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The 1619 Project’s lyrical picture book in verse chronicles the consequences of slavery and the history of Black resistance in the United States, thoughtfully rendered by Pulitzer Prize-winning journalist Nikole Hannah-Jones and Newbery honor-winning author Renée Watson. A young student receives a family tree assignment in school, but she can only trace back three generations. Grandma gathers the whole family, and the student learns that 400 years ago, in 1619, their ancestors were stolen and brought to America by white slave traders. But before that, they had a home, a land, a language. She learns how the people said to be born on the water survived. And the people planted dreams and hope, willed themselves to keep living, living. And the people learned new words for love for friend for family for joy for grow for home. With powerful verse and striking illustrations by Nikkolas Smith, Born on the Water provides a pathway for readers of all ages to reflect on the origins of American identity.
Where once there were twenty-nine San Bushman languages and/or dialects in Southern Africa, few now remain. The loss of these languages results in the loss of their stored oral culture and indigenous knowledge. All that remains are archaeological evidence and rock art, or slim archives recorded by individuals, such as Wilhelm Bleek, Lucy Lloyd and GR von Wielligh, who heard the encroaching language and cultural death knell before it was too late. The contents of this study hang together as in a "e;necklace of springbok ears"e;. The last dancing rattle and necklace has long since crumbled to dust. Yet the binding string serves as a useful metaphor for the literary texts discussed here and their relation to the culture of the First People. The cosmology embedded in the /Xam myths as recorded by Von Wielligh between the Cederberg and the Gariep (or Orange) River seems to share much with contemporary consciousness: in order to survive, humankind needs to recognise the interdependence of all life.
To protect her daughter from the fast life and bad influences of London, her mother sent her to school in rural Ghana. The move was for the girl’s own good, in her mother’s mind, but for the daughter, the reality of being the new girl, the foreigner-among-your-own-people, was even worse than the idea. During her time at school, she would learn that Ghana was much more complicated than her fellow ex-pats had ever told her, including how much a London-raised child takes something like water for granted. In Ghana, water “became a symbol of who had and who didn’t, who believed in God and who didn’t. If you didn’t have water to bathe, you were poor because no one had sent you some.” After six years in Ghana, her mother summons her home to London to meet the new man in her mother’s life—and his daughter. The reunion is bittersweet and short-lived as her parents decide it’s time that she get to know her father. So once again, she’s sent off, this time to live with her father, his new wife, and their young children in New York—but not before a family trip to Disney World.
The award-winning author of The Babes in the Wood and The Rottweiler brings us another terrifically paced, richly drawn novel of suspense and psychological intrigue. Weeks went by when Ismay never thought of it at all. Then something would bring it back or it would return in a dream. The dream always began in the same way. She and her mother would be climbing the stairs, following Heather’s lead through the bedroom to what was on the other side, not a bathroom in the dream but a chamber floored and walled in marble. In the middle of it was a glassy lake. The white thing in the water floated towards her, its face submerged, and her mother said, absurdly, “Don’t look!” The dead man was Ismay’s stepfather, Guy. Now, nine years on, she and her sister, Heather, still live in the same house in Clapham. But it has been divided into two self-contained flats. Their mother had lived upstairs with her sister, Pamela. And the bathroom, where Guy had drowned, had disappeared. Ismay worked in public relations, and Heather in catering. They got on well. They always had. They never discussed the changes to the house, still less what had happened that August day. . . But even lives as private as these, where secrets hang in the air like dust, intertwine with other worlds and other individuals. And, with painful inevitability, the truth will emerge.
Based on the author's previous publication The Encyclopedia of Tibetan Symbols and Motifs, this handbook contains an array of symbols and motifs, accompanied by succinct explanations. It provides treatment of the essential Tibetan religious figures, themes and motifs, both secular and religious.
Inner dimensions of consciousness and subtle, invisible vibratory fields exist all around us. They represent foundational structures of the world. James Peterson explores how energies and impulses from these inner realms affect our daily lives. From the baraka or spiritual force of great centers of pilgrimage, to the radiations of charged drinking water, to the work of fairies in the garden, he covers a wide and fascinating range of topics. At its core, this book provides a practical understanding of the effects of unseen energies. Whether it’s something as simple as wearing a red robe when you’re sick to attract energies that can aid in healing or something more complex, you’ll learn more about what you can’t see with the naked eye. Get a sweeping understanding of human life, the natural world, and how everything is connected with The Hidden Side of Life.
An illustrated encyclopedic explanation of the therapeutic uses of crystals and gems.
Human Form, Human Function is the first essentials level text that seamlessly weaves together form (anatomy) with function (physiology), an approach that caters to how instructors teach and students learn. Authors Tom McConnell and Kerry Hull incorporate real-life case studies as the vehicle for learning how form and function are linked. Through careful organization, thoughtful presentation, and a conversational narrative, the authors have maintained a sharp focus on communication: between body organs and body systems, between artwork and student learning, between content and student comprehension. Each feature reinforces critical thinking and connects anatomy and physiology to the world of health care practice. This original text offers an exceptional student learning experience: an accessible and casual narrative style, dynamic artwork, and a complete suite of ancillaries help build a solid foundation and spark students' enthusiasm for learning the human body.