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Toward the end of her life, Sarah Orne Jewett (1849-1909) made a surprising disclosure. Instead of the critically lauded The Country of the Pointed Firs, Jewett declared her "best story" to be A Marsh Island (1885), a little-known novel. Why? One reason is that it demonstrates Jewett's range. Known primarily for her vignettes, Jewett accomplished in these pages a truly great novel. Undoubtedly, another reason lies in the novel's themes of queer kinship and same-sex domesticity, as enjoyed by the flamboyant protagonist Dick Dale. Written a few years into Jewett's decades-long companionship with Annie Fields, A Marsh Island echoes Jewett's determination to split time between her family home in Maine and Fields's place on Charles Street in Boston. The novel follows the adventures of Dale, a Manhattanite landscape painter in the Great Marsh of northeastern Massachusetts and envisions the latter region's saltmarsh as a figure for dynamic selfhood: the ever-shifting boundaries between land and sea a model for valuing both individuality and a porous openness to the gifts of others. Jewett's works played a major role in popularizing the genre of American regionalism and has garnered praise, both in her time and ours, for her skill in rendering the local landscapes and fishing villages along or near the coasts of New England. Just as Jewett brought attention to the unique beauty and value of the Great marsh region, editor Don James McLaughlin reveals a convergence of regionalism and sexuality in Jewett's work in his introduction. A Marsh Island reminds us that queer kinship has a long tradition of being extended to incorporate queer ecological belonging, and that the meaning of "companionship" itself is enriched when we acknowledge its indebtedness to environment.
THE INTERNATIONAL BESTSELLER “Brilliant....About as good as a thriller can be.”—The New York Times Book Review “[A] nail-biter perfect for Room fans.”—Cosmopolitan “Sensationally good psychological suspense.”—Lee Child Praised by Karin Slaughter and Megan Abbott, The Marsh King’s Daughter is the mesmerizing tale of a woman who must risk everything to hunt down the dangerous man who shaped her past and threatens to steal her future: her father. Helena Pelletier has a loving husband, two beautiful daughters, and a business that fills her days. But she also has a secret: she is the product of an abduction. Her mother was kidnapped as a teenager by her father and kept in a remote cabin in the marshlands of Michigan’s Upper Peninsula. Helena, born two years after the abduction, loved her home in nature, and despite her father’s sometimes brutal behavior, she loved him, too...until she learned precisely how savage he could be. More than twenty years later, she has buried her past so soundly that even her husband doesn’t know the truth. But now her father has killed two guards, escaped from prison, and disappeared into the marsh. The police begin a manhunt, but Helena knows they don’t stand a chance. Knows that only one person has the skills to find the survivalist the world calls the Marsh King—because only one person was ever trained by him: his daughter. A Michigan Notable Book!
Add to this the thousands of farms that have grown back to woods since the Civil War, and you have the most forested state, by percentage, in the United States. But the “uninterrupted forest” that Henry David Thoreau first saw in the 1840s was never exactly that. Loggers had cut it severely, European settlers had gnawed into it, and, much earlier, native people had left their mark. This book takes you deep into the past to understand the present, allowing you to hear the stories of the people and events that have shaped the woods and made them what they are today.
In this gripping, atmospheric family drama, a young woman investigates the forty--year--old murder that inspired her mother's bestselling novel, and uncovers devastating truths--and dangerous lies. Reformed party girl Meg Ashley leads a life of privilege, thanks to a bestselling horror novel her mother wrote decades ago. But Meg knows that the glow of their very public life hides a darker reality of lies, manipulation, and the heartbreak of her own solitary childhood. Desperate to break free of her mother, Meg accepts a proposal to write a scandalous, tell-all memoir. Digging into the past--and her mother's cult classic--draws Meg to Bonny Island, Georgia, and an unusual woman said to be the inspiration for the book. At first island life seems idyllic, but as Meg starts to ask tough questions, disturbing revelations come to light...including some about her mother. Soon Meg's search leads her to question the facts of a decades-old murder. She's warned to leave it alone, but as the lies pile up, Meg knows she's getting close to finding a murderer. When her own life is threatened, Meg realizes the darkness found in her mother's book is nothing compared to the chilling truth that lurks off the page.
Reprint of the original, first published in 1877.
The term culture in its anthropological sense did not enter the American lexicon with force until after 1910—more than a century after Herder began to use it in Germany and another thirty years after E. B. Tylor and Franz Boas made it the object of anthropological attention. Before Cultures explores this delay in the development of the culture concept and its relation to the description of difference in late nineteenth-century America. In this work, Brad Evans weaves together the histories of American literature and anthropology. His study brings alive not only the regionalist and ethnographic fiction of the time but also revives a range of neglected materials, including the Zuni sketchbooks of anthropologist Frank Hamilton Cushing; popular magazines such as Century Illustrated Monthly, which published Cushing's articles alongside Henry James's; the debate between Joel Chandler Harris, author/collector of the Uncle Remus folktales, and John Wesley Powell, perhaps the most important American anthropologist of the time; and Du Bois's polemics against the culture concept as it was being developed in the early twentieth century. Written with clarity and grace, Before Cultures will be of value to students of American literature, history, and anthropology alike.
Written in the form of a journal by a State Department official during World War II, this book takes readers along on excursions through Washington, D.C., and its environs--the Tidal Basin, Rock Creek Park, and beyond--to experience the rebirth of the season.
NEW YORK TIMES BESTSELLER • PULITZER PRIZE FINALIST • The bravely imagined, wildly acclaimed debut novel from the author of Vampires in the Lemon Grove—about a thirteen year old girl who sets out on a mission through magical swamps to save her family. "Ms. Russell is one in a million.... A suspensfuly, deeply haunted book." —The New York Times Thirteen-year-old Ava Bigtree has lived her entire life at Swamplandia!, her family’s island home and gator-wrestling theme park in the Florida Everglades. But when illness fells Ava’s mother, the park’s indomitable headliner, the family is plunged into chaos; her father withdraws, her sister falls in love with a spooky character known as the Dredgeman, and her brilliant big brother, Kiwi, defects to a rival park called The World of Darkness. As Ava embarks on her mission to save them all, we are drawn into a lush debut that takes us to the shimmering edge of reality.