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This manual is designed to provide teachers and students of music with a ready reference on the elementary aspects of Classical well-tempered tuning and voice registrations of singers and instruments. It grew out of a collaborative project launched by American statesman and economist Lyndon H. LaRouche, Jr., with the intermediate aim of reestablishing a working grasp of the principles Classical polyphonic composition as exemplified in the works of J.S. Bach, Mozart, Beethoven, Schubert, and Brahms; and with the ultimate aim of applying those principles to spark a new Classical renaissance which can lift mankind out of the cultural rubble of twentieth-century Romanticism and Modernism. Book I is primarily concerned with introducing the student to the rudiments of Classical musical science, and demonstrates the primacy of the human bel canto singing voice and its biologically-determined registration for all rigorously creative musical composition. As LaRouche states in the foreword, "The vocalization of Classical poetry, according to elementary bel canto principles of vocalization, is song. The participation of singers representing two or more of the biologically determined species of singing voices (soprano, tenor, etc.), is the essence of Classical well-tempered polyphony. Book II (in preparation) will deal with the application of vocal-polyphonic principles to musical instruments, and will provide a series of technical appendices.
This manual is designed to provide teachers and students of music with a ready reference on the elementary aspects of Classical well-tempered tuning and voice registrations of singers and instruments. It grew out of a collaborative project launched by American statesman and economist Lyndon H. LaRouche, Jr., with the intermediate aim of reestablishing a working grasp of the principles Classical polyphonic composition as exemplified in the works of J.S. Bach, Mozart, Beethoven, Schubert, and Brahms; and with the ultimate aim of applying those principles to spark a new Classical renaissance which can lift mankind out of the cultural rubble of twentieth-century Romanticism and Modernism. Book I is primarily concerned with introducing the student to the rudiments of Classical musical science, and demonstrates the primacy of the human bel canto singing voice and its biologically-determined registration for all rigorously creative musical composition. As LaRouche states in the foreword, "The vocalization of Classical poetry, according to elementary bel canto principles of vocalization, is song. The participation of singers representing two or more of the biologically determined species of singing voices (soprano, tenor, etc.), is the essence of Classical well-tempered polyphony. Book II (in preparation) will deal with the application of vocal-polyphonic principles to musical instruments, and will provide a series of technical appendices.
Sound healing therapy is rapidly gaining recognition as an important complementary medicine modality; this ground-breaking book uniquely presents techniques, based upon Chinese medicine theory, for integrating the use of precision calibrated Ohm planetary tuning forks and acupuncture needles, to create a new modality, Vibrational AcupunctureTM. The chapters include: An overview of Quantum Music TheoryTM Guidelines for using tuning forks with or without needles Insights into our genetic imprint, the Eight Extraordinary meridians Anti-exhaustion treatments for readers caught in an excessively busy and dissonant world Treatments for saggy neck and temporomandibular joint dysfunction (TMJ) Treatments for balancing the twin hemispheres of the brain, and alchemically lacing the Three Jiaos An introduction to vibrational remedies and more An overview of the use of healing sound as a palliative to global technological addiction, and how it restores essential harmony to a world that is seriously out of balance