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""The Way of a Man with a Maid"" is a classic erotic novel, published in 1908. It contains graphic sexual descriptions and themes. ""The Way of a Man with a Maid"" is one of the most popular erotic masterpieces. Jack, the narrator, converts a room into a veritable torture chamber, named 'The Snuggery', equipped with beds to which women can be strapped and held helpless and which is soundproofed to make their screams unheard. ""The Way of a Man with a Maid"" consists of 4 volumes. This book contains: Volume I: The Tragedy Volume II: The Comedy
This is the third and final volume of the long-suppressed Victorian erotic classic A man with a maid, in which Mr. Jack recounts his further amorous adventures with the women he gradually draws into his "harem." Readers of the first two volumes will recall the Snuggery, his specially designed love-nest, as well as the mouth-watering girls who met their sexual fate there--and revelled in it. New readers will be delighted by the stimulating turn of events when sweet Alice's marriage to Jack, one of the most liberated unions in all literature, develops into an exciting menage a huit--Mr. Jack amid seven curiously wild and beautiful young women!
"A single mother's personal, unflinching look at America's class divide (Barack Obama)," this New York Times bestselling memoir is the inspiration for the Netflix limited series, hailed by Rolling Stone as "a great one." At 28, Stephanie Land's dreams of attending a university and becoming a writer quickly dissolved when a summer fling turned into an unplanned pregnancy. Before long, she found herself a single mother, scraping by as a housekeeper to make ends meet. Maid is an emotionally raw, masterful account of Stephanie's years spent in service to upper middle class America as a "nameless ghost" who quietly shared in her clients' triumphs, tragedies, and deepest secrets. Driven to carve out a better life for her family, she cleaned by day and took online classes by night, writing relentlessly as she worked toward earning a college degree. She wrote of the true stories that weren't being told: of living on food stamps and WIC coupons, of government programs that barely provided housing, of aloof government employees who shamed her for receiving what little assistance she did. Above all else, she wrote about pursuing the myth of the American Dream from the poverty line, all the while slashing through deep-rooted stigmas of the working poor. Maid is Stephanie's story, but it's not hers alone. It is an inspiring testament to the courage, determination, and ultimate strength of the human spirit. "A single mother's personal, unflinching look at America's class divide, a description of the tightrope many families walk just to get by, and a reminder of the dignity of all work." -PRESIDENT BARACK OBAMA, Obama's Summer Reading List
This volume contains some of the very best of 19th Century erotica, including The English Governess, The Pearl and many others, plus the full text of A Man With A Maid, the popular classic which has sold hundred of thousands of copies in the 80 years since it was first published. It tells the story of Jack, a Victorian gentleman who plots sweet revenge on the fiancee who jilts him, not to mention her maid and his rival's mother-in-law. He subjects the ladies to bondage and orgiastic acts, dealing out pleasure and pain in equal measure.
Meg's quest to guard the young princess, the rightful heir to Scotland's throne, is full of witchcraft, power, treachery, and suspense.
This work offers bibliographical descriptions of all printings of erotic fiction in English issued clandestinely during the period 1800-1930. By 'clandestine' is meant books whose publishers and printers attempt to hide their identities, usually by offering title pages whose misleading places and dates of publication may shock and amuse, but which always aim to mystify. Using internal and external evidence, an attempt is made to establish who were the printers, booksellers and publishers, English and Continental, involved in this trade. The printing families or 'groups' into which a large percentage of the material falls are classified, accompanied by illustrations which identify the main printing characteristics ('house styles') of the groups. Bibliographical descriptions follow a checklist of clandestine catalogues; these provide valuable evidence for dating, pricing and 'sales pitch' and information on items of which no copies can now be traced. The work concludes with a series of appendices which provide significant external evidence, and three indexes: of themes, titles and names. Peter Mendes' original research builds on and significantly extends the essential pioneer work of the Victorian collector and bibliographer H.S. Ashbee ('Pisanus Fraxi').