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The fifth volume in Series III of the popular “Little Book” Series! Thomas Ligotti is a contemporary American horror writer and reclusive literary cult figure. His writings have been noted as being rooted in several literary genres—most prominently, weird fiction—and have overall been described by critics such as S. T. Joshi as works of “philosophical horror,” often written as short stories and novellas and with similarities to gothic fiction. The worldview espoused by Ligotti in both his fiction and non-fiction has been described as profoundly pessimistic and nihilistic. The Washington Post called him the best kept secret in contemporary horror fiction. We are very proud to include this fascinating and unique writer in our Little Book Series. A Little White Book of Screams and Whispers is a compilation of Interviews with Ligotti that have never been collected or reprinted. The author’s complex and esoteric answers will give you insight into one of the most original and unsettling writers of weird dark fantasy.
From Ellen Datlow (“the venerable queen of horror anthologies” (New York Times) comes a new entry in the series that has brought you stories from Stephen King and Neil Gaiman comes thrilling stories, the best horror stories available. For more than three decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the eleventh volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman, Kim Newman, Stephen King, Linda Nagata, Laird Barron, Margo Lanagan, and many others. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness as articulated by today’s most challenging and exciting writers.
A real, raw telling of a man’s lifelong struggle with bipolar disorder, When Screams Become Whispers offers a better understanding of the disease, the extent of its reach, and the dire need for widely available treatment options.
For fans of Gillian Flynn, Caroline Cooney, and R.L. Stine comes Whispers from the Dead from four-time Edgar Allen Poe Young Adult Mystery Award winner Joan Lowery Nixon. Only Sarah senses the horror. The minute she steps through the doorway of her family’s new home, Sarah feels a smothering cold mist, and hears the echo of a scream and a heartbreaking whisper in Spanish, “Help me!” Sarah feels compelled to find out who is trying to reach her. But can she uncover the mysteries of the past before terror strikes again? “A master at creating compelling suspense novels, Nixon has written yet another carefully plotted, subtly terrifying thriller.” –Publishers Weekly
It’s the sound every killer waits for . . . WHEN THERE’S NO ESCAPE FROM A COLD-BLOODED KILLER . . . As white-hot flames sear the dark night, a killer waits in the trees, watching the mill burn, listening for the screams—the only proof that justice has finally begun for the sins of long-ago. SCREAM . . . SCREAM AS LOUD AS YOU CAN . . . For journalist Cassidy Buchanan, this inferno is a living nightmare: a reminder of the horrible, mysterious fire that destroyed her wealthy family seventeen years ago—and of Brig McKenzie, the handsome hellraiser accused of setting the blaze. That tragic crime has never been solved, and already the whispers have begun in Prosperity, Oregon: Another fire, more deaths, and one common denominator—Cassidy herself. OR IT MAY BE THE LAST SOUND YOU EVER MAKE . . . Cassidy came home to Prosperity to put the past behind her, but it seems the past isn’t finished with Cassidy. Someone doesn’t want her to uncover the chilling truth...someone who has killed before and will kill again...a cold-blooded psychopath who is only waiting to hear her final scream . . .
Amy Pierce knows nothing of the terrifying Fear history when she arrives for a visit with Simon and Angelica Fear. Their New Orleans mansion is beautiful—but Amy senses something evil there. Something that watches her. Waits for her. Will Amy be strong enough to escape the powers controlled by the Fear family?
The story is told by Albert N. Wilmarth, an instructor of literature at Miskatonic University in Arkham. When local newspapers report strange things seen floating in rivers during a historic Vermont flood, Wilmarth becomes embroiled in a controversy about the reality and significance of the sightings, though he sides with the skeptics. Wilmarth uncovers old legends about monsters living in the uninhabited hills who abduct people who venture or settle too close to their territory.
NATIONAL BESTSELLER • A high-stakes hide-and-seek competition turns deadly in this “marvelously creepy thrill ride of a book that keeps twisting until the very end” (Karen M. McManus, author of One of Us Is Lying) “The suspenseful plot combines elements of Thomas Tryon’s classic Harvest Home, Netflix’s Squid Game, and the social commentary of Jordan Peele’s film oeuvre and mixes these with a revelatory pacing reminiscent of Spielberg’s Jaws.”—Booklist The challenge: Spend a week hiding in an abandoned amusement park and don’t get caught. The prize: enough money to change everything. Even though everyone is desperate to win—to seize a dream future or escape a haunting past—Mack is sure she can beat her competitors. All she has to do is hide, and she’s an expert at that. It’s the reason she’s alive and her family isn’t. But as the people around her begin disappearing one by one, Mack realizes that this competition is even more sinister than she imagined, and that together might be the only way to survive. Fourteen competitors. Seven days. Everywhere to hide but nowhere to run. Come out, come out, wherever you are.
"So compelling it gave me goosebumps from the very first pages." —ISABEL ALLENDE A family saga: four generations of mixed–race African American, Native American, and Irish women experience intergenerational trauma as well as the healing brought by nature and music, leading to triumphant resilience. Mostly White begins in 1890 when Emma, a mixed–race Native American and African American girl, is beaten by nuns and confined in a closet for speaking her language at an Indian Residential school in Maine. From there, a tale that spans four generations of women unfolds. Emma's descendants suffer the effects of trauma, poverty, and abuse while fighting to form their own identities and honor the call of their ancestors. ALISON HART studied theater at New York University and later found her voice as a writer. She identifies herself as a mixed–race African American, Passamaquoddy Native American, Irish, Scottish, and English woman of color. Her poetry collection Temp Words was published by Cosmo Press in 2015, and her poems appear in Red Indian Road West: Native American Poetry from California (Scarlet Tanager Books, 2016) and elsewhere. Hart lives in Alameda, California.
Future investigative reporter Sabrina, fourteen, researches a popular website where people post horror videos, hoping to prove they are not as real as they seem until her sister, a big fan of the site, disappears.