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Both anthologies are about New Orleans: the past and the present. This author has grown up in this city, and there is certain timelessness about it - the past definitely influences the present. All the plays are permeated with the sensuousness, decadence and bewilderment of brave and driven people living in chaos, confusion, extreme pleasure and delight. I hope you get a taste of this rich jambalaya of life as you experience these plays. Volume One contains modern plays set in pre-Katrina New Orleans, the City that Care Forgot. After I founded Southern Repertory Theatre in New Orleans, we initiated a new play festival to develop new voices and a friend challenged me to write. My play, Wishing Aces, won me a Senior Fulbright Research Specialist grant to Paris. From then on, I stopped writing textbooks and wrote plays primarily about New Orleans. When shaping a play, I take a question that disturbs me that I can't figure out, such as: why can't this professor and this student communicate in a profound way? Why can't this mother set boundaries for her out-of-control son? What would it take for that to happen? I then look at voice and structure, using the names of people from my life (I may change these later) to get the right phrasing and tone. I put these ghosts in my play, pick the most haunting place in New Orleans, and use cards to come up with an outline of scenes. Place inspires that sense of mystery that is so important to the theatre: an abandoned train station in the Louisiana swamps, a Baroness Pontalba apartment in the Quarter, a Garden District mansion. Place, weather, time, sounds inspire designers who are critical to creating the images the story requires. I try to fill my plays with details from New Orleans; the heat, the rain, the light through the oaks, the phantom gallery of a plantation house at dusk so that you too can experience what it's like to live here.
Selected as an Outstanding Academic Title by Choice Selected as an Outstanding Reference Source by the Reference and User Services Association of the American Library Association There are many anthologies of southern literature, but this is the first companion. Neither a survey of masterpieces nor a biographical sourcebook, The Companion to Southern Literature treats every conceivable topic found in southern writing from the pre-Columbian era to the present, referencing specific works of all periods and genres. Top scholars in their fields offer original definitions and examples of the concepts they know best, identifying the themes, burning issues, historical personalities, beloved icons, and common or uncommon stereotypes that have shaped the most significant regional literature in memory. Read the copious offerings straight through in alphabetical order (Ancestor Worship, Blue-Collar Literature, Caves) or skip randomly at whim (Guilt, The Grotesque, William Jefferson Clinton). Whatever approach you take, The Companion’s authority, scope, and variety in tone and interpretation will prove a boon and a delight. Explored here are literary embodiments of the Old South, New South, Solid South, Savage South, Lazy South, and “Sahara of the Bozart.” As up-to-date as grit lit, K Mart fiction, and postmodernism, and as old-fashioned as Puritanism, mules, and the tall tale, these five hundred entries span a reach from Lady to Lesbian Literature. The volume includes an overview of every southern state’s belletristic heritage while making it clear that the southern mind extends beyond geographical boundaries to form an essential component of the American psyche. The South’s lavishly rich literature provides the best means of understanding the region’s deepest nature, and The Companion to Southern Literature will be an invaluable tool for those who take on that exciting challenge. Description of Contents 500 lively, succinct articles on topics ranging from Abolition to Yoknapatawpha 250 contributors, including scholars, writers, and poets 2 tables of contents — alphabetical and subject — and a complete index A separate bibliography for most entries