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Based on the hit TV series, a murder at exclusive spa resort leaves a small circle of suspects for the British detective inspector on the case. DI Richard Poole has been seconded from London to the beautiful Caribbean island of Saint Marie. More comfortable in woolen suits than short-sleeved shirts, he’s struggling to adapt to his new home. But this paradise is about to get deadly. When self-appointed guru Aslan Kennedy gets murdered in his spiritual retreat for wealthy holidaymakers, it’s down to DI Poole to find the killer. The murder took place in a locked room with five other people inside, and when someone confesses, it seems an open and shut case. But DI Poole knows the facts just don’t add up, and there is more to the mystery than meets the eye. . . . The first installment of the Death in Paradise Mysteries, perfect for fans of Agatha Christie and Caroline Graham. “I love Robert Thorogood’s writing.” —Peter James, international bestselling author of Picture You Dead
2023 EDGAR AWARD NOMINEE, LILIAN JACKSON BRAUN AWARD "An absolute joy to read. Funny, entertaining, and beautifully written." —B. A. Paris, New York Times bestselling author A delightfully clever new mystery from creator of BBC One's hilarious murder mystery series Death in Paradise Meet Judith: a seventy-seven-year-old whiskey drinking, crossword puzzle author living her best life in a dilapidated mansion on the outskirts of Marlow. Nothing ever happens in Marlow. That is, until Judith hears her neighbor shot while skinny-dipping in the Thames. The local police don't believe her story. It's an open and shut case, of course. Ha! Stefan can't be left for dead like that. Judith investigates and picks up a crew of sidekicks: Suzie the dogwalker and Becks the vicar's wife. Together, they are the Marlow Murder Club. When another body turns up, they realize they have a real-life serial killer on their hands. And the puzzle they set out to solve has become a trap from which they might never escape... Robert Thorogood, has turned the Christie-mystery on its head with this ever-so-sly cozy perfect for readers who love Richard Osmond's Thursday Murder Club and An Elderly Lady is Up to No Good. "Lightweight but no-nonsense and genuinely brainy"—Kirkus Reviews "Damn right funny and heartwarming...great fun"—Crime Time "I love Robert Thorogood's writing."—Peter James, international bestselling author
‘Deftly entertaining ... satisfyingly pushes all the requisite Agatha Christie-style buttons’ Barry Forshaw, The Independent DEATH IN PARADISE is one of BBC One’s most popular series which averages 9 million viewers.
In this “gem” of a second novel based on the hit tv series, a British detective inspector must solve the suspicious death of a supermodel (Daily Express). When Polly Carter is found dead at the foot of a cliff, it looks like suicide, but DI Richard Poole is not convinced. Famous for her looks and wild party-girl lifestyle, her friends are adamant she would never have killed herself. Seconded from London to the Caribbean island of Saint Marie, DI Poole is already at his wit’s end with the blinding heat. Unpicking the conflicting motives of a number of suspects and their stream of alibis is infuriating enough; a visit from his mother is the cherry on the cake. An absolutely gripping crime thriller, The Killing of Polly Carter is perfect for fans of Midsomer Murders and Agatha Christie. “I love Robert Thorogood’s writing.” —Peter James, international bestselling author of Picture You Dead
When one of A.J.'s celebrity yoga students gets permanently bent out of shape, and another is accused of the crime, A.J. has no choice but to position herself as a sleuth to find the real killer.
If you like Agatha Christie, then you'll love Robert Thorogood. Seconded from rainy London to the sweltering heat of the Caribbean island of Saint Marie, DI Richard Poole would rather be having a pint at his local pub. But when a body is discovered at the Beaumont plantation, DI Poole must put aside his woes and solve the murder. Despite the fact the victim was found in a locked room holding a smoking gun, Poole is convinced this is not a suicide. When another body turns up the hunt is on for the killer, and the evasive Beaumont family are – rather suspiciously – no help at all... The third novel in the Death in Paradise Mysteries is perfect for fans of T. E. Kinsey, Heron Carvic and Caroline Graham. Praise for Robert Thorogood ‘Death in Paradise feels like a ray of sunshine’ Mirror ‘Plenty of red herrings and twists to keep readers guessing’ Daily Express ‘A treat’ Radio Times
Meet Helen Thorpe. She’s smart, preternaturally calm, deeply insightful and a freshly trained butler. On the day she is supposed to start her career as an unusually equanimous domestic professional serving one of the wealthiest families in the world, she is called back to a spiritual retreat where she used to work, the Yatra Institute, on one of British Columbia’s gulf islands. The owner of the lodge, Helen’s former employer Edna, has died while on a three-month silent self-retreat, leaving Helen instructions to settle her affairs. But Edna’s will is more detailed than most, and getting things in order means Helen must run the retreat for a select group to determine which of Edna’s relatives will inherit the institute. Helen’s classmates, newly minted butlers themselves, decide they can’t let her go it alone and arrive to help Helen pull things off. After all, is there anything three butlers can’t handle? As Helen carries out the will’s instructions, she begins to think that someone had reason to want Edna dead. A reluctantly suspicious investigator, Helen and her band of butlers find themselves caught up in the mystery.
Part elegy, part true crime story, this memoir-in-verse from the author of the award-winning The Argonauts expands the notion of how we tell stories and what form those stories take through the story of a murdered woman and the mystery surrounding her last hours. Jane tells the spectral story of the life and death of Maggie Nelson’s aunt Jane, who was murdered in 1969 while a first-year law student at the University of Michigan. Though officially unsolved, Jane’s murder was apparently the third in a series of seven brutal rape-murders in the area between 1967 and 1969. Nelson was born a few years after Jane’s death, and the narrative is suffused with the long shadow her murder cast over both the family and her psyche. Exploring the nature of this haunting incident via a collage of poetry, prose, dream-accounts, and documentary sources, including local and national newspapers, related “true crime” books such as The Michigan Murders and Killer Among Us, and fragments from Jane’s own diaries written when she was 13 and 21, its eight sections cover Jane’s childhood and early adulthood, her murder and its investigation, the direct and diffuse effect of her death on Nelson’s girlhood and sisterhood, and a trip to Michigan Nelson took with her mother (Jane’s sister) to retrace the path of Jane’s final hours. Each piece in Jane has its own form, and the movement from each piece to the next--along with the white space that surrounds each fragment--serve as important fissures, disrupting the tabloid, “page-turner” quality of the story, and eventually returning the reader to deeper questions about girlhood, empathy, identification, and the essentially unknowable aspects of another’s life and death. Equal parts a meditation on violence (serial, sexual violence in particular), and a conversation between the living and the dead, Jane’s powerful and disturbing subject matter, combined with its innovations in genre, shows its readers what poetry is capable of--what kind of stories it can tell, and how it can tell them.
Janice Johnson's 16-year-old son was murdered and the shooter hasn't been arrested. Shelly Vance's husband is facing murder charges for shooting a teenager who he says attacked him in a parking lot. This tragedy is magnified by the racial divide it has created. She wants to stand by her man, but she's keeping a secret that could blow the case wide open. Alax Wilson is the jury foreman. Faced with a dramatic trial that has turned into a media frenzy, Janice, Shelly and Alax are forced to face their own prejudices.
“A haunted, haunting examination of mental illness and murder in a more or less ordinary American city…Mature and thoughtful…A Helter Skelter for our time, though without a hint of sensationalism—unsettling in the extreme but written with confidence and deep empathy” (Kirkus Reviews, starred review). On March 11, 2003, in Brownsville, Texas—one of America’s poorest cities—John Allen Rubio and Angela Camacho murdered their three young children. The apartment building in which the brutal crimes took place was already run down, and in their aftermath a consensus developed in the community that it should be destroyed. In 2008, journalist Laura Tillman covered the story for The Brownsville Herald. The questions it raised haunted her and set her on a six-year inquiry into the larger significance of such acts, ones so difficult to imagine or explain that their perpetrators are often dismissed as monsters alien to humanity. Tillman spoke with the lawyers who tried the case, the family’s neighbors and relatives and teachers, even one of the murderers: John Allen Rubio himself, whom she corresponded with for years and ultimately met in person. Her investigation is “a dogged attempt to understand what happened, a review of the psychological, sociological and spiritual explanations for the crime…a meditation on the death penalty and on the city of Brownsville” Star Tribune (Minneapolis). The result is a brilliant exploration of some of our age’s most important social issues and a beautiful, profound meditation on the truly human forces that drive them. “This thought-provoking…book exemplifies provocative long-form journalism that does not settle for easy answers” (Publishers Weekly, starred review).