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The author describes the essays in this collection as "mongrols of a sort"--part personal essay and part literary commentary or criticism. The conversations range over the narratives of several generations of women writers, from Maria Paz Mendoza and Edith Tiempo to F. H. Batacan and Tara Sering; and cover conventional realist novels and short stories, as well as fairy tales, chick lit, crime fiction, and war memoirs.
Rejected by the parents of the girl he loves for being poor, Ma Mon Luk strikes out from China and boards a steamship headed for the Philippines in 1918. He vows to make a fortune and return for his beloved. Ma creates a chicken noddle soup he calls mami—"ma" for his name and "mi" for noodles—and peddles it as a street vendor. He eventually earns enough to open his own restaurant and wins the approval of the parents of his true love. Joyful illustrations from award-winning illustrator Kristin Sorra and heartwarming text from debut picture book author Jacqueline Chio-Lauri blend together to create a delicious story about creativity, perseverance, and the perfect bowl of soup. Satisfy your hunger with this Junior Library Guild Gold Standard Selection! "A savory success story."—Booklist "An absolutely wonderful and inspiring story, beautifully illustrated. So much depth, so many layers! But at its core, this is fundamentally a story about the enduring power of love and how that helped Ma Mon Luk to achieve the impossible...A valuable addition to any bookshelf."—Emma Pearl, author of Mending the Moon and Saving the Sun.
"The world is ready for her blend of insane Angela Carter with the originality of Clarice Lispector."—Mariana Enriquez, LitHub Delicately crafted, intensely visual, deeply personal stories explore the nature of memory, family ties, and the difficult imbalances of love. "Both her debut story collection, Forgotten Journey, and her only novel, The Promise, are strikingly 20th-century texts, written in a high-modernist mode rarely found in contemporary fiction."—Lily Meyer, NPR "Silvina Ocampo is one of our best writers. Her stories have no equal in our literature."––Jorge Luis Borges "I don't know of another writer who better captures the magic inside everyday rituals, the forbidden or hidden face that our mirrors don't show us."—Italo Calvino "These two newly translated books could make her a rediscovery on par with Clarice Lispector. . . . there has never been another voice like hers."—John Freeman, Executive Editor, LitHub " . . . it is for the precise and terrible beauty of her sentences that this book should be read.A masterpiece of midcentury modernist literature triumphantly translated into our times."—Publishers Weekly * Starred Review "Ocampo is beyond great—she is necessary."—Hernan Diaz, author of In the Distance and Associate Director of the Hispanic Institute at Columbia University "Like William Blake, Ocampo's first voice was that of a visual artist; in her writing she retains the will to unveil immaterial so that we might at least look at it if not touch it."—Helen Oyeyemi, author of Gingerbread "Ocampo is a legend of Argentinian literature, and this collection of her short stories brings some of her most recondite and mysterious works to the English-speaking world. . . . This collection is an ideal introduction to a beguiling body of work."—Publishers Weekly This collection of 28 short stories, first published in 1937 and now in English translation for the first time, introduced readers to one of Argentina's most original and iconic authors. With this, her fiction debut, poet Silvina Ocampo initiated a personal, idiosyncratic exploration of the politics of memory, a theme to which she would return again and again over the course of her unconventional life and productive career. Praise for Forgotten Journey: "Ocampo is one of those rare writers who seems to write fiction almost offhandedly, but to still somehow do more in four or five pages than most writers do in twenty. Before you know it, the seemingly mundane has bared its surreal teeth and has you cornered."—Brian Evenson, author of Song for the Unraveling of the World: Stories "The Southern Cone queen of the short-story, Ocampo displays all her mastery in Forgotten Journey. After finishing the book, you only want more."—Gabriela Alemán, author of Poso Wells "Silvina Ocampo's fiction is wondrous, heart-piercing, and fiercely strange. Her fabulism is as charming as Borges’s. Her restless sense of invention foregrounds the brilliant feminist work of writers like Clarice Lispector and Samanta Schweblin. It’s thrilling to have work of this magnitude finally translated into English, head spinning and thrilling."—Alyson Hagy, author of Scribe
An overview and analysis of the role of English in the Philippines, the factors that led to its spread and retention, and the characteristics of Philippine English today.
The acclaimed author of The Hottest Dishes of the Tartar Cuisine “explores the peculiarities of familial relations to tremendous result” (Asymptote). A Lit Hub Most Anticipated Book of 2021 Max lives with his grandparents in a residential home for refugees in Germany. When his grandmother—a terrifying, stubborn matriarch and a former Russian primadonna—moved them from the Motherland it was in search of a better life. But she is not at all pleased with how things are run in Germany: the doctors and teachers are incompetent, the food is toxic, and the Germans are generally untrustworthy. His grandmother has been telling Max that he is an inept, clueless weakling since he was a child and she’d spend the day sitting in the back of his classroom to be sure he came to no harm. While he may be a dolt in his grandmother’s eyes, Max is bright enough to notice that his stoic and taciturn grandfather has fallen hopelessly in love with their neighbor, Nina. When a child is born to Nina that is the spitting image of Max’s grandfather, things come to a hilarious if dramatic head. Everybody will have to learn to defend themselves from Max’s all-powerful grandmother. Alina Bronsky, author of The Hottest Dishes of the Tartar Cuisine, writes of family dysfunction and machinations with a droll and biting humor, a tremendous ear for dialog, and a generous heart that is forgiving of human weakness. “[A] comic feel-bad novel. Bronsky has a Dickensian flair for writing about miserable children—or, rather, the miseries of childhood.” —Vulture