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CHRISTMAS IS COMING…AND THERE’S MATCHMAKING TO BE DONE! Whew! The annual matchmaking festival in Bliss, Montana, is nearly over. Neighboring ranchers Maggie Moore and Gabe O’Connor have emerged unscathed—and still single. But they haven’t counted on the creative matchmaking endeavors of their kids—and the entire townsfolk of Bliss! They think Maggie yearns for a strong sexy man like Gabe to warm her bed at night. In turn, it’s clear he’s attracted to the beautiful but vulnerable Maggie. Yet there’s a gulf between them from the past. Can these two overcome their pride and fears to create a new future together? The folks of Bliss are convinced Maggie and Gabe are meant to be. But they have their work cut out for ’em bringing this couple together just in time for Christmas!
For most people, the U.S. suffrage campaign is encapsulated by images of iconic nineteenth-century orators like the tightly coifed Susan B. Anthony or the wimpled Elizabeth Cady Stanton. However, as Mary Chapman shows, the campaign to secure the vote for U.S. women was also a modern and print-cultural phenomenon, waged with humor, creativity, and style. Making Noise, Making News also understands modern suffragist print culture as a demonstrable link between the Progressive Era's political campaign for a voice in the public sphere and Modernism's aesthetic efforts to re-imagine literary voice. Chapman charts a relationship between modern suffragist print cultural "noise" and what literary modernists understood by "making it new," asserting that the experimental tactics of U.S. suffrage print culture contributed to, and even anticipated, the formal innovations of U.S. literary modernism. Drawing on little-known archives and featuring over twenty illustrations, Making Noise, Making News provides startling documentation of Marianne Moore's closeted career as a suffrage propagandist, the persuasive effects of Alice Duer Miller's popular poetry column, Asian-American author Sui Sin Far's challenge to the racism and classism of modern suffragism, and Gertrude Stein's midcentury acknowledgement of intersections between suffrage discourse and literary modernism.
A Refinery29 Best Book of the Year The novel that inspired the acclaimed Rebecca Miller film Maggie's Plan, starring Julianne Moore, Ethan Hawke, and Greta Gerwig. Isabel, Anna, Beth, and Maggie are women who aren’t afraid to take it all. Whether spearheading a pregnancy lingerie company, conspiring to return a husband to his ex-wife, lusting after an old lover while in a satisfying marriage, or trying to balance motherhood and work—they are sexy, determined, and not looking for a simple happily ever after. Through punchy, hilarious, and insightful storytelling, The End of Men shatters the confines of society, and more importantly, those we impose upon ourselves. “With humor, bravery, and panache, Karen Rinaldi puts her finger straight on the tender conundrum of the female experience, where work, love, and motherhood intersect.” — Rebecca Miller, director of Maggie’s Plan "Karen Rinaldi's The End of Men is in every way marvelous. A sharply drawn story—or more accurately, stories—that gets everything right. Warm hearted but painfully close to the bone. " —Anthony Bourdain "In 1995, I wrote a short story, 'Baster,' inspired by some goings-on in my friend Karen Rinaldi's life. In 2003, that story, significantly altered, became the Jennifer Aniston-movie ‘The Switch.’ In 2016, another film, 'Maggie's Plan,' directed by Rebecca Miller, appeared, this time based partly on Rinaldi's unfinished novel about said events. And, now, Rinaldi has finished that novel, creating yet another version, her own version. I knew it was a good idea the first time I heard it, but I had no inkling it would prove quite so fruitful. Given the subject matter, however, how could it be otherwise? Certainly, this is a story that keeps on giving." —Jeffrey Eugenides
But is he here for the right reasons? She never thought she'd own a bar in the middle of nowhere, Montana. But to Aurora Jones, Willing seemed like a perfect place to disappear. That is until the producers came to film their marry-off-all-the-bachelors reality TV show. And then Jake Hove, long-lost brother of her friend's fiancé, arrived. Jake's well known for his country-and-western band and ignites yet another round of excitement in a town already filled with single female tourists looking for love. Charismatic musicians are a dime a dozen, and Aurora left that world behind long ago. Can she keep her secrets and resist this vulnerable new father…who wants more than she can give?
This 1980s Carolina coast thriller “channels all the danger, intrigue, and thrills of a pirate’s life at sea for a twentieth-century criminal mystery” (Forward Reviews). On an old sailboat named for his departed wife—as well as a legendary pirate—criminal justice professor Hershel Barstow is saying his final goodbye with a trip through the North Carolina Intercoastal Waterway. He expects his solo trip aboard the Anne Bonny to be a quiet one. Then the mysterious and seductive Maggie Adelaide Moore appears in the water and climbs aboard. His reluctant offer to help the distressed woman soon brings trouble, entangling Hershel with a dangerous drug cartel. Now Hershel needs to call on old friends from his CIA days to stay safe and riddle out Maggie's mysterious past. In the weathered Anne Bonny, enemies could be lurking behind every river bend. Now Hershel must navigate his way through deadly waters on a quest for truth, safety, and justice.
Published through the Recovering Languages and Literacies of the Americas initiative, supported by the Andrew W. Mellon Foundation In this book of Native American language research and oral traditions, linguist John Lyon collects Salish stories as told by culture-bearer Lottie Lindley, one of the last Okanagan elders whose formative years of language learning were unbroken by the colonizing influence of English. Speaking in the Upper Nicola dialect of Okanagan, a Southern Interior Salish language, Lindley tells the stories that recount and reflect Salish culture, history, and historical consciousness (including names of locales won in battle with other interior peoples), coming-of-age rituals and marriage rites, and tales that attest to the self-understanding of the Salish people within their own history. For each Okanagan Salish story, Lyon and Lindley offer a continuous transcription followed by a collaborative English translation of the story and an interlinear rendition with morphological analysis. The presentation allows students of the dialect, linguists, and those interested in Pacific Northwest and Interior Plateau indigenous oral traditions unencumbered access to the culture, history, and language of the Salish peoples. With few native speakers left in the community, Okanagan Grouse Woman contributes to the preservation, presentation, and--with hope--maintenance and cultivation of a vital indigenous language and the cultural traditions of the Interior Salish peoples.
Born near the docks in Geelong Australia, Carrie Moore was destined to be the queen of the Edwardian stage, From diamonds to dust, her career soared from the heights of the English stage to the depths of the rooming house in Sydney. This is the story of Australia's first Merry Widow.
Melanie Briggs and her baby daughter create quite a stir when they suddenly arrive to stay at the Stone Ranch. She'd make the perfect wife in Jared Stone's opinion. Not that he has any intention to marry or become an instant dad. He fights every urge to take sweet Melanie to bed. But some things are meant to be…. En route to Montana for the holiday, Will Stone gets stuck in a blizzard with Melanie's wild cousin, Ms. Dylan Briggs. As far as Will is concerned, the snow can't stop soon enough. Then again, sharing a bed with sexy, sassy Dylan might be the perfect way to wait out a storm!