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This 'methodical introduction' by Evgeni Orkin is designed for players wishing to play and experiment with the historical clarinet. It contains a summarised history of the clarinets, fingering charts for 5-6 key, 7-14 key and late romantic instruments (such as the Ottensteiner), exercises and studies, which focus especially on the so-called problem zones of the historical clarinet, a repertoire guide as well as tips concerning the choice of instrument and the selection and preservation of materials, and further information, which should help to answer numerous questions of those curious to know more.
This practice-oriented book is aimed at musicians who are interested in playing the historical clarinet but have so far set or had to set other professional priorities. It contains - without any scientific claim - an overview of historical developments of the instrument as well as considerations on the choice of the instrument in the context of historically informed performance (HIP). Fingering charts for the individual categories of historical clarinet instruments are presented graphically, as is customary today. Finger exercises and studies are specially developed and designed to the fingering problems of historical instruments.Information and tips from practice are intended to be a guide for those interested and to help answering questions. A repertoire excerpt and references to further specialist literature are intended to stimulate the deepening of already acquired knowledge.
This 'methodical introduction' by Evgeni Orkin is designed for players wishing to play and experiment with the historical clarinet. It contains a summarised history of the clarinets, fingering charts for 5-6 key, 7-14 key and late romantic instruments (such as the Ottensteiner), exercises and studies, which focus especially on the so-called problem zones of the historical clarinet, a repertoire guide as well as tips concerning the choice of instrument and the selection and preservation of materials, and further information, which should help to answer numerous questions of those curious to know more.
Keith Stein was already a phenomenal clarinetist when he attended the very first session of the National Music Camp at Interlochen, Michigan. Stein was then accepted into the Chicago Symphony, and became one of its youngest members. He earned a master of music degree at the University of Michigan, and his teaching career began at Michigan State University and Interlochen, where he remained for the next 41 years until he retired. Within this book, the author makes the player aware of all the many faulty habits he may have acquired, then offers constructive suggestions for remedying each one.
Theses on any subject submitted by the academic libraries in the UK and Ireland.