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A comedy about a husband's vow to murder his wife and his wife's determination to stay alive.
This is not an ordinary book . . . it exists through grace. By the time I found the metaphysical teaching called Science of Mind in 1989, the local church had grown from a few people in a living room to about 175. Still meeting in an array of hotel ballrooms and clubs, the principles for successful living shared every Sunday were already deeply held beliefs in my life, so it immediately felt like home. One weekend we invited the elders of the church over to discuss church history and what a rich history it was. An afternoon with Bill and Win Siefert, Bruce and Dorothy Johnson, Marilyn and Joe Vondracek, Bob and Dorothy Huntoon, Harry and Frances Bleile, and Rev. James and Rev. Andrea Golden was magical. How many ministers have taken their congregation skydiving? White water rafting? On wilderness treks? How many change lives through deep introspection at family retreats in rustic cabins deep in the woods? How many invite congregants and friends to pound thousands of nails for an old fashioned barn raising to build a sanctuary? Whether the name was the Science of Mind Center, Church of Religious Science, Spiritual Enrichment Center, or Center for Spiritual Living, over the years we all learned to jump into life in one new way or another. The list of events by year presented in the appendix creates a picture of a community that loves to laugh and play together, always mindful of doing their spiritual practices. What a life! What a community! What a history! Rev. Mary E. Mitchell
Elation turns to fear as the young doctor steps into the rundown clinic sixty years ago. He is twenty-six years old, a graduate of Northwestern University in Chicago with its hordes of specialists and well-equipped hospitals. On a whim, he decides to begin his medical career at a small remote town in the Colorado Rocky Mountains. As he opens the door to the clinic, reality strikes--he is alone. All the helpful specialists are in a hospital 125 miles away. He, with his limited skills and experience, is the only thing standing between life and death for the severely injured and critically ill. But he has an edge. He is a pilot. A plane becomes an integral part of his practice. He makes house calls at remote ranches. He lands on makeshift runways (dirt roads and two-lane blacktops) at accident scenes, at times in the dead of night with only a highway patrolman's car headlights to guide him. He delivers babies and performs emergency surgery in midflight with only Sam, his fellow pilot, or his plane's autopilot as his assistant. His patients become his "family"--honest to a fault, tough beyond reason, and, at times, hysterically funny without trying to be. For the ride of your life, come fly with him back in time to an era where the Wild West was still wild, where cowboys and miners settled their disputes with fists, broken beer bottles, and six-guns. Where life was simpler. Where doing what was right was more important than doing what was politically correct. Where just being alive was a great adventure.
NATIONAL BESTSELLER • From the Pulitzer Prize-winning author of The Goldfinch comes an utterly riveting novel set in Mississippi of childhood, innocence, and evil. • “Destined to become a special kind of classic.” —The New York Times Book Review The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet—unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss. Filled with hairpin turns of plot and “a bustling, ridiculous humanity worthy of Dickens” (The New York Times Book Review), The Little Friend is a work of myriad enchantments by a writer of prodigious talent.
Involuntary adultery can easily lead to involuntary manslaughter, but getting rid of the body of evidence is a whole different matter… English translation by Anne-Christine Gasc 3 characters : 1 male and 2 females This play can be adapted for 2 men and 1 woman by swapping the characters’ genders.
“Incisive wit . . . a sleuth worthy of comparison to Agatha Christie’s Hercule Poirot or Sue Grafton’s Kinsey Millhone.”—James W. Hall Diana O’Hehir beguiled audiences with I Wish This War Were Over, runner-up for the Pulitzer Prize. Now, she presents a mystery set in that most shadowy of landscapes: the human mind. Green Beach Manor, set on the jagged cliffs of the California coast, calls itself “A Colony for Independently Functioning Adults.” It costs a pretty penny—and Carla Day is confident that her affectionate-but-confused elderly father is getting the best care there. An accomplished former Egyptologist, he now lives in a fusion of past and present. The staff hasn’t a clue what he’s ranting about—and they’re ready to send him to what they privately call No Hope House. Then a string of suspicious events unravels. A fire starts inexplicably in the beauty parlor, and some drugs go missing. Carla, hoping to keep a close eye on her dad, lands a job as an aide at the Manor. But management has one condition: Spy for us, figure out who’s doing this—and you and your father can stay. Soon, a guest swallows glass hidden in her food. An employee dies an eerie death. And Carla’s father begins rambling not only about Egyptian pyramids, but also about a dead woman on the nearby beach. The answer may lie in an ancient Egyptian tomb. Or maybe it’s somewhere further—in the deep recesses of a brilliant old man’s memory. “One of the most intellectually delightful murder mysteries ever written . . . The narrating voice is a pleasure from beginning to end, and the reader comes away with an education in ancient Egyptology!”—Vivian Gornick, author of Fierce Attachments
In Murder on Millionaires' Row, Erin Lindsey's debut historical mystery, a daring housemaid searches Gilded Age Manhattan for her missing employer and finds a hidden world of magic, ghosts, romance, and Pinkerton detectives. "With a strong, likeable heroine and a well-drawn cast of characters, this highly recommended romp through late 19th-century New York will have readers clamoring for the next installment."—Library Journal (Starred) Rose Gallagher might dream of bigger things, but she’s content enough with her life as a housemaid. After all, it’s not every girl from Five Points who gets to spend her days in a posh Fifth Avenue brownstone, even if only to sweep its floors. But all that changes on the day her boss, Mr. Thomas Wiltshire, disappears. Rose is certain Mr. Wiltshire is in trouble, but the police treat his disappearance as nothing more than the whims of a rich young man behaving badly. Meanwhile, the friend who reported him missing is suspiciously unhelpful. With nowhere left to turn, Rose takes it upon herself to find her handsome young employer. The investigation takes her from the marble palaces of Fifth Avenue to the sordid streets of Five Points. When a ghostly apparition accosts her on the street, Rose begins to realize that the world around her isn’t at all as it seems—and her place in it is about to change forever.
Gender, Agency and Violence: European Perspectives from Early Modern Times to the Present Day centres on literary, cinematic and artistic male and female perpetrators of violence and their discourses. This volume takes an interdisciplinary and cross-European approach – covering French, German, English and Italian case-studies from the sixteenth to the twentieth century and allowing for the exploration of recurrent themes. The contributions also facilitate an insight into how the arts and media respond to historical turning points which, time and again, challenge the link between gender, agency and violence for individuals and society alike.
When Sabrina Stanhope asks her to investigate the murder of Virginia Pratt, a young secretary by day and high-priced call girl by night, whose naked body was found in Central Park, crime reporter Paige Turner, asked to keep her findings a secret to avoid a scandal, must go undercover to catch a killer. Original.