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Francis Nally's A Manifesto About Stalking Patrick Hyland is a collection of essays from his cult classic website, "Asian Aryanism.com" It has nothing to do with national socialism, but rather flips the ideology of the alt-right on it's head by introducing a conceptual "bicultural" world after the fall of globalism and the beginning of communal "ethnonationalism." He argues that Eurasian people and interracial couples must secure a destiny and a culture based around identity politics. Nally is a pioneer in the avant-garde blogging movement known as the "alt-left." His writing has been compared to Jim Goad, Peter Sotos, and Katherine Dunn. A work of stunning originality, this book is a manual for all advocates of eurasian futurism and proper miscegenation. Full of humor, wit, insight, and theory-fiction. This book is for people who "get it." www.pilleater.com
Close to a decade, this man has published almost 600 radio shows about fringe politics, eccentric celebrities, and mind-expanding topics for extroverted intellects. This isn't Robb Stark of Game of Thrones. This is Robert Stark, host of his long-running show, The Stark Truth. This book introduces a new audience to the secluded and very underrated work of Stark's radio show and art. Inside you will find, -A personal interview with the legend himself -A complete checklist of every Stark Truth show ever published -Stark's old writings -Three published transcripts for complete newbies -A very short film review by James J. O'Meara -And an afterword/witness experience by Brandon Adamson To this day, many are confused about the existence of this "American journalist" named Robert Stark. ...Until now. A must-have collector's item from the man that brought you Journey To Vapor Island. www.starktruthradio.com www.pilleater.com
This “witty and droll” collection of philosophical tweets from the popular @NeinQuarterly offers a “perfect antidote to relentless positivity” (Publishers Weekly). “Rome didn’t burn in a day.” —Nein. A Manifesto Eric Jarosinski is the self-described “failed intellectual” behind @NeinQuarterly, a “Compendium of Utopian Negation” that uses the aphoristic potential of Twitter to plumb the existential abyss of modern life. In Nein. A Manifesto, Jarosinski collects his finest meditations on modern misery. Stridently hopeless and charmingly dour, Nein. A Manifesto is an irreverent philosophical investigation into our most—and least—urgent questions. Inspired by the aphorisms of Nietzsche, Karl Kraus, Walter Benjamin, and Theodor W. Adorno, Jarosinski’s short-form style reinvents philosophy for a world doomed to distraction. Critical thinkers, lovers of language, bibliophiles, manics, and depressives alike will be drawn to this compelling, witty, and often hilarious translation of digital into print, theory into praxis, and tragedy into farce. [REVIEWS] “I hate Twitter, I think it should be prohibited—but Jarosinski’s Nein. is the only exception, the only reason that justifies it! He is like a radical Norman Bates from Psycho intervening with his tweets which are like fast cuts with a knife!” —Slavoj Žižek “Witty and droll . . . There are gems on nearly every page. The book might seem tongue-in-cheek, but Jarosinski’s cynical aphorisms about philosophy, art, language, and literature hold plenty of truth. It is the perfect antidote to the relentless positivity of the stereotypical self-help manual.” —Publishers Weekly “A hilarious manifesto of dystopian epigrams. Nein. is the devil on your shoulder, now on your shelf.” —Ben Schott, author of Schott’s Miscellany and Schottenfreude: German Words for the Human Condition “Nein. celebrates everything that it negates. It is quietly, joyously bleak. Will you enjoy it? Perhaps better to ask: can you be certain that you’ve ever enjoyed anything?” —MC Frontalot
This Element describes for the first time the database of peer review reports at PLOS ONE, the largest scientific journal in the world, to which the authors had unique access. Specifically, this Element presents the background contexts and histories of peer review, the data-handling sensitivities of this type of research, the typical properties of reports in the journal to which the authors had access, a taxonomy of the reports, and their sentiment arcs. This unique work thereby yields a compelling and unprecedented set of insights into the evolving state of peer review in the twenty-first century, at a crucial political moment for the transformation of science. It also, though, presents a study in radicalism and the ways in which PLOS's vision for science can be said to have effected change in the ultra-conservative contemporary university. This title is also available as Open Access on Cambridge Core.
Annotation Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
For over a century, movies have played an important role in our lives, entertaining us, often provoking conversation and debate. Now, with the rise of digital cinema, audiences often encounter movies outside the theater and even outside the home. Traditional distribution models are challenged by new media entrepreneurs and independent film makers, usergenerated video, film blogs, mashups, downloads, and other expanding networks. Reinventing Cinema examines film culture at the turn of this century, at the precise moment when digital media are altering our historical relationship with the movies. Spanning multiple disciplines, Chuck Tryon addresses the interaction between production, distribution, and reception of films, television, and other new and emerging media.Through close readings of trade publications, DVD extras, public lectures by new media leaders, movie blogs, and YouTube videos, Tryon navigates the shift to digital cinema and examines how it is altering film and popular culture.
The millennial generation is lost in a sea of virtual reality. At the end of The 2000s, the internet took over an innocent generation onto "social media." The world was finally over in 2012. ...Or was it? It began the life of a crude individual by the name of Pilleater, who undertook a quest into his own sexuality. This is a collection of short stories of all of his traumas and ill wishes upon society. From everything to horrible memoirs, awkward house parties, miserable depression, and vaporwave science-fiction, this book is about a certain subject that haunts this generation. If you ever were an avid reader of Juxtapoz, Giant Robot, or Amped Asia magazine, and you had a psychotic or abusive Asian girlfriend, you will begin to see the same revelations that Pilleater written down in this book. Flip to any page and start reading. You will regret that choice.
What is “digital rhetoric”? This book aims to answer that question by looking at a number of interrelated histories, as well as evaluating a wide range of methods and practices from fields in the humanities, social sciences, and information sciences to determine what might constitute the work and the world of digital rhetoric. The advent of digital and networked communication technologies prompts renewed interest in basic questions such as What counts as a text? and Can traditional rhetoric operate in digital spheres or will it need to be revised? Or will we need to invent new rhetorical practices altogether? Through examples and consideration of digital rhetoric theories, methods for both researching and making in digital rhetoric fields, and examples of digital rhetoric pedagogy, scholarship, and public performance, this book delivers a broad overview of digital rhetoric. In addition, Douglas Eyman provides historical context by investigating the histories and boundaries that arise from mapping this emerging field and by focusing on the theories that have been taken up and revised by digital rhetoric scholars and practitioners. Both traditional and new methods are examined for the tools they provide that can be used to both study digital rhetoric and to potentially make new forms that draw on digital rhetoric for their persuasive power.
An encyclopedia and introduction to the most enjoyable board games that alter consciousness without drugs. "Ludism" is an esoteric religion based around these kitsch and quirky games that create "ludic synergy." Francis Nally covers a spectrum of obscure and cult-classic board games from the past century. Nally also provides an extensive bibliography on Ludology and commentary on social issues regarding capitalism, consumer culture, and cultural misconceptions about board games. Includes 199 game entries in alphabetical order. Discover Ludism and start getting high off these games to see new realties, ecstasies, and cultures that will strive towards the creation of The Glass Bead Game. http://www.youtube.com/pilleaterwww.pilleater.com
Economics, Keynes once wrote, can be a 'very dangerous science'. Sometimes, though, it can be moulded to further the common good though it might need a leap in mental outlook, a whole new zeitgeist to be able do do. This book is about a transformation in Australian economists' thought and ideas during the interwar period. It focuses upon the interplay between economic ideas, players and policy sometimes in the public arena. In a decade marked by depression, recovery and international political turbulence Australian economists moved from a classical orthodox economic position to that of a cautious Keynesianism by 1939. We look at how a small collective of economists tried to influence policy-making in the nineteen-thirties. Economists felt obliged to seek changes to the parameters as economic conditions altered but, more importantly, as their insights about economic management changed. There are three related themes that underscore this book. Firstly, the professionalisation of Australian economics took a gigantic leap in this period, aided in part, by the adverse circumstances confronting the economy but also by the aspirations economists held for their discipline. A second theme relates to the rather unflattering reputation foisted upon interwar economists after 1945. That transition underlies a third theme of this book, namely, how Australian economists were emboldened by Keynes's General Theory to confidently push for greater management of economic activity. By 1939 Australian economists conceptualized from a new theoretic framework and from one which they advanced comment and policy advice. This book therefore will rehabilitate the works of Australian interwar economists, arguing that they not only had an enviable international reputation but also facilitated the acceptance of Keynes¿s General Theory among policymakers before most of their counterparts elsewhere.