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I’m a Wathaurong man. I’m an artist who draws on life in this big red and yellow and black country. Stan “Yarra” Yarramunua: artist, musician, actor, social worker, businessman. From growing up in poverty in Swan Hill – and sometimes on the road, with his itinerant father – Yarra had a tumultuous and often rough childhood. He learnt early how to lift a wallet or two, and grew into a ratbag who looked set to follow in his father’s footsteps: fall into one too many skirmishes with the law; have one too many drinks, sliding down the path to alcoholism. Yet after years of addiction, Stan gave up drinking, discovered painting and found his true name of Yarramunua. Soon he was selling his traditional paintings, and hand-crafted clapsticks, didgeridoos and boomerangs, at markets across Melbourne. He opened one of the first privately owned Aboriginal art galleries in Australia, and represented Indigenous artists from around the country, including from the desert regions. Today, Yarra is an internationally renowned artist and performer. But he hasn’t forgotten his roots: he is committed to improving the lives of Aboriginal kids in his home town, and has helped many young Indigenous men find their way out of addiction and despair. This is an inspiring story of a remarkable man overcoming hardship, striving for a better life, and reclaiming his ancestry. ‘This may be a written memoir, but Indigenous artist Stan Yarramunua has a plain-speaking, conversational style that comes across so clearly it’s actually like listening to his story, which is a rites-of-passage tale of growing up tough and wild.’ —Sydney Morning Herald
The life of Phonse Tobin was anything but ordinary. Born in 1905, he followed on behind soldiers as they marched to the wharves to depart for WW1. He earned pocket money by trapping rats and collecting the South Melbourne Council's rat bounty, and almost 'haunted' the Collins Street movie and live theatres. After leaving school in 1919 he worked as a storeman, salesman, soldier and fireman. In 1934 Phonse and his brothers Leo, Tom and Kevin started what has become Australia's most successful family-owned funeral service company. A natural entertainer, Phonse possessed a fine singing voice and produced many amateur theatrical productions in the 1930s. He was a good all-round sportsman and a successful professional footrunner. He was a long-serving member of the North Melbourne Football Club committee and was the club’s president from 1955 to 1957. He was a life member of both the NMFC and the VFL (now AFL). Phonse married Vera Crough in 1935. They had four children and their direct descendants number 38. Phonse was one of those rare characters who could meet, communicate and be at ease with people of all classes and walks of life - from prize fighters to prime ministers, from 'mug' punters to wealthy publicans or bookmakers, from Knights of the Southern Cross to knights of the realm, from everyday parish priests to 'princes' of the church, and from grave diggers to governors. Like everyone else, he had his failings. But these failings – such as they were – were more than offset by his strength of character, generous spirit, creative flair, kindness to people in need, and his love for and undying support of his family.
The first white intruders in the area north of the Great Divide to the Murray River drained by the Goulburn, Loddon and Wimmera rivers were cattle and sheep ‘overlanders’ from the Sydney-side searching for green pastures in drought-affected NSW and a route to South Australia. Echo 76: THE NORTHERN CONQUEST – Drover’s accounts of overlanding sets the scene for the later Echo 83: REVIEWING THE FAITHFULL MASSACRE, WANGARATTA AND SCOURING THE OVENS. With a military escort, the wife of the Governor of VD Land Lady Jane Franklin wrote travel diaries and letters of her visit to Melbourne and ‘tour’ of Australia Felix in 1839. Sounding 5 introduces the journals of Protector Dredge camping with the Goulburn clans and is followed by Echo 79: THE HUTTON & MUNRO AFFAIRS, being the invasion of Djadja Wurrung country as revealed in Chief Protector Robinson’s journal for January 1840. This leads into Parker’s Mount Franklin Protectorate Station combined with shire history snippets of Maryborough, Avoca and Boort before a section on the Djadja Wurrung who survived colonization. Another group of shire histories cover Kyabram, Shepparton, Murchison, Benalla, Tallangatta, Benambra and Bendigo areas before Ian D Clark’s depiction of the box-ironbark forests and pre-1840s Aboriginal land tenure in north-central Victoria. Included here is an ecological section on ‘fire-stick farming’ replaced by agri-business. The fate of the Goulburn tribe, the Taungurong clans, and pioneer Carter’s early days on the Wimmera lead to echo 87: ORIENTING THE WERGAIA WIMMERA-MALLEE CLANS and then to EBENEZER – archaeology of an Aboriginal Mission Station. Sounding 5 closes with an echo on the bush-life experiences of battler William Kyle and for contrast reveals the dispossession role played by wealthy land speculators in echo 90: BEN BOYD – Royal Yacht Squadron Slaver.
Comprising the final report and journal of D. Lindsay and the journal of L.A. Wells.
Focusing on particular historical blind spots by telling stories of individuals and groups that did not fit the favoured identity mould, the essays in 'Migrant Nation' work within the gap between Australian image and experience and offer fresh insights into the ‘other’ side of identity construction. The volume casts light on the hidden face of Australian identity and remembers the experiences of a wide variety of people who have generally been excluded, neglected or simply forgotten in the long-running quest to tell a unified story of Australian culture and identity. Drawing upon memories, letters, interviews and documentary fragments, as well as rich archives, the authors have in common a commitment to give life to neglected histories and thus to include, in an expanding and open-ended national narrative, people who were cast as strangers in the place that was their home.
In 1962, the first volume of Manning Clark's "A History of Australia" appeared. For the next two-and-a-half decades Clark unfolded his tragic celebration of white Australian history. Today, the six-volume history is one of the masterpieces of Australian literature. It is also one of the most passionately debated visions of Australian history. Clark's Australians are men and women of lively goodwill and deep sinfulness, of generous idealism and unthinking brutality. He dramatizes the motivating forces of Australian life - cowardice and vision, cruelty and defiance, greatness of spirit and the spiritual vacuity of the suburbs - all of them locked in the unceasing struggle which builds a nation. Michael Cathcart has re-orchestrated Clark's epic narrative in this single volume. Every page of this abridgement rings with Manning Clark's voice. Here, at last, the general reader can encounter the deep resonances, pessimism and passion of Manning Clark - Australian historian and prophet. Michael Cathcart is co-author of "Mission to the South Seas: the Voyage of the Duff" and author of "Defending the National Tuckshop", a study of conservative responses to the Great Depression.