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R. S. Thomas (1913-2000) was a major poet of the twentieth century. He was respected by luminaries of the literary establishment, recognized with numerous awards, and nominated for the Nobel Prize in 1996. Thomas was also a priest of the Anglican Communion who wrestled ceaselessly with problems of faith and doubt in his poetry. John G. McEllhenney makes R. S. Thomas' poems, ministry, and irascible character come brilliantly alive in his new book, A Masterwork of Doubting-Belief: R. S. Thomas and His Poetry. McEllhenney, who developed a personal relationship with Thomas during the last decade of the poet's life, draws on his conversations and correspondence with Thomas, as well as his experiences as a clergyman and lover of poetry, and offers readers a unique experience that is part biography, part appreciation, and part religious meditation. A Masterwork of Doubting-Belief is an important new contribution to our understanding of R. S. Thomas and an inspiring source of insights for all who struggle with their faith!
This study on religious experience in modern poetry features innovatory and accessible close readings of some of the most beloved authors of English verse. In today’s seemingly secular age, religion still remains a highly contested subject. The selection of texts analysed here is representative of a wide spectrum of attitudes, including a sharply critical refusal to acknowledge Christianity as the basis of civilization. Some poets see national religion as a framework for cultural identity, while others worship nature as the omnipotent Force of Life, trying to create their own gods. Rather than reducing poetry to a background for philosophical analysis or theological deliberation, this book presents diverse modes of the poetic endeavor to capture and convey the divine. The chapters provide a range of perspectives on individual experience rendered into poetry as a subtle relationship between faith, perception and language. The text will be of interest to anyone looking for new ways of reading poetry as a spiritual guest.
One of modern history’s great thinkers takes on prejudice, superstition, and conventional wisdom, using wit and insight to argue for a rational way of life. In a brilliant series of essays, Bertrand Russell uses challenging skepticism and sharp humor to attack the obstacles to building a society based on reason. Russell’s thoughts are as lively and pertinent today as when they were written. His topics range from the defects of the education system to the failure of the belief among the younger generation, from our mistaken concepts of democracy to the ever-present threat to freedom throughout the world—even in the West which prides itself so much on being free.
"An Enquiry Concerning Human Understanding" is a book by David Hume created as a revision of an earlier work, Hume's "A Treatise of Human Nature". The argument of the Enquiry proceeds by a series of incremental steps, separated into chapters which logically succeed one another. After expounding his epistemology, Hume explains how to apply his principles to specific topics. This book has proven highly influential, both in the years that would immediately follow and today. Immanuel Kant points to it as the book which woke him from his self-described "dogmatic slumber."
A passionate meditation on the consolations and disappointments of religion and poetry
Faith and reason, especially in Roman Catholic thought, are less contradictory today than ever. But does the supposed opposition even make sense to begin with? One can lose faith, but surely not because one gains in reason. Some, in fact, lose faith when reason is not able to make sense of the experiences of our lives. We very quickly realize that reason does not understand everything. Immense areas remain incomprehensible and irrational, which we abandon to belief and opinion. Soon we definitively renounce thinking what that has been excluded from the realm of the thinkable. Ideological nightmares arise from this slumber of reason. Thus, the separation between faith and reason, too quickly taken as self-evident and even natural, is born from a lack of rationality, an easy capitulatin of reason before what is supposedly unthinkable. Rather than lose faith through excessive rationality, we often lose rationality because faith is too quickly excluded from the realm that it claims to open, that of revelation. We lose reason by losing faith. Examining such topics as the role of the intellectual in the church, the rationality of faith, the infinite worth and incomprehensibility of the human, the phenomenality of the sacraments, and the phenomenological nature of miracles and of revelation more broadly, this book spans the range of Marion’s thought on Christianity. Throughout he stresses that faith has its own rationality, structured according to the logic of the gift that calls forth a response of love and devotion through kenotic abandon.
It's the most important subject in Christianity. It reveals who God is, how God works, how we mature as followers of Jesus, and how we are to conduct ourselves in this sinful world. The subject is suffering. To explore it biblically and inspirationally is to identify the basic elements of a responsible Christian theology that's more than a set of pious abstractions. This subject forces us close to where we hurt, doubt, believe, and relate to our neighbors. God suffers, Jesus cries. The tears of God are the deepest meaning of our history. God's "problem" is not that God is not able to do certain things, but that God loves. The cross of Jesus was in God's heart before it appeared on Golgatha. The pain of God is the healing of humanity. The cross, the worst of human doing and the best of divine revelation, clarifies that we must die to really live. We must share in the sufferings of Jesus.
Something of a minor literary renaissance happened in midcentury America from an unexpected source. Nuns were writing poetry and being published and praised in secular venues. Their literary moment has faded into history, but it is worth revisiting. The literary creations of poetic priests like Gerard Manley Hopkins, S.J., and Robert Southwell, S.J. have been both a blessing and a burden--creating the sense that male clergy alone have written substantial work. But Sor Juana Inés de la Cruz, the 17th century Mexican poet-nun famous for her iconic verses and trailblazing sense of the role of religious creative women, set the literary precedent for pious work from women. Sister Mary Bernetta Quinn, a critic and poet, was praised by Flannery O'Connor and kept long correspondences with many of the best poets of her generation. Carmelite nun Sister Jessica Powers published widely. Sister M. Madeleva Wolff, poet and university president, transformed Catholic higher education. The Habit of Poetry brings together these women and others. Their poetry is devotional and deft, complex and contemplative. This mid-20th century renaissance by nun poets is more than a literary footnote; it is a case study in how women negotiate tradition and individual creativity.