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This multidisciplinary study analyzes the visual, linguistic, and cultural significance of the imagery used by the Moche in their ceramics and murals.
'Enemy – Stranger – Neighbour: The Image of the Other in Moche Culture' is dedicated to artistic renderings of the Recuay people in Moche art, in all available and preserved media. This study offers an analysis of several dozen complex, painted and bas-relief scenes and several hundred mould-pressed, sculpted depictions of foreigners in Moche art.
First published in 1978. Routledge is an imprint of Taylor & Francis, an informa company.
Icons of Power investigates why the image of the cat has been such a potent symbol in the art, religion and mythology of indigenous American cultures for three thousand years. The jaguar and the puma epitomize ideas of sacrifice, cannibalism, war, and status in a startling array of graphic and enduring images. Natural and supernatural felines inhabit a shape-shifting world of sorcery and spiritual power, revealing the shamanic nature of Amerindian world views. This pioneering collection offers a unique pan-American assessment of the feline icon through the diversity of cultural interpretations, but also striking parallels in its associations with hunters, warriors, kingship, fertility, and the sacred nature of political power. Evidence is drawn from the pre-Columbian Aztec and Maya of Mexico, Peruvian, and Panamanian civilizations, through recent pueblo and Iroquois cultures of North America, to current Amazonian and Andean societies. This well-illustrated volume is essential reading for all who are interested in the symbolic construction of animal icons, their variable meanings, and their place in a natural world conceived through the lens of culture. The cross-disciplinary approach embraces archaeology, anthropology, and art history.
The Moche people who inhabited the north coast of Peru between approximately 100 and 800 AD were perhaps the first ancient Andean society to attain state-level social complexity. Although they had no written language, the Moche created the most elaborate system of iconographic representation of any ancient Peruvian culture. Amazingly realistic figures of humans, animals, and beings with supernatural attributes adorn Moche pottery, metal and wooden objects, textiles, and murals. These actors, which may have represented both living individuals and mythological beings, appear in scenes depicting ritual warfare, human sacrifice, the partaking of human blood, funerary rites, and explicit sexual activities. In this pathfinding book, Steve Bourget raises the analysis of Moche iconography to a new level through an in-depth study of visual representations of rituals involving sex, death, and sacrifice. He begins by drawing connections between the scenes and individuals depicted on Moche pottery and other objects and the archaeological remains of human sacrifice and burial rituals. He then builds a convincing case for Moche iconography recording both actual ritual activities and Moche religious beliefs regarding the worlds of the living, the dead, and the afterlife. Offering a pioneering interpretation of the Moche worldview, Bourget argues that the use of symbolic dualities linking life and death, humans and beings with supernatural attributes, and fertility and social reproduction allowed the Moche to create a complex system of reciprocity between the world of the living and the afterworld. He concludes with an innovative model of how Moche cosmological beliefs played out in the realms of rulership and political authority.
Library holds volume 2, part 2 only.
Pampa Grande, the largest and most powerful city of the Mochica (Moche) culture on the north coast of Peru, was built, inhabited, and abandoned during the period A.D. 550-700. It is extremely important archaeologically as one of the few pre-Hispanic cities in South America for which there are enough reliable data to reconstruct a model of pre-Hispanic urbanism. This book presents a "biography" of Pampa Grande that offers a reconstruction not only of the site itself but also of the sociocultural and economic environment in which it was built and abandoned. Izumi Shimada argues that Pampa Grande was established rapidly and without outside influence at a strategic position at the neck of the Lambayeque Valley that gave it control over intervalley canals and their agricultural potential and allowed it to gain political dominance over local populations. Study of the site itself leads him to posit a large resident population made up of transplanted Mochica and local non-Mochica groups with a social hierarchy of at least three tiers.