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A splendid collection of literary essays by "the greatest biographer of the century"--The Sunday Times, London. Ellmann's Oscar Wilde was a tremendous critical success, winning both the NBCC and the Pulitzer Prize last year.
All Freya can remember is her sister, the basement, and the Man Upstairs. She has no memory of the world outside or of being warm or of not feeling hungry. And now her sister is gone. An unlikely ally shows her how to break out of the basement, but on the frozen banks of the Mississippi, Freya quickly discovers things worse than the Man Upstairs. Freya is lucky to find Finn. He has a canoe, some supplies, and a vague idea about a place down south called Norlins. If they can dodge the slavers and avoid starving to death, the two of them might just have a shot at survival.
An explosive debut mystery for readers of Christine Carbo and Paul Doiron featuring a newly minted deputy thrust into the cutthroat world of hunting. This waterfowl season, the hunters become the hunted. Newly promoted sheriff's deputy Delia Chavez has worked hard to get where she is. Without any family to speak of, law enforcement is all she has. But just a few days into her new job, Delia finds the body of a hunter washed up on the bank of the Willamette River missing his trigger finger. Soon, more bodies are found--all hunters without their trigger fingers. Waterfowl season often means clashes between hunters and animal rights activists, but could someone be killing to make a statement? Petrified, but invigorated by the opportunity, Delia dives head first into the case. Soon, she catches a whiff of something foul and it's not the dead bodies--man or bird. What starts off looking like a simple case of a ruthless vigilante quickly devolves into something much more complex. Facing evasive killers who stop at nothing to conceal their crimes, Delia must bring the criminals to justice because everyone knows, if you're not the predator, you're prey.
Taking place over just one week, River Run is an unputdownable rural drama from the bestselling author of The Bark Cutters and Wild Lands. It is January 1951, and after a year away Eleanor Webber has returned home to River Run, her family’s sprawling sheep property in western New South Wales. Fleeing a failed love affair back in Sydney, she hopes for some time and space to heal. But with shearing of over 25,000 sheep about to commence, and the infamous and moneyed Margaret Winslow and her husband Keith staying in the main house as her mother’s guests, that dream is quickly dashed. More worryingly, her half-brother Robbie is increasingly running wild, playing tricks on his governess, antagonising the jackeroos and obsessing about a communist invasion. Though only eleven, Robbie has appointed himself guardian of the property and, in his treehouse by the river, he readies for an imminent attack. Armed with a gun. Then, with a storm looming and tensions rising in the shearing shed, a mysterious stranger appears on the horizon. And in one disastrous moment young Robbie entangles Eleanor in a situation that will have serious repercussions for every member of the Webber family . . .
Riverrun is a novel that talks about the rite of passage in the life of a young gay man who grew up in a colorful and chaotic dictatorship. Shaped in the form of a memoir, it glides from childhood to young adulthood, from provincial barrio to cosmopolitan London. Its chapters are written like flash fiction, talk stories and vignettes; interlaced with recipes, a feature article, poems and vivid songs. Riverrun marks the global debut of one of Asia's best writers.
The contributions in this volume focus on the ways in which silence and music relate, contemplate each other and provide new avenues for addressing and gaining understanding of various realms of human endeavour. The book maps out this little-explored aspect of the sonic arena with the intention of defining the breadth of scope and to introduce interdisciplinary paths of exploration as a way forward for future discourse. The contributions reveal that unexpected concepts and ways of thinking emerge from looking at sound in relation to its antithesis, encompassing not just Western art traditions, but the relationship between music, silence, the human psyche and sociological trends - ultimately, providing deeper understanding of the elemental places both music and silence hold within world philosophies and fundamental states of being.
One of art's purest challenges is to translate a human being into words. The New Yorker has met this challenge more successfully and more originally than any other modern American journal. It has indelibly shaped the genre known as the Profile. Starting with light-fantastic evocations of glamorous and idiosyncratic figures of the twenties and thirties, such as Henry Luce and Isadora Duncan, and continuing to the present, with complex pictures of such contemporaries as Mikhail Baryshnikov and Richard Pryor, this collection of New Yorker Profiles presents readers with a portrait gallery of some of the most prominent figures of the twentieth century. These Profiles are literary-journalistic investigations into character and accomplishment, motive and madness, beauty and ugliness, and are unrivalled in their range, their variety of style, and their embrace of humanity. Including these twenty-eight profiles: “Mr. Hunter’s Grave” by Joseph Mitchell “Secrets of the Magus” by Mark Singer “Isadora” by Janet Flanner “The Soloist” by Joan Acocella “Time . . . Fortune . . . Life . . . Luce” by Walcott Gibbs “Nobody Better, Better Than Nobody” by Ian Frazier “The Mountains of Pi” by Richard Preston “Covering the Cops” by Calvin Trillin “Travels in Georgia” by John McPhee “The Man Who Walks on Air” by Calvin Tomkins “A House on Gramercy Park” by Geoffrey Hellman “How Do You Like It Now, Gentlemen?” by Lillian Ross “The Education of a Prince” by Alva Johnston “White Like Me” by Henry Louis Gates, Jr. “Wunderkind” by A. J. Liebling “Fifteen Years of The Salto Mortale” by Kenneth Tynan “The Duke in His Domain” by Truman Capote “A Pryor Love” by Hilton Als “Gone for Good” by Roger Angell “Lady with a Pencil” by Nancy Franklin “Dealing with Roseanne” by John Lahr “The Coolhunt” by Malcolm Gladwell “Man Goes to See a Doctor” by Adam Gopnik “Show Dog” by Susan Orlean “Forty-One False Starts” by Janet Malcolm “The Redemption” by Nicholas Lemann “Gore Without a Script” by Nicholas Lemann “Delta Nights” by Bill Buford
► USA Today Bestseller ◄ THERE ARE PLENTY OF WAYS TO DIE in the Grand Canyon. Forensic geologists Cassie Oldfield and Walter Shaws investigate one way: trouble on the canyon's Colorado River. Stranded raft. Life vests unused. Rafters missing. The only clue to the fate of the rafters is a bag of pebbles caught by the bow line. Following that clue, the geologists uncover a hellish scheme. Not only are the rafters in peril, but the river itself is under attack. The race to stop it takes Cassie and Walter deep into the canyon, and onto the mighty river, putting their own survival at stake. ► All books in the series are complete novels, and can be enjoyed in any order.
Joyce said, "My imagination grows when I read Vico as it doesn't when I read Freud or Jung." This volume is the first extended examination of the connections between Vico and Joyce. Joyce employed Vico's New Science as the basis of Finnegans Wake, as he employed Homer's Odyssey as the basis of Ulysses. In what ways are Vico and Joyce similar? To what extent is Vico an influence on Joyce? And in what ways can Vico's philosophy be newly understood when seen in relation to Joyce's use of it? This book suggests ways to see both thinkers anew. Vico and Joyce is divided into three major parts: "Cycles and History," in which Vico's famous conception of the course and recourse of historical events is examined in relation to Joyce's use of this idea in Finnegans Wake; "Joyce and Vico," in which the relationship between the two thinkers is approached more from the side of Joyce than Vico; "Language and Myth," in which the similarities of Vico's and Joyce's grasp of language and imaginative forms of thought are considered. This book opens up a relationship and set of ideas whose time has come. In the last decade there has been an exciting renaissance in the study of Vico that originated in the English-speaking world and spread back to Italy. Joyce has been the one major twentieth-century figure through which most English readers have come to know something of Vico. To consider them together opens up new avenues for our understanding of the imagination, memory, and the cyclic course of human history.
The neighborhoods and establishments in Dublin that appeared in the novel Ulysses are examined, showing how the novel works in terms of time and place, allowing the reader to approach Dublin from the perspective of a Dubliner in 1904.