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For fifteen years, Tim Bradford has meandered round the quiet streets of his North London home, seeking out the ordinary and the extraordinary, the sublime and the ridiculous. A London Country Diary documents his wanderings – he attempts to rescue a deer in Clissold Park, talks to a magical old man in Holloway, breaks up a fight in Stoke Newington and has issues with foxes in Highbury. And that's just the beginning. All of life is in these pages. Well, some. OK, just a little bit. But with its idiosyncratic wit and charming illustrations, this book is a timely reminder that you can find beauty, humour and life, wherever you call home.
36 new illustrations from the now legendary anarchist illustrator, together with an introduction from thte writer Richard Boston.
The first volume of David Plante's extraordinary diaries of a life lived among the artistic elite, both a deeply personal memoir and a hugely significant document of cultural history
Tim Bradford is growing up in a small town in Lincolnshire in the 1970s. Market Rasen is not the most exciting place, but to his teenage mind it was the centre of the universe. Tim is at that in-between phase between childhood and adolescence, where you are trying to be grown up and get your first snogs whilst at the same time still playing with airfix models and making dens. Tim takes us through his first crushes, falling in love with the local beauty queen and an elusive Gallic beauty on a French exchange. His first attempts at getting drunk and trying to impress girls, forming bands which churned out endless numbers of rubbish songs and trying to avoid deckings by the local hards. Tim and his equally hapless friends are gradually working towards breaking free of their childhoods and moving away from their roots. Life in this small town was a rollercoaster of mundane happenings. Small Town paints a portrait of the energy and melancholy at the heart of our generation, the inability to live for now and the feeling that something better is just around the corner. Too young (just) to be baby boomers and too English and uncool to call itself Generation X. It's a universal tale about dreams, ambitions, brass bands, cubs, rugby songs, football stickers, tractors, young love and valve amplifiers connected up to cheap distortion pedals, set at a time of political change and pudding basin hair.
The unique beauty of the British countryside has been celebrated down the ages in music, poetry, and art. It has also been celebrated in countless private diaries. This delightful treasury gathers together the very finest - from Rev Gilbert White's journal of life at his famous home in Selborne to Beatrix Potter's holiday diaries from Perthshire. Elsewhere, the thoughts of Dorothy Wordsworth and John Fowles rub shoulders with the words of Queen Victoria, Siegfried Sassoon and Roger Deakin. Together, these private records, which have been arranged as a diary of the calendar year, paint a rich and surprising portrait of a landscape and a life we think we know so well.
Into the Secret Heart of Ashdown Forest is a love letter after a forty-year affair. Wry, funny, moving and vivid, this memoir chronicles the life of the author and the ten square miles of country he calls his Kingdom. This book is as good as a brisk walk in the woods on an autumn day. Written with love and passion, it is a hymn to landscape and freedom. It is a close and deep observation of the writer’s adopted country, the fabled Ashdown Forest in East Sussex, England, (the home of Winnie the Pooh), where he has lived and ridden for the past forty years. His gift is the ability to take you deep into the landscapes that make this place resonate in his heart: its streams, woods, heathlands. You meet its literary residents, A.A, Milne, Sir Arthur Conan Doyle, Ezra Pound and W.B. Yeats. You get beneath its skin among the networks of fungi that allow the trees to speak. You taste its foods, meet its locals, both the living and the ghosts, and see its huge importance during the plague year 2020-21 through the pandemic lockdowns. His passion for horses shines through these pages and his writing is, as he himself says, a form of ‘moving meditation’. He takes you under the soil of this place and he leaves a soft glow on the landscape when he is gone.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1950.
The great interest of Jocelyn Playfair's book for modern readers is its complete authenticity. Set sixty years ago at the time of the fall of Tobruk in 1942, one of the low points of the war, and written only a year later when we still had no idea which way the war was going.
Encompassing thirty-eight handwritten volumes, Virginia Woolf’s diary is her longest work, her longest sustained, and last work to reach the public. In the only full-length work to explore deeply this luminous and boundary-stretching masterpiece, Barbara Lounsberry traces Woolf’s development as a writer through her first twelve diaries—a fascinating experimental stage, where the earliest hints of Woolf’s pioneering modernist style can be seen. Starting with fourteen-year-old Woolf’s first palm-sized leather diary, Becoming Virginia Woolf illuminates how her private and public writing was shaped by the diaries of other writers including Samuel Pepys, James Boswell, the French Goncourt brothers, Mary Coleridge, Ralph Waldo Emerson, and Woolf’s “diary parents”—Sir Walter Scott and Fanny Burney. These key literary connections open a new and indispensable window onto the story of one of literature’s most renowned modernists.