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The woman he’s never considered… Might be the only one he’ll ever need Jada Allen’s Christmas wishlist is simple: her gorgeous boss. A-list talent agent Max Moore counts on Jada to handle his life—and help him get through to his tween daughter. Yet workaholic Max never really notices her until a makeover reveals the vibrant woman he’s taken for granted. Will one hot night shatter their working relationship or lead to something far sweeter?
Inspired by the tales of four grandmothers - Thuan Le Elston's and her husband's - Rendezvous at the Altar: From Vietnam to Virginia traces Anne's Southern upbringing to her Mad Men-like married life; Kim's family as they survive French colonialism and the Vietnam War; Mary's transformations through the Great Depression and two marriages; and Ty's migration from Hanoi businesswoman to Arizona matriarch. Through a mother's journal to her children and the four grandmothers' narrations that bridge punk band names to the Temple of Literature, Elston compares gender roles, parenting, aging, and dying in a multicultural family.
Countless young people in the Midwest, South, and Southwest went to dances and stage shows in the early to mid-twentieth century to hear a territory band play. Territory bands traveled from town to town, performing jazz and swing music, and Tulsa-based musician Ernie Fields (1904–97) led one of the best. In Going Back to T-Town, Ernie’s daughter, Carmen Fields, tells a story of success, disappointment, and perseverance, extending from the early jazz era to the 1960s. This is an enlightening account of how this talented musician and businessman navigated the hurdles of racial segregation during the Jim Crow era. Because few territory bands made recordings, their contributions to the development of jazz music are often overlooked. Fortunately, Ernie Fields not only recorded music but also loved telling stories. He shared his “tales from the road” with his daughter, a well-known Boston journalist, and his son, Ernie Fields Jr., who has carried on his legacy as a successful musician and music contractor. As much as possible, Carmen Fields tells her father’s story in his own voice: how he weathered the ups and downs of the music industry and maintained his optimism even while he faced entrenched racial prejudice and threats of violence. After traveling with his band all over the United States, Fields eventually caught the attention of renowned music producer John Hammond. In 1939, Hammond arranged for recording sessions and bookings that included performances in the famed Apollo Theater in New York. Ernie finally scored a top-ten hit in 1959 with his rock-and-roll rendition of “In the Mood.” At a time when most other territory bands had faded, the Ernie Fields Orchestra continued to perform. A devoted husband and family man, Ernie Fields also respected and appreciated his fellow musicians. The book includes a “Roll Call” of his organization’s members, based on notes he kept about them. Going Back to T-Town is a priceless source of information for historians of American popular music and African American history.
Serge Chaloff (1923-1957) is most widely remembered as the flamboyant baritone saxophone star with Woody Herman's 2nd Herd whose problems with drugs extended to erratic personal behavior. Nevertheless, there were many brilliant sessions featuring his work before and after his stint with Herman. This work attempts to bring them the recognition they deserve. Simosko details the life and music of Serge Chaloff in an engaging style, from his childhood in Boston, Massachusetts, through his untimely death in 1957. He also provides a discography of Chaloff's recorded output, much of which has been made available by the 1993 Mosaic Records release of The Complete Serge Chaloff Sessions.
Historian Hurewitz brings to life a vibrant and all-but-forgotten milieu of artists, leftists, and gay men and women whose story played out over the first half of the twentieth century and continues to shape the entire American landscape. In a hidden corner of Los Angeles, the personal first became the political, the nation's first enduring gay rights movement emerged, and the broad spectrum of what we now think of as identity politics was born. Portraying life over more than forty years in the hilly enclave of Edendale (now part of Silver Lake), Hurewitz considers the work of painters and printmakers, looks inside the Communist Party's intimate cultural scene, and examines the social world of gay men. He discovers why and how these communities, inspiring both one another and the city as a whole, transformed American notions of political identity with their ideas about self-expression, political engagement, and race relations.--From publisher description.
This cultural journey down memory lane showcases how major Western figures, events, and places have been portrayed in folk legends, art, literature, and popular culture. Ever since the days of the 49ers and George Armstrong Custer, the Old West has been America's most potent source of legend. But it is sometimes hard to separate fact from fiction. Did you know, for example, that Annie Oakley was a talented marksman who shot an estimated 40,000 rounds per year while practicing and performing for Buffalo Bill Cody's Wild West Show in the late l800s? Or that many interpreters believe that The Wonderful Wizard of Oz is not just a fairy tale, but also a Populist allegory? These are just two of the folk legends dissected and examined in this veritable cultural geography. The volume covers everything from billionaire Howard Hughes and composer Aaron Copeland to Aztlan (the legendary first city of the Aztecs) and Area 51, the top-secret U.S. Air Force base at Groom Lake, Nevada, that has fascinated UFO and conspiracy buffs.