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A Mishmash Paddywhack establishes a highly original, thoughtful and comprehensive conservative vision for the twenty-something generation written by a rare conservative member of it. The book is structured as a collection of issue-driven non-fiction essays alternating with satirical fiction, all focused on the intersection of religion and politics in the United States. Essay topics include abortion, marriage, gender roles, poverty, economics, immigration, theology, politics, science, education, and much more. The fiction delightfully pokes fun at the same issues through the eyes of Christian and Western history while embarking on a journey from the Garden of Eden and back again. Together the fiction and non-fiction weaves a messily consistent perspective on many of the most important issues of our day. If you are interested, just check out the Introduction to the book by clicking on "Preview."
In 1860, Queen Victoria sent her eighteen-year-old son, Albert Edward, Prince of Wales, on a goodwill mission to Canada and the United States. The young heir-apparent (later King Edward VII) had not yet gained his reputation as a fashion setter and rake, but he nevertheless attracted enormous crowds both in Canada, where it was the first royal visit, and in the United States. Civic leaders hosted the visitor in princely style, decorating their towns with triumphal arches and organizing royal entries, public processions, openings, and grand balls. In Royal Spectacle, Ian Radforth recreates these displays of civic pride by making use of the many public and private accounts of them, and he analyses the heated controversies the visit provoked. When communities rushed to honour the prince and put themselves on display, social divisions inadvertently became part of the spectacle seen by the prince and described by visiting journalists. Street theatre reached a climax in Kingston, where the Prince of Wales could not disembark from his steamer because of the defiance of thousands of Orangemen dressed in their brilliant regalia and waiving their banners. Contemporary depictions of the tour provide an opportunity to interpret the cultural values and social differences that shaped Canada during the Confederation decade and the United States on the eve of the Civil War. Topics explored include Orange-Green conflict, First Nations and the politics of public display, contested representations of race and gender, the tourist gaze, and meanings of crown and empire. An original and erudite study, Royal Spectacle contributes greatly to historical research on public spectacle, colonial and national identities, Britishness in the Atlantic world, and the history of the monarchy.
The Day the Country Died features author, historian, and musician Ian Glasper (Burning Britain) exploring in minute detail the influential, esoteric, UK anarcho punk scene of the early Eighties. If the colorful ’80s punk bands captured in Burning Britain were loud, political, and uncompromising, those examined in The Day the Country Died were even more so, totally prepared to risk their liberty to communicate the ideals they believed in so passionately. With Crass and Poison Girls opening the floodgates, the arrival of bands such as Zounds, Flux of Pink Indians, Conflict, Subhumans, Chumbawamba, Amebix, Rudimentary Peni, Antisect, Omega Tribe, and Icons of Filth heralded a brand new age of honesty and integrity in underground music. With a backdrop of Thatcher’s Britain, punk music became self-sufficient and considerably more aggressive, blending a DIY ethos with activism to create the perfectly bleak soundtrack to the zeitgeist of a discontented British youth. It was a time when punk stopped being merely a radical fashion statement, and became a force for real social change; a genuine revolutionary movement, driven by some of the most challenging noises ever committed to tape. Anarchy, as regards punk rock, no longer meant “cash from chaos.” It meant “freedom, peace, and unity.“ Anarcho punk took the rebellion inherent in punk from the beginning to a whole new level of personal awareness. All the scene’s biggest names, and most of the smaller ones, are comprehensively covered with new, exclusive interviews and hundreds of previously unseen photographs.
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What happens when everything you thought you knew suddenly changes with a few simple words? When Samantha Connelly fell hard for the one person that could rip her world apart she wasn't prepared for the bomb he would later drop on her. With a few words, Brian completely turned her world upside down and sent her into an emotional spiral. Forced to leave town once again, she begged him to come with her...pleaded with him to choose her...to love her, but Brian had his own agenda that he couldn't deviate from. What happens when two people who are meant for each other are forced apart with no reunion in sight? How do you recover from the reality that you may never see one another again? How do you go back to being a nobody when all you want in life is to be somebody to someone?
An easy-to-use dictionary of over 80,000 rhyming words.
Jack Lerille moves his family to Granger, Michigan to live with his maiden aunt, only to discover her dog is possessed by a demon
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Sumners also recalls with affection the friendships and humor that held the men together in those terrible times."--BOOK JACKET.