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Perfect for fans of C. J. Box and William Kent Krueger, a sleepy town is rocked to its core when a dead body is found in this debut novel. In the quiet seaside town of Blaine, Washington, the most serious police work involves dealing with stray coyotes or ticketing speeders along the I-5. But on Ethan Brand's first day as the town's chief of police, he finds a threat on his porch, along with a gruesome souvenir, a bloody animal heart. There are plenty of people who are upset about Ethan replacing the last Chief, but when a body shows up on the railroad tracks, Ethan has to turn his focus from the threats against him to the first homicide case the town has seen in years. Blaine's population is only five thousand, but eight million vehicles pass through its railroad crossing every year. It’s the perfect site for drug smuggling, human trafficking, larceny, and murder. Ethan begins to realize that the small town has many more secrets than its quiet surface suggests. With no one to trust, his job already on the line, and the threats getting bolder and more reckless, Ethan Brand must find the killers and bring them to justice before anyone else winds up dead.
In her diary, thirteen-year-old Hattie chronicles her family's arduous 1847 journey from Missouri to Oregon on the Oregon Trail.
"In the murky London gloom, a knife-wielding gentleman prowls the midnight streets with his faithful watchdog Snuff - gathering together the grisly ingredients they will need for an upcoming ancient and unearthly rite. And all manner of players, both human and undead, are preparing to participate."--Publisher.
A captivating new thriller in the Wakeland detective series that explores the depths of Vancouver’s criminal underworld. Caught between the grimy and glittering sides of Vancouver’s streets, private investigator Dave Wakeland tries to keep his head down at the elite security firm he owns with partner Jeff Chen. But when masked men and women storm an ordinary-looking office building in Chinatown, leaving a trail of carnage, Wakeland finds himself caught up in a mystery that won’t let him go, as hard as he tries to elude it. The police have a vested interest in finding the shooters, and so does the leader of the Exiles motorcycle gang. Both want Wakeland’s help. The deeper he investigates, the more connections he uncovers: to a reclusive millionaire with ties to organized crime, an international security company with a sinister reputation, and a high-ranking police officer who seems to have a personal connection to the case. When the shooters themselves start turning up dead, Wakeland realizes the only way to guarantee his own safety, and that of the people he loves, is by finding out who hired the shooters and why. What Wakeland uncovers are secrets no one wants known—a botched undercover operation, an ambitious gangster and a double-crossing killer who used the shooting to cover up another crime. With a setup like this, anything can go wrong, and does. Skill and luck are needed for Wakeland and Chen to emerge with the killers, the money and their own lives.
“I am Johannes Verne, and I am not afraid.” This was the boy’s mantra as he plodded through the desert alone, left to die by his vengeful grandfather. Johannes Verne was soon to be rescued by outlaws, but no one could save him from the lasting memory of his grandfather’s eyes, full of impenetrable hatred. Raised in part by Indians, then befriended by a mysterious woman, Johannes grew up to become a rugged adventurer and an educated man. But even now, strengthened by the love of a golden-haired girl and well on his way to making a fortune in bustling early-day Los Angeles, the past may rise up to threaten his future once more. And this time only the ancient gods of the desert can save him.
Explores Christian spirituality with intelligence and flair, addressing sacraments, sex, death, and the role of the body in prayer.
Death's Following refuses the call of twentieth-century philosophy to face death heroically, advocating instead the mediocrity of Heidegger's "they-self" and its inauthentic, distanced relation to death. Through literary criticism and autobiography, the book considers mediocrity the privileged site for imagining eternal absence: mediocrity as practice for being forgotten.