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The number one, bestselling title in the spin-off series from Percy Jackson creator, Rick Riordan - now in a stunning graphic novel form! OLD ENEMIES AWAKEN AS CAMP HALF-BLOOD'S NEW ARRIVALS PREPARE FOR WAR When Jason, Piper and Leo crash land at Camp Half-Blood, they have no idea what to expect. Apparently this is the only safe place for children of the Greek Gods - despite the monsters roaming the woods and demigods practising archery with flaming arrows and explosives. But rumours of a terrible curse - and a missing hero - are flying around camp. It seems Jason, Piper and Leo are the chosen ones to embark on a terrifying new quest, which they must complete by the winter solstice. In just four days time. Can the trio succeed on this deadly mission - and what must they sacrifice in order to survive?
When Jason, Piper and Leo crash land at Camp Half-Blood, they have no idea what to expect. Apparently this is the only safe place for children of the Greek Gods - despite the monsters roaming the woods and demigods practising archery with flaming arrows and explosives.
The adventure begins here - the first novels from the five groundbreaking series by Rick Riordan! Starting with THE LIGHTNING THIEF, the book that launched millions of readers into the amazing world of Greek mythology, to THE HIDDEN ORACLE, the story that gives a new look to Roman myths -- not to mention the god, Apollo -- with visits to Egypt and Valhalla in between. This beautifully packaged boxed set will thrill fans who want to relive the adventure and magic again, and will open the door to new readers of Riordan's epic storytelling.
Jason has a problem. He doesn't remember anything before waking up on a school bus holding hands with a girl. Apparently she's his girlfriend Piper, his best friend is a kid named Leo, and they're all students in the Wilderness School, a boarding school for "bad kids." What he did to end up here, Jason has no idea—except that everything seems very wrong.
Classes and books on the Holocaust often center on the experiences of victims, perpetrators, and bystanders, but rescuers also occupy a prominent space in Holocaust courses and literature even though incidents of rescue were relatively few and rescuers constituted less than 1 percent of the population in Nazi-occupied Europe. As inspiring figures and role models, rescuers challenge us to consider how we would act if we found ourselves in similarly perilous situations of grave moral import. Their stories speak to us and move us. Yet this was not always the case. Seventy years ago these brave men and women, today regarded as the Righteous Among the Nations, went largely unrecognized; indeed, sometimes they were even singled out for abuse from their co-nationals for their selfless actions. Unlikely Heroes traces the evolution of the humanitarian hero, looking at the ways in which historians, politicians, and filmmakers have treated individual rescuers like Raoul Wallenberg and Oskar Schindler, as well as the rescue efforts of humanitarian organizations. Contributors in this edited collection also explore classroom possibilities for dealing with the role of rescuers, at both the university and the secondary level.
After successfully solving the case of '' The Mystery of Rosewood Villa,'' our private investigator, Jai Gosavi is taken aback when a five-year-old Mrunal vanishes at midnight, right under his nose. Jai, along with his trusted friends, embarks on another expedition and is quickly confronted with problems they could never have imagined. ''The Riddle of Silver Oaks'' is a sequence of clues that are skillfully hidden behind riddles that Jai must answer, to uncover the location of the missing Mrunal. Meanwhile, an old criminal escapes from police prison with a gun and is said to be plotting his revenge against Jai. Will Jai crack the riddles and locate Mrunal? Or Is the escaped criminal responsible for all those riddles and the one who kidnapped Mrunal to seek his revenge? Stick with Jai to find out more.
Cultural Constructions of Madness in the Eighteenth Century deals with the (mis)representation of insanity through a substantial range of literary forms and figures from across the eighteenth century and beyond. Chapters cover the representation, distortion, sentimentalization and elevation of insanity, and such associated issues as gender, personal identity, and performance, in some of the best, as well as some of the least, known writers of the period. A selection of visual material, including works by Hogarth, Rowlandson, and Gillray, is also discussed. While primarily adopting a literary focus, the work is informed throughout by an alertness to significant issues of medical and psychiatric history.