Download Free A Maddening Disregard For The Passage Of Time Poems Book in PDF and EPUB Free Download. You can read online A Maddening Disregard For The Passage Of Time Poems and write the review.

A MADDENING DISREGARD FOR THE PASSAGE OF TIME: While we are indeed born into time, and at death we slide out of time altogether into eternity, in whatever space we might conceive, in a supreme moment we might taste timelessness, fleeting though it may be (though that fleetingness too being still only a matter of time). But there are also those whose "disregard" of the passing of time is due to their absorption in Eternity, and The Eternal One.
The sound of geese over the house and in the house the prayer on the Prophet The sound of geese over the house and in the house Allah loves you The mountains are full of light and their gigantic shadows are eloquent since they're leaning against the sky and out into space with their crags and outcrops No sound can scale in a dimension commensurate with the pure expanse of it The sound of geese over the house puts a dome of life above us and a sea of life below us and a world of life all around us and a shaft of living Light inside us
Sufi poems from the love-ocean, washing at the shores of this world and the next, with God willing a depth charge or two to find new love grottos, new heights in underwater drownings, new depths in aerial flights. Contradictions? As Walt Whitman said, "Do I contradict myself? Yes, I contradict myself! I contain multitudes." And if we rub the self to its tissue-thin reality, God's Light shines more thoroughly through.
This may be my most personal book, as I wrote this collection of poems as an attempt to definitively and honestly connect in a deep way with Farid, my teenage stepson. Ah, since you're not my/ natural son, you can be my/ supernatural son! No actual genes of mine// swim in your blood, your flesh doesn't/ resemble mine, though since I've been your/ dad from the time you were two, we now have a/ definite// family resemblance, leaping over/ genetic fact like some sleek green grasshopper of/ supernatural light.
Poetic inspiration continues to be a mystery to me, but I am its deep advocate, and hold to its irrational and shady acreage like a greedy real estate developer gazing out over the possibilities (a ramshackle hut here, a barn there, a castle with a lake yonder...). Is it angels, djinn, my black cat curled at the bottom of my bed while I'm hot in composition mode? My "unconscious," "God Consciousness?" (my fervent prayer).
RAMADAN SONNETS, not always a spiritual meditation, nor often even what should be felt and achieved in the fast (the poems are striving for some reality of feeling and experience), these poems are an imaginatively inspired record of the month, its small epiphanies and grim endurances, heading out from its physical constraints to contemplate a vast panorama, or focusing in on particulars, those embryos of explosive meaning, to evoke the blessed month of Ramadan's intertwining flavors of asceticism and sensual gratitude, its palatable and palpable Light.
A grand outgoing, heading directly into the puzzlement, the puzzle, puzzling it all out... Poems of search and devotion to the One, through labyrinthine manifestations... self and its various sheddings.
There are among us luminous beings who maintain that what we might taste of the Garden of Paradise and what we might suffer of the Fire of Hell is right here in our present earthly and mortal existence as well. The imaginal truth of the Spiritual Path that points to the Next World after death is perhaps indisputable (however some might vigorously dispute it) but our lives, upon reflection, sometimes thrown overboard and barely making it to shore, sometimes buoyed up very high and slammed down very low and hard, are a living proof of the this-world tasting of the Next World experience...
.".".The look of love death has on its face and in its fathomless eyes as behind the burning irises legions upon legions of angels file up and down a spiraling staircase carrying love-notes and bringing back blessings and reprieves..."" I'm really not sure why this particular collection of my poems is called Blood Songs, the title it has had since beginning the first poem of the book written in October of 2000, and though, as with other titles of mine, not necessarily threading a theme throughout, yet the title stands notwithstanding... and so it stands.
As Muslims who pray the five obligatory prayers each day of our lives, when able we orient ourselves toward Mecca, located in what is now Saudi Arabia, from wherever we happen to find ourselves, farflung in some island fastness, or out in desert dunes, or in a New York hotel room. There are boat people who tie up and face Mecca right in their boats, saintly Moroccan merchants who fling their carpets down just behind the counter where they sell embroidery thread to very particular customers (I am a witness). We can't get too "far out" when we stop to face Mecca five times and more a day, or in the solitude of our nights, knowing the plumb line goes straight through to the next world, and its rising to the holy heights.