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Set in Czechoslovakia between the 1940s and the 1990s, Tomáš Zmeškal’s stimulating novel focuses on one family’s tragic story of love and the unspoken. Josef meets his wife, Kveta, before the Second World War at a public lecture on Hittite culture. Kveta chooses to marry Josef over their mutual friend Hynek, but when her husband is later arrested and imprisoned for an unnamed crime, Kveta gives herself to Hynek in return for help and advice. The author explores the complexities of what is not spoken, what cannot be said, the repercussions of silence after an ordeal, the absurdity of forgotten pain, and what it is to be an outsider. In Zmeškal’s tale, told not chronologically but rather as a mosaic of events, time progresses unevenly and unpredictably, as does one’s understanding. The saga belongs to a particular family, but it also exposes the larger, ongoing struggle of postcommunist Eastern Europe to come to terms with suffering when catharsis is denied. Reporting from a fresh, multicultural perspective, Zmeškal makes a welcome contribution to European literature in the twenty-first century.
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Drawing on archival sources from Czechoslovakia, Poland, East Germany, Romania and Bulgaria, Perceptions of Society in Communist Europe considers whether and to what extent communist regimes cared about popular opinion, how they obtained their information, and how it helped them implement and maintain their rule. Contrary to popular belief, communist regimes sought to legitimise their domination with minimal resort to violence in order to maintain their everyday power. This entailed a permanent negotiation process between the rulers and the ruled, with public approval of governmental policies becoming key to their success. By analysing topics such as a Stalinist musical in Czechoslovakia, workers' letters to the leadership in Romania, children's television in Poland and the figure of the secret agent in contemporary culture, as well as many more besides, Muriel Blaive and the contributors demonstrate the potential of social history to deconstruct parochial national perceptions of communism. This cutting-edge volume is a vital resource for academics, postgraduates and advanced undergraduates studying East-Central European history, Stalinism and comparative communism.
Scholars of state socialism have frequently invoked “nostalgia” to identify an uncritical longing for the utopian ambitions and lived experience of the former Eastern Bloc. However, this concept seems insufficient to describe memory cultures in the Czech Republic and other contexts in which a “retro” fascination with the past has proven compatible with a steadfast critique of the state socialist era. This innovative study locates a distinctively retro aesthetic in Czech literature, film, and other cultural forms, enriching our understanding of not only the nation’s memory culture, but also the ways in which popular culture can structure collective memory.
Yael Dayan, novelist daughter of the legendary Moshe Dayan and? a public figure with a long and illustrious political career behind her, looks back at her life, scrutinizing it without illusions. Once a desirable, free-spirited young woman and a successful author, she lived with the sense that she held the world in the palm of her hand. And the world adulated both her and the young state she came from. She was an officer in the Israel Defense Force, the daughter of a renowned general, a successful writer—Death Had Two Sons, A Soldier’s Diary: Sinai 1967—much in demand on the lecture tour, and a star of the gossip columns. Now in her 70s, she admits with touching honesty to missing both the vibrant 20-something she was, and the sober woman she became—a fierce political activist and parliamentarian for the left, a fighter for justice, women’s rights and peace. Having resigned her last public position, she must reconcile herself to being a mentor, a participant instead of a leader, yet remaining center-stage on the Peace Camp scene. The narrator’s warm, intimate voice and her rich intellect, as well as her insights, make for a powerful reading experience.
This volume investigates the form of love letters and erotic letters in Greek and Latin up to the 7th Century CE, encompassing both literary and documentary letters (the latter inscribed and on papyrus), and prose and poetry. The potential for, and utility of treating this large and diverse corpus as a ‘genre’ is examined. To this end, approaches from ancient literary criticism and modern theory of genre are made; mutual influences between the documentary and the literary form are sought; and origins in proto-epistolary poetic texts are examined. In order to examine the boundaries of a form, limit cases, which might have less claim to the label ‘love letter’, are compared with more clear-cut examples. A series of case studies focuses on individual letters and letter-collections. Some case studies situate their subjects within the history and literary evolution of the love letter, using both intertextuality and comparative approaches; others placing them in their cultural and historical contexts, particularly uncovering the contribution of epistolarity to erotic discourse, and to the history of sexuality and gender in diverse eras and locations within Classical to Late Antiquity.
A groundbreaking exploration of our most complex and mysterious emotion Elation, mood swings, sleeplessness, and obsession—these are the tell-tale signs of someone in the throes of romantic passion. In this revealing new book, renowned anthropologist Helen Fisher explains why this experience—which cuts across time, geography, and gender—is a force as powerful as the need for food or sleep. Why We Love begins by presenting the results of a scientific study in which Fisher scanned the brains of people who had just fallen madly in love. She proves, at last, what researchers had only suspected: when you fall in love, primordial areas of the brain "light up" with increased blood flow, creating romantic passion. Fisher uses this new research to show exactly what you experience when you fall in love, why you choose one person rather than another, and how romantic love affects your sex drive and your feelings of attachment to a partner. She argues that all animals feel romantic attraction, that love at first sight comes out of nature, and that human romance evolved for crucial reasons of survival. Lastly, she offers concrete suggestions on how to control this ancient passion, and she optimistically explores the future of romantic love in our chaotic modern world. Provocative, enlightening, and persuasive, Why We Love offers radical new answers to the age-old question of what love is and thus provides invaluable new insights into keeping love alive.