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The first study devoted to a single sculptor in ancient America, as understood through four unprovenanced masterworks traced to a small sector of Guatemala. In 1950, Dana Lamb, an explorer of some notoriety, stumbled on a Maya ruin in the tropical forests of northern Guatemala. Lamb failed to record the location of the site he called Laxtunich, turning his find into the mystery at the center of this book. The lintels he discovered there, long since looted, are probably of a set with two others that are among the masterworks of Maya sculpture from the Classic period. Using fieldwork, physical evidence, and Lamb’s expedition notes, the authors identify a small area with archaeological sites where the carvings were likely produced. Remarkably, the vividly colored lintels, replete with dynastic and cosmic information, can be assigned to a carver, Mayuy, who sculpted his name on two of them. To an extent nearly unique in ancient America, Mayuy can be studied over time as his style developed and his artistic ambition grew. An in-depth analysis of Laxtunich Lintel 1 examines how Mayuy grafted celestial, seasonal, and divine identities onto a local magnate and his overlord from the kingdom of Yaxchilan, Mexico. This volume contextualizes the lintels and points the way to their reprovenancing and, as an ultimate aim, repatriation to Guatemala.
The only small, popular book on the important subject of ancient calendars. The study of heavenly cycles is common to most ancient cultures. The ancient Egyptians, Chinese, and Babylonians all tried to make sense of the year. But it fell to the later Mesoamerican Maya to create a series of calendars that could be cross referenced. In doing so, the Maya discovered many strange numerical harmonics. Their lunar calendar was extremely accurate-far more so than the Greek Metonic cycle; they tracked Venus to an accuracy of less than a day in five hundred years and their tables could have been used to predict eclipses seven hundred years in the future. This book will provide a much needed compact guide to the Mayan calendar systems as well as covering the essentials of calendar development throughout the world.
So begins The Birth of a Universe, a profound exegesis by Apabyan Tew, a K'iche Maya midwife and daykeeper. We are bound to the ancient 260-day Maya calendar just as we are bound to the planets that gave birth to that divinatory calendar, our conception, growth, and destiny guided by nawales, the spirits of the days. This system, where everything in intertwined and shapes the nature of the soul and consciousness, is the essence of Maya science. Westerners may divide indigenous science into various disciplines such as physics and astronomy. The vital details of the parents' circumstances and emotions at the moment of conception some would call psychology, a psychology that takes into account every intense mood and feeling-the very atmosphere-from the sexual act to the miraculous birth of the child. Others would call the daykeeper's acute analysis of consciousness, spirit, gender, and material status a new (though age-old) philosophy. Like all well-wrought philosophies, this one is intricate and complex. In fact, it reflects a rational world grounded in earth and sky, basic human emotions and urges, as well as invisible forces.This wise, sometimes esoteric volume is an antidote to chaos, presenting a Unified Theory of Birth that opens a pathway to the fates and to the eternal.
This accessible, state-of-the-art review of Mayan hieroglyphics and cosmology also serves as a tribute to one of the field's most noted pioneers. The core of this book focuses on the current study of Mayan hieroglyphics as inspired by the recently deceased Mayanist Linda Schele. As author or coauthor of more than 200 books or articles on the Maya, Schele served as the chief disseminator of knowledge to the general public about this ancient Mesoamerican culture, similar to the way in which Margaret Mead introduced anthropology and the people of Borneo to the English-speaking world. Twenty-five contributors offer scholarly writings on subjects ranging from the ritual function of public space at the Olmec site and the gardens of the Great Goddess at Teotihuacan to the understanding of Jupiter in Maya astronomy and the meaning of the water throne of Quirigua Zoomorph P. The workshops on Maya history and writing that Schele conducted in Guatemala and Mexico for the highland people, modern descendants of the Mayan civilization, are thoroughly addressed as is the phenomenon termed "Maya mania"—the explosive growth of interest in Maya epigraphy, iconography, astronomy, and cosmology that Schele stimulated. An appendix provides a bibliography of Schele's publications and a collection of Scheleana, written memories of "the Rabbit Woman" by some of her colleagues and students. Of interest to professionals as well as generalists, this collection will stand as a marker of the state of Mayan studies at the turn of the 21st century and as a tribute to the remarkable personality who guided a large part of that archaeological research for more than two decades.
Theirs was one of the few complex societies to emerge in and to adapt successfully to a tropical-forest environment. Their architecture, sculpture, and painting were sophisticated and compellingly beautiful.
When his archaeologist parents go missing in Central America, fourteen-year-old Max embarks on a wild adventure through the Mayan underworld in search of the legendary Jaguar Stones, which enabled ancient Mayan kings to wield the powers of living gods. Includes cast of characters, glossary, facts about the Maya cosmos and calendar, and a recipe for chicken tamales.
The recent interpretation of Maya hieroglyphs has given us the first written history of the New World as it existed before the European invasion. Now, two central figures in the massive effort to decode the glyphs, Linda Schele and David Freidel, make this history available for the first time in all its detail. A Forest of Kings is the story of Maya kingship, from the beginning of its institution and the first great pyramid builders two thousand years ago to the decline of Maya civilization and its destruction by the Spanish. Here the great historic rulers of Precolumbian civilization come to life again with the decipherment of the writing. At its height, Maya civilization flourished under great kings like Shield-Jaguar, who ruled for over sixty years, expanding his kingdom and building some of the most impressive works of architecture in the ancient world. Long placed on a mist-shrouded pedestal as austere, peaceful stargazers, the Maya elites are now known to have been the rulers or populous, aggressive city-states. Hailed as "a Rosetta Stone of Maya civilization" (Brian M. Fagan, author of People of the Earth), A Forest of Kings is "a must for interested readers," says Evon Vogt, professor of anthropology at Harvard University.
On a butterfly farm in the Maya Mountains, a Pulitzer Prize-winning journalist and author of the national bestseller The Tenth Island finds enduring hope during cataclysmic times. Atop a hill in the rainforest of Belize, next to the ruins of a fallen civilization, a butterfly farm raises the brilliant blue morpho. What starts out as the worst vacation ever turns into a quest to learn more about the first-of-its-kind farm when journalist Diana Marcum inadvertently discovers this wildlife sanctuary, which is supported by an international live-butterfly trade. She quickly becomes acquainted with Clive, the whimsical British millionaire whose childhood passion created an industry, and Sebastian, the Maya farm manager whose stern expression belies a soft heart. Before long Diana and her partner, Jack Moody--new to being a couple--have moved into a long-empty jungle house, cohabitating with bats, scorpions, toucans, iguanas, and the vulnerable but resilient butterflies. Just ahead, although they don't know it, are a hurricane and a global pandemic. This warm, funny tale of finding a way forward when the world seems to be falling apart is filled with the beauty of the natural world and a heartfelt cry to protect it--beginning with butterflies.
To the four great calligraphic traditions - ancient Egyptian, East Asian, Islamic, and western European - is now added a fifth: that of the ancient Maya. Long known but little understood, Maya writing has now largely been deciphered, leading to a new understanding of the Maya scribes and the society in which they lived. This volume is the first to make full use of the latest research and the first to consider Maya writing both aesthetically and in terms of its meaning. Michael D. Coe begins by examining the origins and character of the script. He then explores the world of the scribes and "keepers of the holy books, " decoding their depiction in Maya art and describing the mediums in which they worked, their tools, and techniques.
Stone Houses and Earth Lords is the first volume dedicated exclusively to the use of caves in the Maya Lowlands, covering primarily Classic Period archaeology from A.D. 100 through the Spaniards' arrival. Although the caves that riddled the lowlands show no signs of habitation, most contain evidence of human use - evidence that suggests that they functioned as ritual spaces.