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Whitley Johnson's dream summer with her divorce dad has turned into a nightmare. She's just met his new fiancee and her kids. The fiancee's son? Whitley's one-night stand from graduation night. Just freakin' great. Worse, she totally doesn't fit in with her dad's perfect new country-club family. So Whitley acts out. She parties. Hard. So hard she doesn't even notice the good things right under her nose: a sweet little future stepsister who is just about the only person she's ever liked, a best friend (even though Whitley swears she doesn't "do" friends), and a smoking-hot guy who isn't her stepbrother...at least, not yet. It will take all three of them to help Whitley get through her anger and begin to put the pieces of her family together. Filled with authenticity and raw emotion, Whitley is Kody Keplinger's most compelling character to date: a cynical Holden Caulfield-esque girl you will wholly care about.
Sherwood Forest, home of Oberon, Titania, Puck, Cobweb, Peaseblossom and the rest of the mob, has been whittled away by urban development. It's time to move on, the fairies decide. Sid, their captive, a kindly if gruff young car mechanic, teaches Titania to drive, and on Midsummer's Eve the party sets off in a battered and smelly old bus. They're bound for the New Forest, where they hope to be able to regenerate their magic. The fairies' journey is full of excitement. At a village fair, they show the morris dancers how to cut previously undreamt-of capers. Titania falls in love with a human baby and steals her from her pram, starting a nationwide search for the missing infant. The fairies then link up with a group of New Age travellers on their way to Stonehenge, who befriend them almost without question. Finally, a fight to the death between Titania and the terrifying and sadistic Morgan-le-Fey must take place before everyone can settle down into some form of harmony and peace.
National Sylvan Theatre, Washington Monument grounds, The Community Center and Playgrounds Department and the Office of National Capital Parks present the ninth summer festival program of the 1941 season, the Washington Players in William Shakespeare's "A Midsummer Night's Dream," produced by Bess Davis Schreiner, directed by Denis E. Connell, the music by Mendelssohn is played by the Washington Civic Orchestra conducted by Jean Manganaro, the setting and lights Harold Snyder, costumes Mary Davis.
Something is wrong. The world's heroes--Batman, Superman, Wonder Woman, Green Lantern, the Flash, Aquaman and Martian Manhunter--are gone, and in their place, their alter egos live peaceful, happy lives. Meanwhile, millions of everyday people are "sparking," transforming into super-powered beings whose unleashed abilities are wreaking havoc on law and order and causing panic across the globe. In a world lost in a nightmare, Earth's greatest champions must awaken to remember their true identities, reclaim their powers and discover that together they are, now and forever.
This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory.
From three-time Newbery Honor author Zilpha Keatley Snyder, “an adventure story with a lot to say about identity, ambition, and character” (Kirkus Reviews). After a year living with Aunt Fiona, William is off to audition for the role of Puck in a summer production of A Midsummer Night’s Dream. But getting the part is just the beginning. Now William has to deal with a jealous rival out to sabotage him, a not-so-secret admirer, and the way the Baggetts still haunt him in nightmares. William’s summer is filled with acting and costumes and applause, but he still worries sometimes that he and his younger siblings will never be able to shake off the past. But when the Baggetts show up again, William realizes that he is braver than he thought, and that all will turn out okay.
Decades after the filming of a horror movie is halted in the wake of three actor deaths and rumors about a haunted set, Claire, the daughter of a failing studio head, helps with a production on the same site.
New York Times bestselling author Kody Keplinger's wonderful middle-grade debut! The lyrical and moving middle-grade debut from YA author Kody Keplinger!Twelve-year-old Nola Sutton has been best friends and neighbors with the Swift boys for practically her whole life. There's the youngest, Kevin, who never stops talking; the oldest, Brian, who's always kind and calm; and then there's Canaan, the ringleader and Nola's best-best friend. Together, they have a summer of fun adventures planned. But then everything changes overnight. When the boys' dad leaves without even saying good-bye, it completely destroys the Swift family, and all Nola can do is watch. She tries to hold on to them, but they are changing. Kevin stops talking, Canaan starts hanging out with mean boys, and Brian is never around. Nola just wants things to go back to the way they were -- the way they've always been.Is Nola strong enough to save the Swift boys from themselves, or has she lost them forever?
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