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"More than 75,000 people come to Hawk Mountain each year to experience its majesty, particularly on the mountain's breathtaking North Lookout. That wonderment is captured here in a book that combines new reporting with classic descriptions and a treasury of photographs of the winged visitors that soar by this place in huge numbers. Based on two years of research and reporting, Hawk Mountain describes the wonders of raptors and their migration, showcases the site throughout the year, and offers chapters from celebrated books from the mountain's past, including Hawks Aloft, by the sanctuary's first curator, Maurice Broun. Hawk Mountain also features two illustrations by the noted nature artist Fred Wetzel, who has been associated with the sanctuary for more than 50 years." --Excerpted from book jacket.
Miranda Montgomery is a widowed mystery writer whose book, ’Til Death do We Part, was published shortly before her husband’s murder. She finds solace only in her young son, Jared, and in her writing. Miranda begins to receive prank phone calls that lead to a series of terrifying events that risk her life and she realizes that someone is re-enacting her book, chapter by chapter, with her as the heroine. Miranda flees with her son to the Canadian Rocky Mountains for sanctuary, but instead, she finds Connor Taggert as her unlikely landlord, and a man as dangerous to her heart as her stalker is to her life.
Conservation classic Hawks Aloft chronicles the founding of Hawk Mountain Sanctuary, the world's first refuge for birds of prey. This personal account by the Sanctuary, the world's first refuge for birds of prey. This personal account by the sanctuary's first curator, shares the difficulties and discoveries he and his wife encountered during their first years on the Mountain. Filled with information for the flora, fauna, people, and other natural phenomena of the Hawk Mountain region, this is a lively and sometimes funny account of the sanctuary's early years. Published in co-operation with the Hawk Mountain Sanctuary Association.
Highland Sanctuary unravels the complex interactions among agriculture, herding, forestry, the colonial state, and the landscape itself. Conte's study illuminates the debate over conservation, arguing that contingency and chance, the stuff of human history, have shaped forests in ways that rival the power of nature.
"This book explores the complex processes and features of mountain environments: glaciers, snow and avalanches, landforms, weather and climate, vegetation, soils, and wildlife. A major section analyzes the effects of latitudinal position on these processes and features. There is also an investigation of the origin of mountains, our attitudes towards them, and their manifold implications for us."--Inside front jacket.
A CURSED PLACE. A COLD CASE. A KILLER WHO LEFT NO TRACE. The huge International bestseller. Gripping, unputdownable and packed with twists, The Mountain is a thriller that you will never forget. "Can be compared (with no fear of hyperbole) to Stephen King and Jo Nesbø" - Massimo Vincenz, La Repubblica. Jeremiah Salinger blames himself. The crash was his fault. He was the only survivor. Now the depression and the nightmares are closing in. Only his daughter Clara can put a smile on his face. But when he takes Clara to the Bletterbach - a canyon in the Dolomites rich in fossil remains - he overhears by chance a conversation that gives his life renewed focus. In 1985 three students were murdered there, their bodies savaged, limbs severed and strewn by a killer who was never found. Salinger, a New Yorker, is far from home, and these Italian mountains, where his wife was born, harbour a close-knit, tight-lipped community whose mistrust of outsiders can turn ugly. All the same, solving this mystery might be the only thing that can keep him sane. Translated from the Italian by Howard Curtis
Co-founder of the Women's March makes her YA debut in a near future dystopian where a young girl and her brother must escape a xenophobic government to find sanctuary. It's 2032, and in this near-future America, all citizens are chipped and everyone is tracked--from buses to grocery stores. It's almost impossible to survive as an undocumented immigrant, but that's exactly what sixteen-year-old Vali is doing. She and her family have carved out a stable, happy life in small-town Vermont, but when Vali's mother's counterfeit chip starts malfunctioning and the Deportation Forces raid their town, they are forced to flee. Now on the run, Vali and her family are desperately trying to make it to her tía Luna's in California, a sanctuary state that is currently being walled off from the rest of the country. But when Vali's mother is detained before their journey even really begins, Vali must carry on with her younger brother across the country to make it to safety before it's too late. Gripping and urgent, co-authors Paola Mendoza and Abby Sher have crafted a narrative that is as haunting as it is hopeful in envisioning a future where everyone can find sanctuary.
“[An] often beautiful jewel of a book . . . Black’s power as a writer means she can take us with her to places that normally our minds would refuse to go.”—The New York Times Book Review (Editors’ Choice) From the New York Times bestselling author of The Still Point of the Turning World comes an incisive memoir about how she came to question and redefine the concept of resilience after the trauma of her first child’s death. “Congratulations on the resurrection of your life,” a colleague wrote to Emily Rapp Black when she announced the birth of her second child. The line made Rapp Black pause. Her first child, a boy named Ronan, had died from Tay-Sachs disease before he turned three years old, an experience she wrote about in her second book, The Still Point of the Turning World. Since that time, her life had changed utterly: She left the marriage that fractured under the terrible weight of her son’s illness, got remarried to a man who she fell in love with while her son was dying, had a flourishing career, and gave birth to a healthy baby girl. But she rejected the idea that she was leaving her old life behind—that she had, in the manner of the mythical phoenix, risen from the ashes and been reborn into a new story, when she still carried so much of her old story with her. More to the point, she wanted to carry it with her. Everyone she met told her she was resilient, strong, courageous in ways they didn’t think they could be. But what did those words mean, really? This book is an attempt to unpack the various notions of resilience that we carry as a culture. Drawing on contemporary psychology, neurology, etymology, literature, art, and self-help, Emily Rapp Black shows how we need a more complex understanding of this concept when applied to stories of loss and healing and overcoming the odds, knowing that we may be asked to rebuild and reimagine our lives at any moment, and often when we least expect it. Interwoven with lyrical, unforgettable personal vignettes from her life as a mother, wife, daughter, friend, and teacher, Rapp Black creates a stunning tapestry that is full of wisdom and insight.
THE NEW AWARD-WINNING INTERNATIONAL BESTSELLER BY THE AUTHOR OF THE MOUNTAIN "Can be compared (with no fear of hyperbole) to Stephen King and Jo Nesbø" - Massimo Vincenz, La Repubblica. "D'Andrea piles on the action and the atmosphere with the panache of a seasoned writer" Marcel Berlins, The Times. Marlene Wegener is on the run. She has stolen something from her husband, something priceless, irreplaceable. But she doesn't get very far. When her car veers off a bleak midwinter road she takes refuge in the remote home of Simon Keller, a tough mountain man who lives alone with his demons. Here in her high mountain sanctuary, she begins to rekindle a sense of herself: tough, capable, no longer the trophy on a gangster's arm. But Herr Wegener does not know how to forgive, and in his rage he makes a pact with the devil. The Trusted Man. He cannot be called off, he cannot be reasoned with and one way or another he will get the job done. Unless, of course, he's beaten to it . . . Translated from the Italian by Howard Curtis and Katherine Gregor