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Recounts the events of China's Long March, describing the odyssey of thousands of Chinese Communists from their bases to the remote north of China and discussing stories behind the March, including ruthless purges, hunger and disease, and mistreatment ofwomen.
Running late for work one morning in September 1994, Tom Hargrove, communications director for an international agricultural aid organization in Cali, Colombia, was mildly annoyed when he spotted a roadblock, or retén, manned by soldiers in fatigues. He chafed at the delay, but told himself that guerrillas and kidnappers didn’t operate on a main highway in broad daylight. But Hargrove had been dreadfully mistaken. Despite his assertions that he worked for a non-profit agricultural agency, he was forced at gunpoint into a vehicle and driven into the mountains by communist narco-terrorists who believed he was a valuable hostage. For almost a year, Hargrove was held by the guerillas and moved from one remote location to another. To maintain his grip on sanity, he recorded his daily experiences in makeshift journals: in a checkbook; on children’s notebooks; and on scraps of paper scrounged during his ordeal. Hargrove’s story, originally published in 1995, was the basis for the major motion picture Proof of Life, starring Russell Crowe and Meg Ryan. Now available again in paperback, Long March to Freedom chronicles one man’s spirited determination to hang onto life and faith amid nearly impossible circumstances.
A revolutionary comic masterpiece, an icon of literature as American pop art, and a book unlike any other, The Adventures of Mao on the Long March breaks all frames.
On March 7, 1965, a peaceful voting rights demonstration in Selma, Alabama, was met with an unprovoked attack of shocking violence that riveted the attention of the nation. In the days and weeks following "Bloody Sunday," the demonstrators would not be deterred, and thousands of others joined their cause, culminating in the successful march from Selma to Montgomery. The protest marches led directly to the passage of the Voting Rights Act of 1965, a major piece of legislation, which, ninety-five years after the passage of the Fifteenth Amendment, made the practice of the right to vote available to all Americans, irrespective of race. From Selma to Montgomery chronicles the marches, placing them in the context of the long Civil Rights Movement, and considers the legacy of the Act, drawing parallels with contemporary issues of enfranchisement. In five concise chapters bolstered by primary documents including civil rights legislation, speeches, and news coverage, Combs introduces the Civil Rights Movement to undergraduates through the courageous actions of the freedom marchers.
How the cultural revolution of the 1960s changed America.
The Long March, a year-long retreat made by the Chinese Communist Red Army escaping from destruction by the Nationalist forces, is a central turning point in the history of modern China. Thirty women marched with the top leaders, including Mao Zedong and Deng Xioping, during the 6,000-mile trek, and 3,000 women were among the ranks. This book, one of the few to focus on the women, tells their story through the biographies of three key players. Just 17 when they became lovers, Mao's second wife, He Zizhen, bore his children along the way and was forced to leave them behind; Kang Kequing, wife of Zhu De, endured the same hardships as the men, shouldered arms, and fought alongside her male comrades; Commander Wang Quanyuan was captured with her battalion by enemy cavalry that forced the women to become concubines. Drawing on interviews and published and unpublished sources, this book details their experiences on the March and subsequent lives in Communist China.
Two leading experts on China evaluate its rise throughout the past one hundred fifty years, sharing portraits of key intellectual and political leaders to explain how China transformed from a country under foreign assault to a world giant.
An original and insightful new history of Pop Art from one of the most important art historians of our time Thomas Crow's paradigm-changing book challenges existing narratives about the rise of Pop Art by situating it within larger cultural tides. While American Pop was indebted to its British predecessor's insistence that any creative pursuit is worthy of aesthetic consideration, Crow demonstrates that this inclusive attitude also had strong American roots. Folk becomes Crow's starting point in the advance of Pop. The folk revival occurred chiefly in the sphere of music during the 1930s and '40s, while folk art surfaced a decade later in the work of Jasper Johns and Robert Rauschenberg. Crow eloquently examines the subsequent explosion of commercial imagery in visual art, alongside its repercussions in popular music and graphic design. Pop's practitioners become defined as artists whose distillation of the vernacular is able to capture the feelings stirring among a broad public, beginning with young participants in the politicized 1960s counterculture. Woody Guthrie and Roy Lichtenstein, Andy Warhol and Bob Dylan, Ed Ruscha and the Byrds, Pauline Boty and the Beatles, the Who and Damien Hirst are all considered together with key graphic designers such as Milton Glaser and Rick Griffin in this engaging book.