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Over 50 original full-color artworks address newly translated writings of Robert Walser
New picture book by a two-time Newbery Honor-winning author! The delightful story of an unconventional family of kids who learn the ups and downs of working together. Merra, Locky, Roozle, Finn, and little Jory love their ramble shamble house. It's a lot of work taking care of the garden, the chickens, and themselves, but they all pitch in to make it easier--even Jory, who looks after the mud puddles. When they come across a picture of a "proper" house in a book, they start wondering if their own home is good enough. So they get to work "propering up" the garden, the chickens, and even the mud puddles. But the results aren't exactly what they expected, and when their now-proper household's youngest member goes missing, they realize that their ramble shamble home might be just right for their family, after all.
A collection of writings by Swiss author Robert Walser, including journal entries, stories, notes on literature, biographical sketches, fables, and anecdotes.
A RADIO 4 BOOK OF THE WEEK ‘An affectionate and revealing account ... Funny, sad, real, rueful.’ The Times ‘Warm, rambling and self-aware’ Guardian The long-awaited, rambling, tender, and very funny memoir from Adam Buxton
A unique and personal portrait of the beloved, legendary Swiss writer, finally in English After a nervous breakdown in 1929, Robert Walser spent the remaining twenty-seven years of his life in mental asylums, closed off from the rest of the world in almost complete anonymity. While at the Herisau sanitarium, instead of writing, Walser practiced another favorite activity: walking. Starting in 1936, Carl Seelig, Walser’s friend and literary executor, visited and accompanied him on these walks, meticulously recording their conversations. As they strolled, Walser told stories, shared his daily experiences of the sanatorium, and expressed his opinions about books and art, writing and history. When Seelig asked why he no longer wrote, Walser famously replied: “I’m not here to write, I’m here to be mad.” Filled with lively anecdotes and details, Walks with Walser offers the fullest available account of this wonderful writer’s inner and outer life.
The Assistant by Robert Walser--who was admired greatly by Kafka, Musil, Walter Benjamin, and W. G. Sebald--is now presented in English for the very first time.
The author writes about her passion for Marseilles--a city she has known for half a century--describing all aspects of past and present life in the ancient seaport
"The Tanners is a contender for Funniest Book of the Year."—The Village Voice The Tanners, Robert Walser’s amazing 1907 novel of twenty chapters, is now presented in English for the very first time, by the award-winning translator Susan Bernofsky. Three brothers and a sister comprise the Tanner family—Simon, Kaspar, Klaus, and Hedwig: their wanderings, meetings, separations, quarrels, romances, employment and lack of employment over the course of a year or two are the threads from which Walser weaves his airy, strange and brightly gorgeous fabric. “Walser’s lightness is lighter than light,” as Tom Whalen said in Bookforum: “buoyant up to and beyond belief, terrifyingly light.” Robert Walser—admired greatly by Kafka, Musil, and Walter Benjamin—is a radiantly original author. He has been acclaimed “unforgettable, heart-rending” (J.M. Coetzee), “a bewitched genius” (Newsweek), and “a major, truly wonderful, heart-breaking writer” (Susan Sontag). Considering Walser’s “perfect and serene oddity,” Michael Hofmann in The London Review of Books remarked on the “Buster Keaton-like indomitably sad cheerfulness [that is] most hilariously disturbing.” The Los Angeles Times called him “the dreamy confectionary snowflake of German language fiction. He also might be the single most underrated writer of the 20th century....The gait of his language is quieter than a kitten’s.” “A clairvoyant of the small” W. G. Sebald calls Robert Walser, one of his favorite writers in the world, in his acutely beautiful, personal, and long introduction, studded with his signature use of photographs.