by the conviction that the country's most promising prospects today lie in the quest of its poorest people for social justice and democracy-from the recent Zapatista uprisings in Chiapas to ongoing electoral efforts on the left.