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Forced by constant physical abuse at school, young Stanley decided that he had to take desperate actions to escape his situation. Without any of his family knowing anything at all, in the dead of a winters night he slipped away from the comfort of home. There is only one person that he is hoping will help him, that person is his uncle. The solution as he see’s it, is on his uncles deep sea fishing ship. He knew that it would not be easy, as he would have to stow away until they were far away from land. His discovery on board created a serious dilemma for his uncle, as to return him would be at considerable expense of time and money. He became entangled in Stanley’s life, and decided to try and put him on the correct path of life. Stanley eventually did not only find his way forward, but also fell in love with a Jamaican girl who had a plan of her own.
In the golden half light of a midsummer's evening, the sort where any kind of magic can occur, and often does, in the midst of a party held in a wild and rambling garden stood Pierre, teetering on highly unsuitable heels, surrounded by a symphony of overripe roses. Pierre is the heroine of this loveable love story, and the magic takes the form of a tap on her shoulder which induces her to look into the most wicked and dancing eyes she'd ever seen. These are the eyes of her future beloved, and the book charts the course of their romance, from the streets of London to the streets of New York. There are waltzes and sweet peas and bubbles, a tragic breakup, a romantic makeup, and whimsical line drawings to accompany it all. Delightfully silly, occasionally serious, The Man with the Dancing Eyes is all about love-its beginnings, its endings, and its wonderful re-kindlings. It is a hopeful tale about the place of old-fashioned romance in a modern-day world, and will warm the hearts of romantics the world over.
Can't get to the sea? Escape with this sunny adventure book suitable for kids and adults in search of fun. Follow Meria, her mer-friends and Mer-Pug, and a host of colourful characters, on an global adventure to 16 detailed locations. From the Mer-King's birthday parade to an under-water rock concert via the circus, a sushi bar and a paradise beach, there are loads of fun scenes to explore. This great book for all ages from 5 years+ includes a special Arctic spread and extra challenge to find 10 pieces of dangerous plastic. You might even spot David Attenborough.
When Scarlett O’Hara fluttered her dark lashes, did she threaten only the gentleman in her parlor or the very culture that produced her? Examining the “bad belle” as a recurring character, The Belle Gone Bad finds that white southern women writers from the antebellum period to the present have used treacherous belles to subtly indict their culture from within. Combining the southern ideal of ladyhood with the sexual power of the dark seductress, the bad belle is the perfect figure with which to critique a culture that effectively enslaved both its white and black women. Betina Entzminger traces the development of the bad belle from nineteenth-century domestic novelist E.D.E.N. Southworth to contemporary novelist Kaye Gibbons. Coy and alluring like the traditional southern belle, the bad belle is also manipulative and knowing; the men subject to her cultivated charms often meet disastrous ends. By making the patriarch vulnerable to women who outwardly conform to the limiting conventions of womanhood but inwardly break all the rules, these writers challenged a society that stereotyped black women as promiscuous and forced white women onto pedestals while committing heinous acts in their name. Representations of the bad belle evolved along with southern society, and by the late twentieth century, many women writers expressed emancipation through the literal or figurative destruction of corrupt or would-be belles. The Belle Gone Bad shows that even writers who have been critically dismissed as too domestic or conservative to be innovative did—through the strategy of the bad belle character—challenge southern institutions and conceptions about race, class, and gender. What unites the dangerous belles created by several generations of women writing in the South, old and new, is their liberating potential.
The stories in this Fairy Book come from all quarters of the world. For example, the adventures of 'Ball-Carrier and the Bad One' are told by Red Indian grandmothers to Red Indian children who never go to school, nor see pen and ink. 'The Bunyip' is known to even more uneducated little ones, running about with no clothes at all in the bush, in Australia. You may see photographs of these merry little black fellows before their troubles begin, in 'Northern Races of Central Australia, ' by Messrs. Spencer and Gillen. They have no lessons except in tracking and catching birds, beasts, fishes, lizards, and snakes, all of which they eat. But when they grow up to be big boys and girls, they are cruelly cut about with stone knives and frightened with sham bogies all for their good' their parents say and I think they would rather go to school, if they had their choice, and take their chance of being birched and bullied
*Includes "The Little Mermaid," now a major motion picture from Disney starring Halle Bailey and directed by Rob Marshall* Dive into centuries of mermaid lore with these captivating tales from around the world. A Penguin Classic Among the oldest and most popular mythical beings, mermaids and other merfolk have captured the imagination since long before Ariel sold her voice to a sea witch in the beloved Disney film adaptation of Hans Christian Andersen's "The Little Mermaid." As far back as the eighth century B.C., sailors in Homer's Odyssey stuffed wax in their ears to resist the Sirens, who lured men to their watery deaths with song. More than two thousand years later, the gullible New York public lined up to witness a mummified "mermaid" specimen that the enterprising showman P. T. Barnum swore was real. The Penguin Book of Mermaids is a treasury of such tales about merfolk and water spirits from different cultures, ranging from Scottish selkies to Hindu water-serpents to Chilean sea fairies. A third of the selections are published here in English for the first time, and all are accompanied by commentary that explores their undercurrents, showing us how public perceptions of this popular mythical hybrid--at once a human and a fish--illuminate issues of gender, spirituality, ecology, and sexuality. For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.