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"This book is rather like a Mardi Gras parade -- a series of impressions. Each chapter is like a decorated car which tells a story. Some of the stories are brave and courageous, others are informative, or amusing, or bizarre, or fantastic. or cruel; but they are all interlocking stories--a pageant of a city...I have not attempted to write history in its strict sense although the main events of the French, Spanish and American Dominations are outlined and several chapters on the new New Orleans have been added."-- from Introduction.
Proud mulatto colony ostracizes girl, who sacrifices everything for her white child.
Anthology of long-lost short stories and articles published by New Orleans author Lyle Saxon between 1919-1923. Second-place winner of the 2019 IndieReader Discovery Award for Fiction.
Jean Lafitte, the famous buccaneer, terrorized the Gulf of Mexico during the early 1800s from his hidden base in Louisiana's swamps at Barataria Bay. His battles with the law were legendary: when Governor William Claiborne of Louisiana offered a reward for Lafitte's capture, the pirate offered an even larger reward for the governor! But when the British approached Lafitte during the War of 1812, asking for his help in their invasion of Louisiana, the pirate instead joined forces with Andrew Jackson and helped rout the enemy at the Battle of New Orleans. Lyle Saxon chronicles Lafitte's colorful life and examines some puzzling questions about the famous rogue. Where was Jean Lafitte born? Did he really participate in the French Revolution? What was his part in the plot to rescue Napoleon? And where is his treasure hidden? Separating fact from legend, Saxon paints an entertaining and realistic portrait of a truly remarkable figure in American history. Book jacket.
Witch? Sorceress? Daughter of Satan? Thief? Saint? Born in 1794, Marie Laveau reigned as the undisputed Queen of the Voodoos for nearly a century. Her beauty and powers were legendary, and caused her to be the subject of wild gossip throughout her life. She passed on her secrets to a favorite daughter, who helped her dominate the underworld of voodoo in New Orleans. "It is an absorbing tale, and the emotional undertones, the conflicts in her human relations, the overwhelming loneliness of her position, all come through the story of a strange life." Kirkus Reviews "The author creates a vivid, haunting atmosphere, which (like Marie's arts) holds the reader in spell. . . . an intriguing novel that is competently mounted and exceedingly well executed." New York Times
Excerpt from A Southern Woman's War Time Reminiscences City, and I, with my two eldest children, ac companied him. It seems but yesterday that we strolled together through the old historic precincts of New York. I used to sit in Trinity churchyard for hours while my children played among the tombs, scratching the moss from the letters, and I wrote or studied, surrounded by the noise and clamor of trade, but as much alone as if in the heart of a forest. There, during the earlier part of our residence, I wrote my press letters and read. Later we moved up town, in the very heart of the city, where we were living when the events preceding the war begun to shape them selves into such ominous foreshadowings. Our summers were spent in the city, our winters in the South. In 1858 we had for our companion much of the time a most beautiful Boston girl, whose father had spent all his life in Mexico. He had come on to Boston and was carrying his daughter to Mexico to make a trade in a silver mine, she to be a part of the stock in trade, as wife of Don Josie Patillo, 59 years old. The whole party was stopping at our hotel. A gallant black-haired friend of ours fell desperately in love with her, and carried off this lily of loveliness right in the face of the swearing old pirate, her father, and Don Josie. The excitement over the matter in our hotel was about equal to two fires and a murder, and I was pounced upon for helping it on. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
In 1938, under the direction of novelist and historian Lyle Saxon, The Federal Writers' Project of the Works Progress Administration produced this delightfully detailed portrait of New Orleans. Containing recipes, photographs and folklore, it is consistently hailed as one of the best books produced about the city. Remarkably, many of the sites and attractions the WPA chronicled in 1938 are still around today.
Jean Lafitte left behind many a legend for generations to follow in thepages of Louisiana history. Treasure hunters still speculate about the site ofpirated loot buried under French Quarter homes or sunk in the Barataria swamps.His notorious reputation was born of tales like these of the blacksmith andsuspect pirate. But regardless of whatever the storytellers may repeat, thereis one legend that does survive the test of authenticity, the story of how JeanLafitte and his men were heroes at the Battle of New Orleans against theinvading British forces during the War of 1812.In The Pirate Lafitte and the Battle of New Orleans , authorRobert Tallant has given younger readers a chance to relive the excitement,romance, and thrill of those days when the Barataria pirates threatened rivertraffic and New Orleans felt the threat of seige by the British. Thisenthralling story from the pages of history is delightfully told with anemphasis on helping children understand the political events of the time aswell as the social climate of the city in the early-nineteenth century.The story reveals the speculative past of Lafitte and how he hid behind thefacade of his blacksmith's shop in the Vieux Carr . He held bittercontempt for his enemy Governor Claiborne until that famous battle, in whichthe pirate-turned-hero joined Gen. Andrew Jackson to protect the city from theincoming assault of British soldiers. Combining tales of pirates, mystery,battle, true events, and real people, this children's book is a thrillingchapter in American history.Robert Tallant (1909-1957) was one of Louisiana's best-known authors, andparticipated in the WPA Writers Project during the 1930s and 1940s. BesidesMardi Gras . . . As It Was, Tallant also wrote Voodoo in NewOrleans and The Voodoo Queen . With Lyle Saxon and EdwardDreyer he coauthored the famous collection Gumbo Ya-Ya: Folktales ofLouisiana.
In the years following World War I, the New Orleans French Quarter attracted artists and writers with its low rents, faded charm, and colorful street life. By the 1920s Jackson Square had become the center of a vibrant if short-lived bohemia. A young William Faulkner and his roommate William Spratling, an artist who taught at Tulane University, resided among the "artful and crafty ones of the French Quarter." In Dixie Bohemia John Shelton Reed introduces Faulkner's circle of friends -- ranging from the distinguished Sherwood Anderson to a gender-bending Mardi Gras costume designer -- and brings to life the people and places of New Orleans in the Jazz Age. Reed begins with Faulkner and Spratling's self-published homage to their fellow bohemians, "Sherwood Anderson and Other Famous Creoles." The book contained 43 sketches of New Orleans artists, by Spratling, with captions and a short introduction by Faulkner. The title served as a rather obscure joke: Sherwood was not a Creole and neither were most of the people featured. But with Reed's commentary, these profiles serve as an entry into the world of artists and writers that dined on Decatur Street, attended masked balls, and blatantly ignored the Prohibition Act. These men and women also helped to establish New Orleans institutions such as the Double Dealer literary magazine, the Arts and Crafts Club, and Le Petit Theatre. But unlike most bohemias, the one in New Orleans existed as a whites-only affair. Though some of the bohemians were relatively progressive, and many employed African American material in their own work, few of them knew or cared about what was going on across town among the city's black intellectuals and artists. The positive developments from this French Quarter renaissance, however, attracted attention and visitors, inspiring the historic preservation and commercial revitalization that turned the area into a tourist destination. Predictably, this gentrification drove out many of the working artists and writers who had helped revive the area. As Reed points out, one resident who identified herself as an "artist" on the 1920 federal census gave her occupation in 1930 as "saleslady, real estate," reflecting the decline of an active artistic class. A charming and insightful glimpse into an era, Dixie Bohemia describes the writers, artists, poseurs, and hangers-on in the New Orleans art scene of the 1920s and illuminates how this dazzling world faded as quickly as it began.