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AN UPDATED, COMPREHENSIVE COLLECTION OF LYRICS FROM THE VELVET UNDERGROUND FOUNDER AND SOLO ARTIST LOU REED, INCLUDING INTRODUCTIONS BY MARTIN SCORSESE, LAURIE ANDERSON, JAMES ATLAS, AND NILS LOFGREN I'll Be Your Mirroris an updated, comprehensive volume of Lou Reed's lyrics, featuring a brand-new introduction by Nils Lofgren and a new chapter of lyrics of songs he and Reed cowrote, as well as introductions from several other well-known collaborators and lyrics from Reed's final album with Metallica (Lulu). Through his many incarnations-from protopunk to glam rocker to elder statesman of the avant garde-Lou Reed's work has maintained an undeniable vividness and raw beauty, fueled by precise character studies and rendered with an admirable shot of moral ambiguity. Beginning with his formative days in the Velvet Underground and continuing through his remarkable solo albums like Transformer, Berlin, and New York, I'll Be Your Mirror is crucial to an appreciation of Lou Reed, not only as a consummate underground musician, but as one of the truly significant visionary lyricists of the rock 'n' roll era. Containing a body of work that spans more than six decades, this is a monument to the literary qualities of an American original-and a must-have for music lovers everywhere.
Bliss Cavendar takes up Roller Derby and soon embarks on an epic journey full of a few not-so-awesome realities. Now adapted as the feature film "Whip It!" starring Ellen Page ("Juno") and Drew Barrymore, who also directs.
One of the greatest mezzo-sopranos of postwar opera, Christa Ludwig recalls her long and lustrous career singing for two generations of adoring audiences, under the batons of such conductors as Klemperer, Karajan, Solti, and Bernstein, in the great opera houses of the world. Her memoirs make clear why Bernstein said of her, "She is simply the best, and the best of all possible human beings."
Using Japanese higher education as a case study, author Brian J. McVeigh explores the varieties of 'exchange dramatics' among the Education Ministry, universities, faculty, and students. With one eye on large-scale processes and the other on everyday practices, he elucidates trafficking between micro- and macro-levels and key concepts of 'value, ' 'exchange, ' and 'role performance' by studying how political economy configures dramatization and deception at the everyday level. Relying on extensive ethnographic participant observation and the notion of the 'gift, ' McVeigh challenges the commonly accepted idea of 'social contract' for understanding state-society relations. Written to be read as both a political and philosophical commentary and anthropological investigation, this work has theoretical implications for comparative studies of political systems, particularly regarding the relation between self-deception and the ideological manufacture of legitima
In My Own Way is the eighth book in a series that travels alongside four friends as they deal with teen life in Riverbend, Indiana. This novel inspires young women to deepen their relationships with God as they face real-life issues and solve their problems in God-honoring ways. "There is a certain expectation for how characters look, don't you agree? Why do casting directors start with headshots?" Amelia Bryan has heard it before. Of course. Doesn't the pretty girl always win? But there may yet be some surprises in store for Amelia. The summer is behind her . . . just a bad dream she's trying hard to forget. She has the kindness of her friends, the guidance of God. And then there is that sweet note from the nice boy she met at theater camp. Chin up, Amelia. You can do this. Your way. Today's girls can relate to Amelia's struggles with appearance and identity. Amelia frequently compares herself to others at school and in her community and feels like she doesn't quite measure up to the perfect standard that is expected of her. The Riverbend Friends series addresses these topics from a healthy Christian perspective and helps parents have important conversations about tough topics with their teens.
There’s a certain kind of lost a boy feels in this world without a father. Tim felt it. I felt it. And we realized our only way out would be together. In an openhearted memoir of faith on the fringe, Roger Thompson meditates on the life and premature death of his best friend and business partner, Tim Garrety, cofounder of Skate Street Ventura. Roger and Tim’s twenty-year friendship was forged in the surf and on the streets of 1980s California. Together they hazarded countless waves and every rite of passage—from guitars to girls to God—and influenced the lives of thousands of skateboarders, musicians, surfers, and otherwise disconnected youth in the process. With unrestrained honesty and a punk-rock soundtrack, My Best Friend’s Funeral is a memoir of friendship, doubt, surfing, and the complex relationships between fathers and sons. If life has ever left you feeling abandoned—or if you simply prefer a rock show to a sermon—My Best Friend’s Funeral is a memoir you won’t want to miss, and a confirmation that you are never alone.
Erik Satie - composer, dandy, eccentric - is dead. Told to select one memory to take with him into the afterlife, he finds himself in limbo with a community of the deceased, looking back at his fifty-nine years for their most precious moments. Evenings of absinthe at the Chat Noir? Friendships with Debussy, Duchamp and Man Ray? What of his great musical triumphs and disasters? How will he choose his own legacy before silent whiteness descends? Venice, 1511. In the convent of Sant' Alvise, Oliva is about to take the veil and become a bride of Christ. When her world is shaken - first, literally, by an earthquake, and then, spiritually, by forces that threaten to change the convent for ever - she begins to ask questions about her faith and her future. When she agrees to sit for Signor Avílo, the renowned portrait painter, he brings with him a diabolical object: a mirror. And reflections can be dangerous. Told with playful elegance, these are two utterly original tales of art and devotion, of religious and creative fervour. They contemplate the eternal in different ways - one examining a life only just beginning, tentatively; the other a life lived without compromise as it reaches its close.
Based on the evocative and haunting story of her journey from fashion to faith, the principles of true beauty and proper body image shared by professional model Strickland will shatter the illusion that worldly beauty and success satisfy, leading young women and teens to the powerful, lasting knowledge of who they are in God's sight.
WHEN THE STAKES ARE DEAD -- OR UNDEAD! Werewolf mobsters and vampires run Vegas, but that's yesterday's news for Delilah Street, paranormal investigator. What's truly fearsome is her bloody discovery of an undead evil rooted in ancient Egypt. Now, with her lover Ric fighting for life after a grim battle, the chips are down. But Delilah is a born winner who has never let a little danger throw off her game, and she's been learning fast since she came to Sin City. Her affinity for silver is making mirror-walking a real breeze, and being forced to accept the albino rock star sorcerer Snow's Brimstone Kiss has ramped up her powers to a startling new level. With the help of her trusty uber-wolfhound Quicksilver, not to mention the orange demon parking valet Manny, Delilah is determined to solve even more paranormal secrets, and hopefully save the few innocents left in town. But can Delilah win her high-stakes gamble for life and love against ancient gods and lethal supernatural odds?
Sir Humphrey Burton is one of Britain's most influential post-war music and arts broadcasters. Witty, humorous and full of humanity, Burton's account presents us with never before recorded perspectives on the world of British cultural broadcasting and classical music. Burton worked with such outstanding directing talents as Ken Russell and John Schlesinger, before becoming the BBC's Head of Music and the Arts. Already in the 1960s, in conversations with Glenn Gould for instance, Burton helped to create innovative ways of presenting music to new audiences. Following Sir David Frost's call to LWT/ITV, Burton rose to prominence with presenting the award-winning arts series Aquarius (1970-1975). The early 1970s saw the beginning of Burton's long association with Leonard Bernstein. Burton was at hand filming the maestro's educational programs, as well as concerts with the Vienna Philharmonic. Unforgettable are his chronicles of Bernstein's last years, culminating in a worldwide broadcast of the conductor's Berlin Freedom Concert after the fall of the Berlin Wall. Burton's gift for communicating music turned him into a celebrated Bernstein biographer. With multi award-winning television programmes to his name, such as the BBC's Young Musician of the Year, Burton left an indelible mark on Britain's music and arts broadcasting history. Sir Humphrey Burton offers us many encounters with twentieth century classical music's superstars and former broadcasting colleagues. What transpires is a creative mind at work that never lost sight of the demand that the appropriate presentation of music can only go hand-in-hand with a deep understanding of music itself. This long-awaited autobiography is a must-read for classical musical enthusiasts and those fascinated by some of the twentieth century's star performers. It also offers unique insights into the history of music, the BBC and arts broadcasting in twentieth-century Britain.