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The twelfth in the first series of Little Books from Borderlands Press is A Little Magenta Book of Mean Stories. This collection of short fiction is by two-time Bram Stoker Award-winning author Elizabeth Massie. Stories included in this collection: "Pinkie" "The Wills and the Way" "Death at Eleven" "Abed" "Dance of the Spirit Untouched" "Sweet Kitty" "Pisspot Bay"
Thirty-five uncanny and erotic tales of vampires written by supernatural fiction’s greatest mistresses of the macabre. "Fashions change, and the urbane vampire created by Byron and cemented in place by Stoker has had to move on . . . Are you, like me, ready for the new dusk?" —Ingrid Pitt, from her Introduction Prepare to arm yourself with garlic, silver bullets, and a stake. Featuring the only vampire short story written by Anne Rice, the undisputed queen of vampire literature, and boasting an autobiographical introduction and original tale by Ingrid Pitt, the star of Hammer Films' The Vampire Lovers and Countess Dracula, this is one anthology that every vampire fan—vampiric feminist or not—will want to drink deep from. From the classic stories of Edith Wharton, Edith Nesbit, Mary E. Wilkins-Freeman, and Mary Elizabeth Braddon to modern incarnations by such acclaimed writers as Poppy Z. Brite, Nancy Kilpatrick, Tanith Lee, Caitlín R. Kiernan, and Angela Slatter, these blood-drinkers and soul-stealers range from the sexual to the sanguinary, from the tormented Good to the unspeakably Evil. Among those memorable Children of the Night you will encounter are Chelsea Quinn Yarbro's Byronic vampire Saint-Germain, Nancy A. Collins' undead heroine Sonja Blue, Tanya Huff's vampiric detective Vicki Nelson, and Freda Warrington’s age-old lovers Karl and Charlotte. Nominated for the World Fantasy Award and the International Horror Guild Award, and now revised and updated, The Mammoth Book of Vampire Stories by Women fulfils the bloodlust of the somnambulist horror fan, delivering the ultimate bite.
The year's finest tales of terror Here is the latest edition of the world's premier annual showcase of horror and dark fantasy fiction. It features some of the very best short stories and novellas by today's masters of the macabre - including Peter Atkins, Cliver Barker, Glen Hirschberg, Joe Hill and Caitlin R. Kiernan. The Mammoth Book of Best New Horror also features the most comprehensive yearly overview of horror around the world, lists of useful contact addresses and a fascinating necrology. It is the one book that is required reading for every fan of macabre fiction.
Shares insights into the teen transgender experience, tracing six individual's emotional and physical journey as it was shaped by family dynamics, living situations, and the transition each teen made during the personal journey.
The ninth title in Borderlands' "Little Book" series II is by cult favorite writer Ed Lee, who has created a A Little Magenta Book About a Dollhouse. WELCOME TO THE PATTEN MANOR HOUSE. It’s a horror house, a slaughter house, a devil house. And it’s something else, too: A dollhouse. Reginald Lympton collects dollhouses, and now that he’s acquired the rare Patten Doll House, he can boast the most preeminent collection in the world. But after visions too abominable to reckon, and nightmares blacker than the most bottomless abyss, he discovers in short order that his acquisition is not a prized collector’s item at all but a diabolical thoroughfare designed to serve the darkest indulgences of the King of Terrors. Edward Lee, the master of hardcore horror, has penned this audacious homage to the master of the Victorian ghost story, M.R. James.
An inside look at the obsessive, secretive, and often bizarre world of high-profile stamp collecting, told through the journey of the world’s most sought-after stamp. When it was issued in 1856, it cost a penny. In 2014, this tiny square of faded red paper sold at Sotheby’s for nearly $9.5 million, the largest amount ever paid for a postage stamp at auction. Through the stories of the eccentric characters who have bought, owned, and sold the one-cent magenta in the years in between, James Barron delivers a fascinating tale of global history and immense wealth, and of the human desire to collect. One-cent magentas were provisional stamps, printed quickly in what was then British Guiana when a shipment of official stamps from London did not arrive. They were intended for periodicals, and most were thrown out with the newspapers. But one stamp survived. The singular one-cent magenta has had only nine owners since a twelve-year-old boy discovered it in 1873 as he sorted through papers in his uncle’s house. He soon sold it for what would be $17 today. (That’s been called the worst stamp deal in history.) Among later owners was a fabulously wealthy Frenchman who hid the stamp from almost everyone (even King George V of England couldn’t get a peek); a businessman who traveled with the stamp in a briefcase he handcuffed to his wrist; and John E. du Pont, an heir to the chemical fortune, who died while serving a thirty-year sentence for the murder of Olympic wrestler Dave Schultz. Recommended for fans of Nicholas A. Basbanes, Susan Orlean, and Simon Winchester, The One-Cent Magenta explores the intersection of obsessive pursuits and great affluence and asks why we want most what is most rare.
How do we create new ways of looking at the world? Join award-winning data storyteller RJ Andrews as he pushes beyond the usual how-to, and takes you on an adventure into the rich art of informing. Creating Info We Trust is a craft that puts the world into forms that are strong and true. It begins with maps, diagrams, and charts — but must push further than dry defaults to be truly effective. How do we attract attention? How can we offer audiences valuable experiences worth their time? How can we help people access complexity? Dark and mysterious, but full of potential, data is the raw material from which new understanding can emerge. Become a hero of the information age as you learn how to dip into the chaos of data and emerge with new understanding that can entertain, improve, and inspire. Whether you call the craft data storytelling, data visualization, data journalism, dashboard design, or infographic creation — what matters is that you are courageously confronting the chaos of it all in order to improve how people see the world. Info We Trust is written for everyone who straddles the domains of data and people: data visualization professionals, analysts, and all who are enthusiastic for seeing the world in new ways. This book draws from the entirety of human experience, quantitative and poetic. It teaches advanced techniques, such as visual metaphor and data transformations, in order to create more human presentations of data. It also shows how we can learn from print advertising, engineering, museum curation, and mythology archetypes. This human-centered approach works with machines to design information for people. Advance your understanding beyond by learning from a broad tradition of putting things “in formation” to create new and wonderful ways of opening our eyes to the world. Info We Trust takes a thoroughly original point of attack on the art of informing. It builds on decades of best practices and adds the creative enthusiasm of a world-class data storyteller. Info We Trust is lavishly illustrated with hundreds of original compositions designed to illuminate the craft, delight the reader, and inspire a generation of data storytellers.
Me... a witch? No way! Or at least that's what I thought before I was knocked right off my feet by a bolt of magic. All at once my quiet life as a book editor for Peacock Publishing in Carlsbad, California was blown to smithereens and something called magic keeps bubbling right out of me. I smell like cinnamon and clover no matter what perfume I use. And believe me, I've tried everything. I'm currently sorting through all kinds of mystical mayhem and paranormal perils as I try to figure out what it all means to be a witch. I'm too scared to share any part of my newborn identity with my boyfriend Justin, since I'm pretty sure that sure that he's a non-magical and would think I've lost it. My new upside down world has me wondering if it's possible that my sisters might somehow be witches too? My usual go to person to consult on everything important in my life is my Aunt Cressida. Surprise, surprise! She turns out to be the Grand Puba of witches in the local coven! Invisible spirits have become regular visitors to my world, I'm moving objects without really trying and I can hear the thoughts of others, including my pet cat! Guess I better get used to it; I'm actually a witch! A reluctant witch living on the beaches of sunny California.