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For fans of Lauren Groff, Maggie O’Farrell, and Emma Donoghue, a devastating novel of love, intrigue, and community in a time of sickness that remade the world Fourteenth-century Europe. The Black Death has killed half the known world, andin an isolated convent, a small group of nuns spends their days in work, austerity, and devotion, chanting the Liturgy of the Hours. But their community is threatened. Rumors of heresy and a scandalous Book of Ursula, based on the teachings of the charismatic former abbess and founder of the order, have prompted the male church hierarchy to launch an investigation. The priest assigned to minister to the nuns, Father Francis, who is wracked by guilt for an unspeakable crime committed during the lawless plague years, was no friend of Ursula and can't be counted on to defend the order. Disrespect and rebellion infect some novices, and the youngest among them pines for the bishop’s chief inquisitor. And Mother John, the convent’s aging spiritual leader, fears she’s losing her mind after experiencing a vision that brings back her own rebellious past. As events unfold over the course of a single day, a blizzard that has swept across Europe will break over the convent, endangering the women there and testing their faith. In this astonishing novel, the author of the award-winning Songs for the Butcher’s Daughter explores the territory between faith and freedom, and how the horrific events of history shape individual lives.
Happily Ever After ... Or Happily Nevermore? Gisela’s childhood was filled with laughter and visits from nobles such as the duke and his young son. But since her father’s death, each day has been filled with nothing but servitude to her stepmother. So when Gisela learns the duke’s son, Valten—the boy she has daydreamed about for years—is throwing a ball in hopes of finding a wife, she vows to find a way to attend, even if it’s only for a taste of a life she’ll never have. To her surprise, she catches Valten’s eye. Though he is rough around the edges, Gisela finds Valten has completely captured her heart. But other forces are bent on keeping the two from falling further in love, putting Gisela in more danger than she ever imagined.
Reprint of the original, first published in 1876.
"People throw the word 'classic' about a lot, but A Drowned Maiden's Hair genuinely deserves to become one." — Wall Street Journal Maud Flynn is known at the orphanage for her impertinence, so when the charming Miss Hyacinth and her sister choose Maud to take home with them, the girl is as baffled as anyone. It seems the sisters need Maud to help stage elaborate séances for bereaved, wealthy patrons. As Maud is drawn deeper into the deception, playing her role as a "secret child," she is torn between her need to please and her growing conscience -- until a shocking betrayal makes clear just how heartless her so-called guardians are. Filled with tantalizing details of turn-of-the-century spiritualism and page-turning suspense, this lively historical novel features a winning heroine whom readers will not soon forget.
A richly rewarding guide for women stepping into their full feminine power Pre-patriarchal cultures revered the passage from youth to maturity as a part of nature’s cycle. Yet, today’s society has largely severed women from this connection, asking them to remain young, pretty, and disconnected from their inner sacredness. Maiden to Mother offers a desperately needed pathway out of infantilization and disempowerment and into soul-sourced sovereign wholeness. Through story, ritual, and teaching, Wilson ushers women through the ancient passage of the immature “Maiden” phase of life and guides us through the crucial initiation into the archetypal Mother—the powerful, safe, compassionate, full-bloom feminine life force that exists within all of us. The Mother is every woman’s birthright, regardless of whether or not she raises children. It is an embodiment of who we needed as a child, who we were meant to be in this life, and who the world needs us to be now. Here, we are invited to dismantle our internalized conditioning with its false, constricting standards for the feminine, so that we may live with authenticity and feast on the richness of life. “Midlife is not, as our culture proposes, where a woman’s power ends,” says Wilson, “but where it really begins.”
“Offers . . . a clearer insight into the scope and function of philanthropy in political and private life and the impacts that women writers and activists had.” —Edith Wharton Review From the mid-nineteenth century until the rise of the modern welfare state in the early twentieth century, Anglo-American philanthropic giving gained an unprecedented measure of cultural authority as it changed in kind and degree. Civil society took on the responsibility for confronting the adverse effects of industrialism, and transnational discussions of poverty, urbanization, and women’s work, and sympathy provided a means of understanding and debating social reform. While philanthropic institutions left a transactional record of money and materials, philanthropic discourse yielded a rich corpus of writing that represented, rationalized, and shaped these rapidly industrializing societies, drawing on and informing other modernizing discourses including religion, economics, and social science. Showing the fundamentally transatlantic nature of this discourse from 1850 to 1920, the authors gather a wide variety of literary sources that crossed national and colonial borders within the Anglo-American range of influence. Through manifestos, fundraising tracts, novels, letters, and pamphlets, they piece together the intellectual world where philanthropists reasoned through their efforts and redefined the public sector.