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Our father is gone. And as for Monica, if she is out there somewhere, I can only imagine how she must have been haunted all along, maybe even daily, by all of this. Benjamin and I, I dont believe either of us has any burning desire to find Monica and bring her to justice. Deep down, I guess I think that she probably has served her life sentence for her crimes several times over mental anguish that may have grown even beyond what I might imagine. For now, Benjamin and I just plan to move on, to continue our lives as we have been living them. We will try. I cannot speak for both of us, of course. But for me, the greatest difficulty will be learning to live with the legacy of my father. As I look back, I fear, it may be a diminished legacy. Its always difficult when you first realize that someone you idolize might be mortal after all. I am haunted by my father.
When night falls on New York, the shadows are everywhere and death wears many faces. How the victims leave their bodies is deeply personal, but the witnesses to their death and the factors that brought it about belong to the public world—a somber world which is encapsulated in this gruesome survey of crime and violence in the 1910s. Parts of the city that are today among its trendiest neighborhoods were once the battlegrounds of evil forces, which left their mark in unforgettable ways. Here, newspaper clippings, police reports and testimonies are placed alongside the scenes that they describe, fleshing them out and giving life to the departed. Complete with an introduction from German actor and writer Joe Bausch, this book is a must for anyone who has ever anxiously imagined how dark an activity like dying can be—and isn’t that everyone?
Even today, my thoughts of Vietnam are positive. I have incredibly fond memories of spending one year in that theater with some incredible people. My feelings about the Vietnam War mesh exactly with what Michael Norman wrote in his book These Good Men: Friendships Forged From War-even though Norman's heroes served in the U.S. Marine Corps and mine served in the First Air Cav. In recalling his tour in Vietnam, Norman wrote: "I did not pick these men. They were delivered by fate and the U.S. Marine Corps. But I know them in a way I know no other men. I have never since given anyone such trust. They were willing to guard something more precious than my life. They would have carried my reputation, the memory of me. It was part of the bargain we all made, the reason we were so willing to die for one another."
This book offers a unique framework for examining the various types of family murder-delving into the commonalities, the differences, and society's misconceptions and providing readers with a comprehensive guide to begin to understand these tragedies.
"A brilliant, ambitious, and subtle novel about Vietnam." -- David Bradley, Philadelphia Inquirer Ward Just captures the best and the brightest amid the turmoil of the sixties and its repercussions twenty years later through the lives of a good congressman, his good wife, and the good wife's love, an infantry colonel whose memories of the war, and a secret plot concocted by the Washington power brokers to win it, are more than he can bear.
While many lawyers are honest, for Gangland figures, the best lawyer is often corrupt – a ‘shyster’ – who will act as a go between with the police, provide false alibis, bribe and intimidate witnesses, jurors and judges and occasionally organise robberies and burglaries. Sometimes these lawyers even kill or may be killed themselves. Gangland: The Lawyers brings us such lawyers as Frank Ragan, who acted for three mob leaders, and James Sawyer, the barrister and forger involved in the first Great train Robbery. From the amazing story of Gambino crime boss John Gotti (the ‘Teflon Don’) and his attorney Bruce Cutler, to the American judge Joseph Peel, who had his co-judge killed, James Morton presents a worldwide history of these shady individuals and their seedy but compelling stories.
RUSCH/SEPARATED AT DEATH
Ellis Parker, a detective known the world over in the early 1900s as the "American Sherlock Holmes," was a profiler before the word was ever coined. "Master Detective" provides a complete picture of the man and the circumstances surrounding his tragic fall.
“This excellent, lively study examines the ‘raucous debate’ sparked by the Code over the morals and ideals of American movies.” —Publishers Weekly The new edition of this seminal work takes the story of the Production Code and motion picture censorship into the present, including the creation of the PG-13 and NC-17 ratings in the 1990s. Starting in the early 1930s, the Production Code Director, Joe Breen, and his successor, Geoff Shurlock, understood that American motion pictures needed enough rope—enough sex, and violence, and tang—to lasso an audience, and not enough to strangle the industry. To explore the history and implementation of the Motion Picture Production Code, this book uses 11 movies: Dead End, GoneWith the Wind, The Outlaw, The Postman Always Rings Twice, The Bicycle Thief, Detective Story, A Streetcar Named Desire, The Moon Is Blue, The French Line, Lolita, and Who’s Afraid of Virginia Woolf? The authors combine a lively style with provocative insights and a wealth of anecdotes to show how the code helped shape American screen content for nearly 50 years. “A readable, intimate account of the rise to near-tyrannical power, and the fall to well-deserved ignominy, of the old Production Code Administration.” —Atlantic Monthly “A valuable insight into our own innocence and naiveté.” —The New York Times Book Review “The triumph of Leff and Simmons’s fine work is that they have reminded us of how fatuous and inimical a code of conduct can be: how tempting it is as a theoretical answer, and how intrinsically flawed it is as a working solution.” —The Times of London
In the company of author Troy Taylor, pull off the trick of coming back alive from some of Chicago's most infamous "one-way rides." Meet the deadly womanizer Johann Hoch, who would propose to a woman within twenty minutes of meeting her and then poison her within a week. Follow "Terrible" Tommy O'Conner as he eluded the gallows for more than fifty years, until the city finally grew "tired of waiting" and dismantled them for the final time. Learn how even flower shops and cathedrals weren't safe from gangland violence, and relive the tragic fire at the Iroquois Theatre, where a "fireproof" curtain was made of cotton and did little to stop the blaze that killed more people than the Great Fire of 1871.