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The Maq'm't of al-Har'r? (d.516/122) is one of the best-known works of Arabic literature. Why and how did this impenetrable work of Mediaeval Arabic philology and linguistic acrobatics dressed up as a collection of picaresque tales, become the vehicle for such extraordinarily lively, life-like and technically competent paintings. This study of the Schefer Maq'm't manuscript looks at the work of the scribe-illustrator, Yahy? ibn Mahm'd al-W'sit? in detail. The author also suggests how the text is related to the illustrations and how it developed and altered over the centuries.
Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work. This second, revised edition includes addenda and corrigenda.
"The evolution of book art and painting in the Islamic world is the product of diverse regions and periods. Islamic art flourished in the great cities and centers of learning of the ottoman Turks, the Iranian Qajars, and the later Indian Mughals, spreading across a region that extended from the Atlantic Ocean to China. In this volume, Greg Grabar, a world-renowned specialist on Islamic Art, introduces a wide range of illuminated manuscripts from the 8th to the 17th century, placing them in their temporal and spatial context as well as identifying the main centers of artistic creation. Illuminated manuscripts of the Koran, epic poetry, and scientific works are accompanied by a text explaining the subject, describing it particular visual features, and highlighting its artistic qualities. The working methods of the artists and calligraphers are reconstructed. [...] In the book's final section the author turns towards the key moments in history, society, faith, devotion, and other aspects of the Islamic world which are represented in the images." -- Book jacket.
"Author Madeleine Stebbins introduces young children to the spiritual themes of Christian and secular art in Let's Look at a Masterpiece"--
A study of the Kit?b Na‘t al-?ayaw?n (Book on the Characteristics of Animals), this book considers together text and image in this unique thirteenth-century manuscript, thereby contributing to the wider scholarship on Middle Eastern painting and art of the pre-modern period.
A girl whose fortunes have plummeted from wealthy aristocrat to servant-girl. A magic hazel twig. A prince. A desperate escape from danger. This is not the story of a girl whose fairy godmother arranges her future for her. This is the story of Selena, who will take charge of her own destiny, and learn that her magic is not to be feared but celebrated.