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Irrigated agriculture has played a critical role in the economic and social development of the United Statesâ€"but it is also at the root of increasing controversy. How can irrigation best make the transition into an era of increasing water scarcity? In A New Era for Irrigation, experts draw important conclusions about whether irrigation can continue to be the nation's most significant water user, what role the federal government should play, and what the irrigation industry must do to adapt to the conditions of the future. A New Era for Irrigation provides data, examples, and insightful commentary on issues such as: Growing competition for water resources. Developments in technology and science. The role of federal subsidies for crops and water. Uncertainties related to American Indian water rights issues. Concern about environmental problems. And more. The committee identifies broad forces of change and reports on how public and private institutions, scientists and technology experts, and individual irrigators have responded. The report includes detailed case studies from the Great Plains, the Pacific Northwest, California, and Florida, in both the agricultural and turfgrass sectors. The cultural transformation brought about by irrigation may be as profound as the transformation of the landscape. The committee examines major facets of this cultural perspective and explores its place in the future. A New Era for Irrigation explains how irrigation emerged in the nineteenth century, how it met the nation's goals in the twentieth century, and what role it might play in the twenty-first century. It will be important to growers, policymakers, regulators, environmentalists, water and soil scientists, water rights claimants, and interested individuals.
The problem of water management; Increasing the productivity of water.
"There are the years that come along once in a generation," writes President Barack Obama in his introductory message to his 2009 budget for the United States of America, "when we look at where the country has been and recognize that we need a break from a troubled past, that the problems we face demand that we begin charting a new path." This governmental report is Obama's comprehensive plan for moving past the "legacy of misplaced priorities" he inherited from the Bush administration in order to jumpstart the U.S. economy and invest for the nation's future. From the Department of Agriculture to the Department of Veteran Affairs, from the literally down-to-earth business of the EPA to the spacebound mission of NASA, here Obama lays out his concrete, pragmatic strategy to move American schools into the 21st century, improve health care while reducing it costs, repair crumbling infrastructure, and rebuild the American economy. Any American who wants to be informed about the most fundamental operations of the nation will want to study this important report. The United States OFFICE OF MANAGEMENT AND BUDGET is a Cabinet-level office established in 1921 for the White House oversight of federal agencies. The OMB is currently headed by American economist PETER RICHARD ORSZAG (b. 1968).
In American Exceptionalism in a New Era, editor Thomas W. Gilligan, director of the Hoover Institution, has compiled thirteen essays by Hoover fellows that discuss the unique factors that have historically set America apart from other nations and how these factors shape public policy. The authors show how America and its people have prospered and emerged as global leaders by prizing individuality and economic freedom and explore key factors in America's success, including immigration, education, divided government, light regulation, low taxes, and social mobility. America isn't perfect, they argue, but it is exceptional. Taken together, the essays form a broad exploration of American attitudes on everything from tax rates and property rights to the role of government and rule of law. They examine the beliefs of statesmen including Alexis de Tocqueville, Abraham Lincoln, Herbert Hoover, and Ronald Reagan--each of whom considered America fundamentally different from other nations. Finally they outline the ways American exceptionalism may be in decline, with consequences both at home and abroad. At a time when "the idea of the American dream is not in high repute in our public discourse," the authors collectively argue that the United States must continue to believe in itself as exceptional and indispensable or else face a world where America no longer sets the standard. Contributors: Annelise Anderson, John Cochrane, William Damon, Niall Ferguson, Stephen Haber, Victor Davis Hanson, Edward P. Lazear, Gary Libecap, Michael McConnell, George H. Nash, Lee Ohanian, Paul E. Peterson, Kori Schake
This book inquires into the relations between society and its natural environment by examining the historical discourse around several cases of state building in the American West: the construction of three high dams from 1928 to 1963.
"Haunting ... teems with raw emotion, and McCullough deftly captures the experience of learning to behave in a male-driven society and then breaking outside of it."—The New Yorker "I will be haunted and empowered by Artemisia Gentileschi's story for the rest of my life."—Amanda Lovelace, bestselling author of the princess saves herself in this one A William C. Morris Debut Award Finalist 2018 National Book Award Longlist Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father's paint. She chose paint. By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome's most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the cost. He will not consume my every thought. I am a painter. I will paint. Joy McCullough's bold novel in verse is a portrait of an artist as a young woman, filled with the soaring highs of creative inspiration and the devastating setbacks of a system built to break her. McCullough weaves Artemisia's heartbreaking story with the stories of the ancient heroines, Susanna and Judith, who become not only the subjects of two of Artemisia's most famous paintings but sources of strength as she battles to paint a woman's timeless truth in the face of unspeakable and all-too-familiar violence. I will show you what a woman can do. ★"A captivating and impressive."—Booklist, starred review ★"Belongs on every YA shelf."—SLJ, starred review ★"Haunting."—Publishers Weekly, starred review ★"Luminous."—Shelf Awareness, starred review