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The creator of the groundbreaking Fearless Living program shows readers how to overcome unrealistic expectations and live a life based on instinct and intention rather than fear, clinging, and regret. Reprint.
In Author Under Sail: The Imagination of Jack London, 1902–1907, Jay Williams explores Jack London’s necessity to illustrate the inner workings of his vast imagination. In this second installment of a three-volume biography, Williams captures the life of a great writer expressed though his many creative works, such as The Call of the Wild and White Fang, as well as his first autobiographical memoir, The Road, some of his most significant contributions to the socialist cause, and notable uncompleted works. During this time, London became one of the most famous authors in America, perhaps even the author with the highest earnings, as he prepared to become an equally famous international writer. Author Under Sail documents London’s life in both a biographical and writerly fashion, depicting the importance of his writing experiences as his career followed a trajectory similar to America’s from 1876 to 1916. The underground forces of London’s narratives were shaped by a changing capitalist society, media outlets, racial issues, increases in women’s rights, and advancements in national power. Williams factors in these elements while exploring London’s deeply conflicted relationship with his own authorial inner life. In London’s work, the imagination is figured as a ghost or as a ghostlike presence, and the author’s personas, who form a dense population among his characters, are portrayed as haunted or troubled in some way. Along with examining the functions and works of London’s exhaustive imagination, Williams takes a critical look at London’s ability to tell his stories to wide arrays of audiences, stitching incidents together into coherent wholes so they became part of a raconteur’s repertoire. Author Under Sail provides a multidimensional examination of the life of a crucial American storyteller and essayist.
Writers don't often write about their own worlds - but when they do, expect them to be every bit as imaginative as their other fiction. We've found a common theme in these six short stories. Where these new authors, not only explore their own thoughts, ideas, and angst through their own fiction, but also take apart their own ideas about how writers write. Here you'll see writer's block, the solitary writer's romances, the revenge of stalking stories, being transported by another writer into one of their worlds, and even examining the idea of your pet cat being responsible for a writer's output - or lack of it. Nothing is sacred to these authors as they turn their fiction microscope on themselves and their own profession. Get Your Copy Today.
First published in the year 1906, the present book 'Famous Authors (Men)' by E. F. Harkins is aimed at providing the readers sketches of some of its American literary heroes. A part of the aim has been to present the social or personal as well as the professional side of the authors. Many of the anecdotes commonly told of well-known novelists are apocryphal or imaginary.
A memoir of one young man’s coming of age on a journey across America--told through the stories of the people of all ages, races, and inclinations he meets along the way. Life is fast, and I’ve found it’s easy to confuse the miraculous for the mundane, so I’m slowing down, way down, in order to give my full presence to the extraordinary that infuses each moment and resides in every one of us. At 23, Andrew Forsthoefel headed out the back door of his home in Chadds Ford, Pennsylvania, with a backpack, an audio recorder, his copies of Whitman and Rilke, and a sign that read "Walking to Listen." He had just graduated from Middlebury College and was ready to begin his adult life, but he didn’t know how. So he decided to take a cross-country quest for guidance, one where everyone he met would be his guide. In the year that followed, he faced an Appalachian winter and a Mojave summer. He met beasts inside: fear, loneliness, doubt. But he also encountered incredible kindness from strangers. Thousands shared their stories with him, sometimes confiding their prejudices, too. Often he didn’t know how to respond. How to find unity in diversity? How to stay connected, even as fear works to tear us apart? He listened for answers to these questions, and to the existential questions every human must face, and began to find that the answer might be in listening itself. Ultimately, it’s the stories of others living all along the roads of America that carry this journey and sing out in a hopeful, heartfelt book about how a life is made, and how our nation defines itself on the most human level.
This study engages in a detailed examination of Kierkegaard’s works of literary and dramatic criticism, including those works directed at interpreting Kierkegaard’s own authorship, with a specific concern for both what Kierkegaard and Kierkegaard’s anonyms and pseudonyms write about the nature and practice of authorship, as well as how the Kierkegaardian authors practice authorship themselves. Moving through five chapters, each devoted to one or more works of Kierkegaard’s criticism, the study develops a new approach to reading Kierkegaard – a new Kierkegaardian hermeneutic – that begins always with the character of the author. This new approach avoids the challenges of critics of biographical criticism, such as Roland Barthes, Michel Foucault, and Jacques Derrida, by positing the author always as a work of fiction him- or herself, the creation of an unknown and ever anonymous “author of the author”.
'The Lure of the Pen' is a guidebook for budding writers of books. Author Flora Klickmann offers her suggestions on the practical skills needed to successfully write a book. From conception of a book idea to the research to be done, selecting a proper style of writing, setting a desired atmosphere and how best to reach the climax of your storyline. Klickmann is best known for her Flower-Patch series of books of anecdotes and nature descriptions.