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The celebrated history of New Haven often overshadows its fascinating and forgotten past. The Elm City was home to America's first woman dentist, an architect who designed the tallest twin towers in the world and a medical student who used toy parts to create an artificial heart pump. The city's share of disasters includes Connecticut's worst aviation crash, a zookeeper who was mauled to death and a fire at the Rialto Theater. Local authors Robert and Kathleen Hubbard reveal the rich and fascinating cultural legacies of one of New England's most treasured cities.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
West Rock and East Rock are bold and beautiful features around New Haven, Connecticut. They resemble monumental gateways (or time-tried sentinels) and represent a moment in geologic time when the North American and African continents began to separate and volcanism affected much of Connecticut. The rocks attracted the attention of poets, painters, and naturalists when beliefs rose about the spiritual dimensions of nature in the early 19th century. More than two dozen artists, including Frederick Church, George Durrie, and John Weir, captured their magic and produced an assortment of classic American landscapes. In the same period, the science of geology evolved rapidly, triggered by the controversy between proponents and opponents of biblical explanations for the origin of rocks. Lavishly illustrated, featuring over sixty paintings and prints, this book is a perfect introduction to understanding the relationship of geology and art. It will delight those who appreciate landscape painting, and anyone who has seen the grandeur of East and West Rock.
This collection brings together many of the world’s leading scholars on race and film to re-consider the legacy and impact of D.W. Griffith’s deeply racist 1915 epic The Birth of a Nation. While this film is often cited, there is a considerable dearth of substantial research on its initial impact and global reach. These essays fill important gaps in the history of the film, including essential work on its sources, international reception, and African American responses. This book is a key text in the history of the most infamous and controversial film ever made and offers crucial new insights to scholars and students working in film history, African American history and the history of race relations.
The conflict that historians have called King Philip’s War still ranks as one of the bloodiest per capita in American history. An Indian coalition ravaged much of New England, killing six hundred colonial fighting men (not including their Indian allies), obliterating seventeen white towns, and damaging more than fifty settlements. The version of these events that has come down to us focuses on Plymouth and Massachusetts Bay—the colonies whose commentators dominated the storytelling. But because Connecticut lacked a chronicler, its experience has gone largely untold. As Jason W. Warren makes clear in Connecticut Unscathed, this imbalance has generated an incomplete narrative of the war. Dubbed King Philip’s War after the Wampanoag architect of the hostilities, the conflict, Warren asserts, should more properly be called the Great Narragansett War, broadening its context in time and place and indicating the critical role of the Narragansetts, the largest tribe in southern New England. With this perspective, Warren revises a key chapter in colonial history. In contrast to its sister colonies, Connecticut emerged from the war relatively unharmed. The colony’s comparatively moderate Indian policies made possible an effective alliance with the Mohegans and Pequots. These Indian allies proved crucial to the colony’s war effort, Warren contends, and at the same time denied the enemy extra manpower and intelligence regarding the surrounding terrain and colonial troop movements. And when Connecticut became the primary target of hostile Indian forces—especially the powerful Narragansetts—the colony’s military prowess and its enlightened treatment of Indians allowed it to persevere. Connecticut’s experience, properly understood, affords a new perspective on the Great Narragansett War—and a reevaluation of its place in the conflict between the Narragansetts and the Mohegans and the Pequots of Connecticut, and in American history.