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Robert Blincoe (c. 1792-1860) became famous during the 1830s for his popular "autobiography" detailing the horrific account of his childhood spent as a labourer in English cotton mills. This work, however, is not technically an autobiography as his story was told to journalist John Brown, who wrote the manuscript but died before publishing it. The manuscript was given to a friend who published the resulting book, A Memoir of Robert Blincoe, in five episodes in the magazine The Lion in 1832. Historian John Waller has asserted that Charles Dickens based his character Oliver Twist on Blincoe, but no firm documentary or anecdotal evidence exists that this is true. Still, the publication of Blincoe's "memoir" had an impact on bringing the horrors of child labour to a wider audience, which in turn led to legislation to limit working hours and improve working conditions for child labourers.
From a parish workhouse to the heart of the industrial revolution, from debtors' jail to Cambridge University and a prestigious London church, Robert Blincoe's political, personal and turbulent story illuminates the Dickensian age like never before. In 1792 as revolution, riot and sedition spread across Europe, Robert Blincoe was born in the calm of rural St Pancras parish. At four he was abandoned to a workhouse, never to see his family again. At seven, he was sent 200 miles north to work in one of the cotton mills of the dawning industrial age. He suffered years of unrelenting abuse, a life dictated by the inhuman rhythm of machines. Like Dickens' most famous character, Blincoe rebelled after years of servitude. He fought back against the mill owners, earning beatings but gaining self-respect. He joined the campaign to protect children, gave evidence to a Royal Commission into factory conditions and worked with extraordinary tenacity to keep his own children from the factories. His life was immortalised in one of the most remarkable biographies ever written, A Memoir of Robert Blincoe. Renowned popular historian John Waller tells the true story of a parish boy's progress with passion and in enthralling detail.
Factory Lives contains four works of great importance in the field of nineteenth-century working-class autobiography: John Brown’s A Memoir of Robert Blincoe; William Dodd’s A Narrative of the Experience and Sufferings of William Dodd; Ellen Johnston’s “Autobiography”; and James Myles’s Chapters in the Life of a Dundee Factory Boy. This Broadview edition also includes a remarkably rich selection of historical documents that provide context for these works. Appendices include contemporary responses to the autobiographies, debates on factory legislation, transcripts of testimony given before parliamentary committees on child labour, and excerpts from literary works on factory life by Harriet Martineau, Frances Trollope, and Elizabeth Barrett Browning, among others.
DigiCat Publishing presents to you this special edition of "A Memoir of Robert Blincoe, an Orphan Boy" by John Brown. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
From the bestselling author of Fatherland and Imperium comes The Ghost Writer, an extraordinarily auspicious thriller of power, politics, corruption, and murder—now a major motion picture starring Ewan McGregor and Pierce Brosnan. The role of a ghostwriter is to make his client look good, not to uncover the truth. But what happens when the client is a major political figure, and the truth could change the course of history? Adam Lang, the controversial former prime minister of Britain, is writing his memoirs. But his first ghostwriter dies under shocking circumstances, and his replacement—whose experience lies in portraying aging rock stars and film idols—knows little about Lang’s inner circle. Flown to join Lang in a secure house on the remote shores of Martha’s Vineyard in the depths of winter, cut off from everyone and everything he knows, he comes to realize he should never have taken the job. It’s not just his predecessor’s mysterious death that haunts him, but Adam Lang himself. Deep in Lang’s past are buried shocking secrets. Secrets with the power to alter world politics. Secrets with the power to kill.
Viewing all of these stories together, Falke captures the richness of working-class culture, the bravery of these authors' persistence, and the fecundity of their literary imaginations. Literature by the Working Class proposes a way to read working-class autobiographies that attends to both the socio-historical influences on their composition and their value as individual literary works. Although social historians, reading historians, and historians of rhetoric have recognized the significance of working-class autobiography to the early nineteenth century, providing broad overviews of the genre, very little work has been done to read these works as literature. Part of this negligence arises for the style of these autobiographies. They reject notions of autonomous selfhood and linear self-creation that characterize other Romantic period autobiographical works.
This account of artisan and working-class society in its formative years, 1780 to 1832, adds an important dimension to our understanding of the nineteenth century. E.P. Thompson shows how the working class took part in its own making and re-creates the whole life experience of people who suffered loss of status and freedom, who underwent degradation and who yet created a culture and political consciousness of great vitality.
This book contains the original full 1828 text of 'A Memoir of Robert Blincoe' by John Brown and historical notes by the author, Stuart Courtman.The historical notes give information on the influences that led to the development of mechanised cotton production and notes on the political and economic changes that shaped the industry.